| Wooded Landscape with a Herdsman Seated | |
|---|---|
 | |
| Artist | Thomas Gainsborough |
| Year | 1748 |
| Medium | oil on canvas |
| Dimensions | 49 cm× 65 cm(19 in× 26 in) |
| Location | Gainsborough's House, Sudbury |
Wooded Landscape with a Herdsman Seated is an oil painting by Thomas Gainsborough, from 1748. It is in the collection of Gainsborough's House.
The painting's dimensions are 49 × 65 centimeters. It is an early landscape attributed to Great Henny, near Sudbury, Suffolk. [1]
The painting was sold at Christie's 1985, and sold at Sotheby's in 1986. It was purchased with support from the National Art Collections Fund, for £220,000, in 1990. [2]
Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
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Gainsborough's House is the birthplace of the leading English painter Thomas Gainsborough. It is now a museum and gallery, located at 46 Gainsborough Street in Sudbury, Suffolk, England. It is a Grade I listed building. Some of the pictures on display have been acquired with the help of the Art Fund.
Michael J. Rosenthal is emeritus professor of the history of art at the University of Warwick. He is a specialist both in British art and culture of the eighteenth and early nineteenth centuries, and the arts of early colonial Australia.
Portrait of Anne, Countess of Chesterfield is a large oil-on-canvas painting by the English portrait and landscape artist Thomas Gainsborough, completed between 1777 and 1778. It shows Anne Stanhope, wife of Philip Stanhope, 5th Earl of Chesterfield, sitting in a blue and while satin dress, sitting in a garden, and is one of the best known of Gainsborough's many portraits of English aristocrats.
Thomas Gainsborough was the first British artist to make a major study of the subject of Romani people, beginning with two paintings in the 1750s, the first of which he never finished, and the second of which is now lost, but survives in an etching by Gainsborough.
Maria, Lady Eardley is an oil on canvas by the English artist, Thomas Gainsborough, painted around the time of her marriage in 1766, according to British art historian, Ellis Waterhouse, in “Preliminary Check List of Portraits by Thomas Gainsborough,” The Volume of the Walpole Society 33 : 34. It has been in the collections of Nationalmuseum in Stockholm since 1966.
Robert Price (1717–1761) was an English gentleman, known as an artist for his drawings, and as a musical amateur. He contributed to the garden design at the family property of Foxley, Herefordshire, was an art patron, and was the father of Uvedale Price, theorist of the picturesque.