The Marquesas Islands are a group of volcanic islands in French Polynesia, an overseas collectivity of France in the southern Pacific Ocean. Their highest point is the peak of Mount Oave on Ua Pou island, at 1,230 m (4,035 ft) above sea level.
Fatu-Hiva is the southernmost island of the Marquesas Islands in French Polynesia, an overseas territory of France in the Pacific Ocean. With Motu Nao as its closest neighbour, it is also the most isolated of the inhabited islands.
Ua Pou is the third largest of the Marquesas Islands, in French Polynesia, an overseas territory of France in the Pacific Ocean.
The Marquesas Islands were colonized by seafaring Polynesians as early as 300 AD, thought to originate from Tonga and the Samoan Islands. The dense population was concentrated in the narrow valleys and consisted of warring tribes.
Tahuata is the smallest of the inhabited Marquesas Islands, in French Polynesia, an overseas territory of France in the Pacific Ocean. It is located 4 km (2.5 mi.) to the south of the western end of Hiva Oa, across the Canal du Bordelais, called Ha‘ava in Marquesan.
Ua Huka is one of the Marquesas Islands, in French Polynesia, an overseas territory of France in the Pacific Ocean. It is situated in the northern group of the archipelago, approximately 25 mi (40 km) to the east of Nuku Hiva, at 8°54′S139°33′W.
In Māori mythology, Tiki is the first man created by either Tūmatauenga or Tāne. He found the first woman, Marikoriko, in a pond; she seduced him and he became the father of Hine-kau-ataata. By extension, a tiki is a large or small wooden, pounamu or other stone carving in humanoid form, notably worn on the neck as a hei-tiki, although this is a somewhat archaic usage in the Māori language. Hei-tiki are often considered taonga, especially if they are older and have been passed down throughout multiple generations. Carvings similar to ngā tiki and coming to represent deified ancestors are found in most Polynesian cultures. They often serve to mark the boundaries of sacred or significant sites. The word has cognates in other Polynesian languages, such as tiʻi in Tahitian and kiʻi in Hawaiian. In the Western world, Tiki culture, a movement inspired by various Pacific cultures, has become popular in the 20th and 21st centuries.
Oceanic art or Oceanian art comprises the creative works made by the native people of the Pacific Islands and Australia, including areas as far apart as Hawaii and Easter Island. Specifically it comprises the works of the two groups of people who settled the area, though during two different periods. They would in time however, come to interact and together reach even more remote islands. The area is often broken down into four separate regions: Micronesia, Melanesia, Polynesia and Australia. Australia, along with interior Melanesia (Papua), are populated by descendants of the first waves of human migrations into the region by Australo-Melanesians. Micronesia, Island Melanesia, and Polynesia, on the other hand, are descendants of later Austronesian voyagers who intermixed with native Australo-Melanesians; mostly via the Neolithic Lapita culture. All of the regions in later times would be greatly affected by western influence and colonization. In more recent times, the people of Oceania have found a greater appreciation of their region's artistic heritage.
Notre Dame Cathedral is a 20th-century church that serves as the cathedral of the Roman Catholic Diocese of Taiohae or Tefenuaenata. It is located in the Meau Valley near the capital centre on the island of Nuku Hiva.
The Austronesian peoples, sometimes referred to as Austronesian-speaking peoples, are a large group of peoples in Taiwan, Maritime Southeast Asia, parts of Mainland Southeast Asia, Micronesia, coastal New Guinea, Island Melanesia, Polynesia, and Madagascar that speak Austronesian languages. They also include indigenous ethnic minorities in Vietnam, Cambodia, Myanmar, Thailand, Hainan, the Comoros, and the Torres Strait Islands. The nations and territories predominantly populated by Austronesian-speaking peoples are sometimes known collectively as Austronesia.
This article details the history of the Marquesas. The Marquesas Islands are a group of volcanic islands in French Polynesia, an overseas collectivity of France in the southern Pacific Ocean. The Marquesas Islands comprise one of the five administrative divisions of French Polynesia.
New Zealand art consists of the visual and plastic arts originating from New Zealand and comes from different traditions: indigenous Māori art and that brought here including from early European mostly British settlers.
The Tami Islands are a small island group located 13 km SSE of Finschhafen in the Huon Gulf. It is part of today's Morobe Province, Papua New Guinea.
Kulap figurines of limestone or chalk were made in Melanesia. The small funerary sculptures from New Ireland were associated with death rituals. They are typical in the hilly Punam region of the New Ireland province in Papua New Guinea of the Bismarck Archipelago. They were believed to contain the soul of the deceased person whom they were meant to represent, and would be ritually smashed once their usefulness or the period of mourning was over. In more recent years, some have been sold in their intact forms to Westerners, particularly to German administrators.
Robert Carl Suggs was an American archaeologist and anthropologist. He was a student of Harry L. Shapiro at the American Museum of Natural History in the 1950s and received his M.A. from Columbia University in 1956 and his Ph.D. from Columbia in 1959.
Wood carving is a common art form in the Cook Islands. Sculpture in stone is much rarer although there are some excellent carvings in basalt by Mike Tavioni. The proximity of islands in the southern group helped produce a homogeneous style of carving but which had special developments in each island. Rarotonga is known for its fisherman's gods and staff-gods, Atiu for its wooden seats, Mitiaro, Mauke and Atiu for mace and slab gods and Mangaia for its ceremonial adzes. Most of the original wood carvings were either spirited away by early European collectors or were burned in large numbers by missionary zealots.
The Marquesan Dog or Marquesas Islands Dog is an extinct breed of dog from the Marquesas Islands. Similar to other strains of Polynesian dogs, it was introduced to the Marquesas by the ancestors of the Polynesian people during their migrations. Serving as a tribal totems and religious symbols, they were sometimes consumed as meat although less frequently than in other parts of the Pacific because of their scarcity. These native dogs are thought to have become extinct before the arrival of Europeans, who did not record their presence on the islands. Petroglyphic representations of dogs and the archaeological remains of dog bones and burials are the only evidence that the breed ever existed. Modern dog populations on the island are the descendants of foreign breeds later reintroduced in the 19th century as companions for European settlers.
Clarissa Chapman Armstrong was an American missionary in the Hawaiian Islands and Marquesas Islands, from 1832 until 1847. She was part of the Fifth Company of missionaries sent to Hawaii by the American Board of Commissioners for Foreign Missions (ABCFM).
Pisuwe is a dagger from the island of New Guinea. Ndam pisuwe or Ndam emak pisuwe are those that are made with human femur bone and Pi pisuwe are for those that are made with Cassowary bone. Prior to the colonization of the Dutch in the 1950s, these daggers are carried by the Asmat people and they are used only in ritual killings. These daggers are usually embellished with Cassowary feathers at the pommel and decorated with carved in artworks depicting humans and animals. Asmat men would wear this dagger as part of their traditional attire during customary ceremonies by girding it on the side of their waist.
The U'u is a war club of the Marquesas Islands.
