Wooded Landscape with a Herdsman Seated

Last updated

Wooded Landscape with a Herdsman Seated
Wooded Landscape with a Herdsman Seated.jpg
Artist Thomas Gainsborough
Year1748 (1748)
Mediumoil on canvas
Dimensions49 cm× 65 cm(19 in× 26 in)
LocationGainsborough's House, Sudbury

Wooded Landscape with a Herdsman Seated is an oil painting by Thomas Gainsborough, from 1748. It is in the collection of Gainsborough's House.

Contents

Description

The painting's dimensions are 49 × 65 centimeters. It is an early landscape attributed to Great Henny, near Sudbury, Suffolk. [1]

Provenance

The painting was sold at Christie's 1985, and sold at Sotheby's in 1986. It was purchased with support from the National Art Collections Fund, for £220,000, in 1990. [2]

Related Research Articles

Thomas Gainsborough 18th-century English portrait and landscape painter

Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.

John Constable English painter 1776–1837

John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".

Lucas Achtschellinck

Lucas Achtschellinck, was a Flemish landscape painter. He is counted among the landscape painters active in Brussels referred to as the School of Painters of the Sonian Forest who all shared an interest in depicting scenes set in the Sonian Forest, which is located near Brussels.

Kunsthistorisches Museum Art museum in Vienna, Austria

The Kunsthistorisches Museum is an art museum in Vienna, Austria. Housed in its festive palatial building on Ringstraße, it is crowned with an octagonal dome. The term Kunsthistorisches Museum applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide.

Courtauld Gallery Art collection in London, England

The Courtauld Gallery is an art museum in Somerset House, on the Strand in central London. It houses the art collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the history of art.

Kenwood House Country house in Hampstead, London

Kenwood House is a former stately home in Hampstead, London, on the northern boundary of Hampstead Heath. The house was originally constructed in the 17th century and served as a residence for the Earls of Mansfield during the 18th and 19th centuries.

Yale Center for British Art Art museum

The Yale Center for British Art at Yale University in downtown New Haven, Connecticut, houses the largest and most comprehensive collection of British art outside the United Kingdom. The collection of paintings, sculpture, drawings, prints, rare books, and manuscripts reflects the development of British art and culture from the Elizabethan period onward.

Neue Pinakothek Art museum in Munich, Germany

The Neue Pinakothek is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world. Together with the Alte Pinakothek and the Pinakothek der Moderne, it is part of Munich's "Kunstareal".

George Barret Sr.

George Barret Sr. was an Irish landscape artist best known for his oil paintings, but also sometimes produced watercolours. He left Ireland in 1762 to move to London where he soon gained recognition as a leading artist of the period. He exhibited at the Society of Artists of Great Britain and was able to gain patronage from many leading art collectors. Barrett with other leading members left the Society in 1768 to found the Royal Academy, where he continued to exhibit until 1782.

<i>Mr and Mrs Andrews</i> Painting by Thomas Gainsborough

Mr and Mrs Andrews is an oil on canvas portrait of about 1750 by Thomas Gainsborough, now in the National Gallery, London. Today it is one of his most famous works, but it remained in the family of the sitters until 1960 and was very little known before it appeared in an exhibition in Ipswich in 1927, after which it was regularly requested for other exhibitions in Britain and abroad, and praised by critics for its charm and freshness. By the post-war years its iconic status was established, and it was one of four paintings chosen to represent British art in an exhibition in Paris celebrating the Coronation of Queen Elizabeth II in 1953. Soon the painting began to receive hostile scrutiny as a paradigm of the paternalist and capitalist society of 18th-century England, but it remains a firm popular favourite.

John Hayes (art historian) British art historian and museum director

John Trevor Hayes was a British art historian and museum director. He was an authority on the paintings of Thomas Gainsborough.

<i>The Harvest Wagon</i> Two paintings by Thomas Gainsborough

The Harvest Wagon is the name of two oil paintings by the English artist Thomas Gainsborough. The first version was completed around 1767 and is today owned by the Barber Institute of Fine Arts, in Birmingham, England. The second version was painted around 1784 and is now part of the collection of the Art Gallery of Ontario. The Toronto version is the better known of the two. It was donated to the AGO by Frank P Wood in 1941, and is one of the most prominent pieces in the gallery’s collection.

Thomas Barker (painter)

Thomas Barker or Barker of Bath, was a British painter of landscape and rural life.

Maria Verelst British artist (1680–1744)

Maria Verelst (1680–1744) was an 18th-century English painter.

Gainsboroughs House Birthplace of painter Thomas Gainsborough and museum in Sudbury, England

Gainsborough's House is the birthplace of the leading English painter Thomas Gainsborough. It is now a museum and gallery, located at 46 Gainsborough Street in Sudbury, Suffolk, England. Some of the pictures on display have been acquired with the help of the Art Fund.

Michael Rosenthal

Michael J. Rosenthal is emeritus professor of the history of art at the University of Warwick. He is a specialist both in British art and culture of the eighteenth and early nineteenth centuries, and the arts of early colonial Australia.

<i>Portrait of Anne, Countess of Chesterfield</i> Painting by Thomas Gainsborough

Portrait of Anne, Countess of Chesterfield is a large oil-on-canvas painting by the English portrait and landscape artist Thomas Gainsborough, completed between 1777 and 1778. It shows Anne Stanhope, wife of Philip Stanhope, 5th Earl of Chesterfield, sitting in a blue and while satin dress, sitting in a garden, and is one of the best known of Gainsborough's many portraits of English aristocrats.

<i>Wooded landscape with gipsies round a camp fire</i> Lost painting by Thomas Gainsborough

Thomas Gainsborough was the first British artist to make a major study of the subject of gypsies, beginning with two paintings in the 1750s, the first of which he never finished, and the second of which is now lost, but survives in an etching by Gainsborough.

<i>Maria, Lady Eardley</i>

Maria, Lady Eardley is an oil on canvas painting by the English artist Thomas Gainsborough from c. 1770. It has been in the collections of Nationalmuseum in Stockholm since 1966.

Robert Price (1717–1761)

Robert Price (1717–1761) was an English gentleman, known as an artist for his drawings, and as a musical amateur. He contributed to the garden design at the family property of Foxley, Herefordshire, was an art patron, and was the father of Uvedale Price, theorist of the picturesque.

References

  1. "Wooded Landscape with a Herdsman Seated".
  2. "Wooded Landscape with Herdsmen seated on a Bank near a Pool by Thomas Gainsborough".