Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives and many formerly prominent SA members are absent.
Béla Balázs, born Herbert Béla Bauer, was a Hungarian film critic, aesthetician, writer and poet of Jewish heritage. He was a proponent of formalist film theory.
Hans Hass was an Austrian biologist and underwater diving pioneer. He was known mainly for being among the first scientists to popularise coral reefs, stingrays, octopuses and sharks. He pioneered the making of documentaries filmed underwater and led the development of a type of rebreather. He is also known for his energon theory and his commitment to protecting the environment.
Olympia is a 1938 German sports film written, directed and produced by Leni Riefenstahl, which documented the 1936 Summer Olympics, held in the Olympic Stadium in Berlin during the Nazi period. The film was released in two parts: Olympia 1. Teil — Fest der Völker and Olympia 2. Teil — Fest der Schönheit. The first documentary about the Olympics made, Olympia set the precedent for future cinematic documents, glorifying the Olympics, particularly the Summer Games. The 1936 Summer Olympics torch relay was devised for the Games by the secretary general of the Organizing Committee, Dr. Carl Diem. Riefenstahl staged the torch relay for the film, with competitive events of the Games.
Glenn Edgar Morris was a U.S. track and field athlete. He won a gold medal in the Olympic decathlon in 1936, setting new world and Olympic records. He attended Colorado A&M — now known as Colorado State University — and played football as well as track and field. He was also an occasional actor, he portrayed Tarzan in Tarzan's Revenge.
Steven Bach was an American writer and lecturer on film and a former senior vice-president and head of worldwide productions for United Artists studios.
Harald Reinl was an Austrian film director. He is known for the films he made based on Edgar Wallace and Karl May books and also made mountain films, Heimatfilms, German war films and entries in such popular German film series as Dr. Mabuse, Jerry Cotton and Kommissar X.
The Wonderful, Horrible Life of Leni Riefenstahl is a 1993 German documentary film about the life of German film director Leni Riefenstahl, directed by Ray Müller.
German submarine U-977 was a World War II Type VIIC U-boat of Nazi Germany's Kriegsmarine which escaped to Argentina after Germany's surrender. The submarine's voyage to Argentina led to legends, apocryphal stories and conspiracy theories that it and U-530 had transported escaping Nazi leaders and/or Nazi gold to South America, that it had made a secret voyage to Antarctica, and even that it sank the Brazilian cruiser Bahia as the last act of the Battle of the Atlantic.
Impressionen unter Wasser is a documentary film released in 2002. It was directed by Leni Riefenstahl.
Tiefland ("Lowlands") is a 1954 West German opera drama film directed, produced, co-written, edited by and starring Leni Riefenstahl, and based on the 1903 eponymous opera composed by Eugen d'Albert to a libretto by Rudolph Lothar based on the 1896 Catalan play Terra baixa by Àngel Guimerà. The film co-stars Bernhard Minetti, and is Riefenstahl's last feature film as both director and lead actress.
Coral Gardens is the title of the 1978 English-language translation of German film director Leni Riefenstahl's Korallengärten, an illustrations book published in the same year in Germany. The book was published by HarperCollins in the United States. It is the first of two book collections of underwater photographs, followed by Impressionen unter Wasser in 1990.
The People of Kau is the title of the 1976 English-language translation of German film director Leni Riefenstahl's Die Nuba von Kau, an illustrated book, published in the same year in Germany. The book is a follow-up to her earlier successful 1973 photo book Die Nuba.
The Last of the Nuba is the English-language title of German film director Leni Riefenstahl's 1973 Die Nuba, a book of photographs, published a year later in the United States. It was an international bestseller and was followed up by the 1976 book Die Nuba von Kau. It was the subject of a famous critique by Susan Sontag in claiming that it adhered to a "fascist aesthetic".
Vanishing Africa is the title of the 1982 English-language translation of German film director Leni Riefenstahl's Mein Afrika, a photographic book published in the same year in Germany. It was published by Harmony Books in the United States.
Leni Riefenstahl's Memoiren is the 1987 autobiography of German film director Leni Riefenstahl. The book received a 1993 American release and coincided with the release of the acclaimed documentary The Wonderful, Horrible Life of Leni Riefenstahl, as well as Riefenstahl's ninetieth birthday. It was featured on the 1993 New York Times list of notable books of the year.
Walter Riml was an Austrian cameraman and actor.
Leni Riefenstahl: Her Dream of Africa is a 2003 documentary-film by Ray Müller. The film follows Leni Riefenstahl's return to Sudan to visit the Nuba tribe whom she published photographs of in best-sellers such as The Last of the Nuba and The People of Kau. It is the second collaboration between Riefenstahl and Müller. She was the subject of his acclaimed 1993 documentary The Wonderful, Horrible Life of Leni Riefenstahl, which followed her life and reflected on her Nuba activities.
The Blue Light is a black-and-white 1932 film directed by Leni Riefenstahl and written by Béla Balázs with uncredited scripting by Carl Mayer. In Riefenstahl's film version, the witch, Junta, played by Riefenstahl, is intended to be a sympathetic character. Filming took place in the Brenta Dolomites, in Ticino, Switzerland, and Sarntal, South Tirol.
