The Harvest Wagon

Last updated

The Harvest Wagon
Thomas Gainsborough 001.jpg
Artist Thomas Gainsborough
Yearc. 1767
Medium Oil on canvas
Dimensions120.5 cm× 144.7 cm(47.4 in× 57.0 in)
Location Barber Institute of Fine Arts, Birmingham
The Harvest Wagon
Gainsborough-HarvestWagon1784.jpg
Artist Thomas Gainsborough
Yearc. 1784
Medium Oil on canvas
Dimensions121.9 cm× 149.9 cm(48.0 in× 59.0 in)
Location Art Gallery of Ontario, Toronto

The Harvest Wagon is the name of two oil paintings by the English artist Thomas Gainsborough. The first version was completed around 1767 and is today owned by the Barber Institute of Fine Arts, in Birmingham, England. The second version was painted around 1784 and is now part of the collection of the Art Gallery of Ontario. The Toronto version is the better known of the two. It was donated to the AGO by Frank P Wood in 1941, [1] and is one of the most prominent pieces in the gallery’s collection. [2]

Contents

It was featured in William Frederick Witherington's 1824 painting A Modern Picture Gallery displaying classic British paintings of the era. [3]

Description

Both paintings depict a group of peasants riding inside a simple wagon through a rural landscape with a collection of nearby animals. A young boy leads the wagon, while a man helps lift a young woman aboard. The painting is set in the area around Gainsborough's adopted city of Bath, where he lived for 14 years of his life. In 1995 the two museums collaborated on a joint show that displayed the two versions side by side, first on display in England and then in Canada.

The two paintings of a similar subject done some seventeen years apart show the evolution of Gainsborough as an artist. The later painting is more sedate, the figures more composed and less excited. The Gainsborough scholar Hugh Besley sees landscape, people, and animals as more unified in the later work. He also sees more influence of Rubens on Gainsborough's style and technique, particularly of Rubens's The Descent from the Cross . The woman ascending to the wagon shows a motion opposite to Christ's. Christina Payne has commented on some of the symbolism in the 1784 work, noting that the broken pitcher placed in front of the pregnant passenger may be a symbol of virginity. [4] The earlier painting is also far more intimate to the artist as the women in the wagon are portraits of Gainsborough's own daughters, Mary and Margaret. [5]

Provenance

The first work could not find a buyer, perhaps being too ribald for the art market of the time. [6] It was given to Gainsborough's friend Wiltshire, a mover who transported Gainsborough's paintings from Bath to exhibitions in London. Wiltshire's horses had also served as the model of the animals in the picture. The painting remained in Wiltshire's family until his grandson sold it in 1867.

The second painting, done at the height of Gainsborough's fame, was sold to the Prince of Wales, later to become King George IV. It later became part of the collection of American steel magnate Elbert Henry Gary. Upon Gary's death in 1927 his collection was auctioned off, and The Harvest Wagon was one of the most sought-after works. [7] After a competitive auction it was purchased by art dealer Joseph Duveen for $360,000, then the highest price ever paid at auction for a painting in the United States. Duveen later sold it to Canadian art collector Frank P. Wood for $450,000, and Wood then donated it to the Art Gallery of Ontario. In 1959 the painting was somewhat damaged during an attempted robbery when the thieves tried to cut the painting out of its frame. [8]

Related Research Articles

<span class="mw-page-title-main">Thomas Gainsborough</span> English portrait and landscape painter (1727–1788)

Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.

<span class="mw-page-title-main">Wallace Collection</span> Museum in London, England

The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free.

<span class="mw-page-title-main">Art Gallery of Ontario</span> Art museum in Toronto, Ontario

The Art Gallery of Ontario is an art museum in Toronto, Ontario, Canada, located in the Grange Park neighbourhood of downtown Toronto, on Dundas Street West. The building complex takes up 45,000 square metres (480,000 sq ft) of physical space, making it one of the largest art museums in North America and the second-largest art museum in Toronto, after the Royal Ontario Museum. In addition to exhibition spaces, the museum also houses an artist-in-residence office and studio, dining facilities, event spaces, gift shop, library and archives, theatre and lecture hall, research centre, and a workshop.

<span class="mw-page-title-main">Barber Institute of Fine Arts</span> Art gallery and concert hall in Birmingham, England

The Barber Institute of Fine Arts is an art gallery and concert hall in Birmingham, England. It is situated in purpose-built premises on the campus of the University of Birmingham.

<span class="mw-page-title-main">Wolverhampton Art Gallery</span> Art Gallery

Wolverhampton Art Gallery is located in Wolverhampton, England. The building was funded and constructed by local contractor Philip Horsman (1825–1890), and built on land provided by the municipal authority. It opened in May 1884.

<span class="mw-page-title-main">Joseph Duveen, 1st Baron Duveen</span> British art dealer (1869–1939)

Joseph Duveen, 1st Baron Duveen, known as Sir Joseph Duveen, Baronet, between 1927 and 1933, was a British art dealer who was considered one of the most influential art dealers of all time.

<span class="mw-page-title-main">Courtauld Gallery</span> Art museum in London, England

The Courtauld Gallery is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Samuel Courtauld Trust and operates as an integral part of the Courtauld Institute of Art.

<i>Massacre of the Innocents</i> (Rubens) Painting by Peter Paul Rubens

The Massacre of the Innocents is the subject of two paintings by Peter Paul Rubens depicting the episode of the biblical Massacre of the Innocents of Bethlehem, as related in the Gospel of Matthew (2:13–18). The first, measuring 142 x 182 cm, was painted after his return to his native Antwerp in 1608, following eight years spent in Italy.

<i>Mr and Mrs Andrews</i> Painting by Thomas Gainsborough

Mr and Mrs Andrews is an oil on canvas portrait of about 1750 by Thomas Gainsborough, now in the National Gallery, London. Today it is one of his most famous works, but it remained in the family of the sitters until 1960 and was very little known before it appeared in an exhibition in Ipswich in 1927, after which it was regularly requested for other exhibitions in Britain and abroad, and praised by critics for its charm and freshness. By the post-war years its iconic status was established, and it was one of four paintings chosen to represent British art in an exhibition in Paris celebrating the Coronation of Queen Elizabeth II in 1953. Soon the painting began to receive hostile scrutiny as a paradigm of the paternalist and capitalist society of 18th-century England, but it remains a firm popular favourite.

<i>Samson and Delilah</i> (Rubens) Painting by Peter Paul Rubens

Samson and Delilah is a painting long attributed to the Flemish Baroque artist Peter Paul Rubens (1577–1640) in the National Gallery, London. It dates from about 1609 to 1610.

Mildred Anne Butler was an Irish artist, who worked in watercolour and oil of landscape, genre and animal subjects. Butler was born and spent most of her life in Kilmurry, Thomastown, County Kilkenny and was associated with the Newlyn School of painters.

<span class="mw-page-title-main">Frank Porter Wood</span> Canadian businessman and philanthropist (1882 - 1955)

Frank Porter Wood was a Canadian businessman and philanthropist. He is best remembered for his many gifts and bequests of artworks to the Art Gallery of Ontario in Toronto.

<i>Portrait of Isaak Abrahamsz. Massa</i> Painting by Frans Hals

Portrait of Isaak Abrahamsz. Massa is a 1626 oil-on-canvas painting by the Dutch artist Frans Hals that is in the collection of the Art Gallery of Ontario. It depicts Isaac Massa, a prosperous merchant and a close friend of Hals. Massa was the subject of an earlier work by Hals – Isaak Abrahamsz Massa and Beatrix van der Laen – which also featured his wife. Massa would commission another portrait by Hals in 1635.

<i>Marchesa Brigida Spinola-Doria</i> Oil-on-canvas painting (1606)

The Portrait of Marchesa Brigida Spinola-Doria is an oil-on-canvas painting by Flemish artist Sir Peter Paul Rubens, dating to 1606. It is now in the National Gallery of Art in Washington, D.C., part of the Samuel H. Kress Collection. It was commissioned by Marchese Giacomo Massimiliano Doria of Genoa and shows his wife shortly after their wedding in 1605; she came from the equally prominent Spinola family. He died in 1613 and she remarried another Doria. It has been trimmed several times on each side, removing the garden shown in the background and the lower part of the figure.

<i>Portrait of a Commander</i> Painting by Peter Paul Rubens

Portrait of a Commander or A Commander Being Dressed for Battle is a portrait of an unknown man in plate armour, by Peter Paul Rubens. In July 2010 it was sold for £9 million by Christie's after Sotheby's turned it down, suspecting its authenticity as a Rubens. In December 2011, the portrait was placed on loan with the Metropolitan Museum of Art in New York.

<span class="mw-page-title-main">Gainsborough's House</span> Birthplace of painter Thomas Gainsborough and museum in Sudbury, England

Gainsborough's House is the birthplace of the leading English painter Thomas Gainsborough. It is now a museum and gallery, located at 46 Gainsborough Street in Sudbury, Suffolk, England. It is a Grade I listed building. Some of the pictures on display have been acquired with the help of the Art Fund.

<i>Daniel in the Lions Den</i> (Rubens) Painting by Peter Paul Rubens

Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens which is displayed in the National Gallery of Art in Washington, D.C. The painting depicts Daniel in the biblical story of Daniel in the Lions' Den. The artwork was owned by Charles I of England after it was given to him by Dudley Carleton, 1st Viscount Dorchester. The painting currently hangs in the National Gallery of Art in Washington, DC.

<i>Manuel Osorio Manrique de Zúñiga</i> Painting by Francisco Goya

Manuel Osorio Manrique de Zúñiga is a large full-length portrait in oil painted in 1787–88 by the Spanish artist Francisco Goya. It depicts a boy three or four years of age, standing in red clothes, with birds and cats. It is also known as Goya's "Red Boy". It was described by art historian Claus Virch in 1967 as "one of the most appealing and successful portraits of children ever painted, and also one of the most famous". The painting has been held by the Metropolitan Museum of Art, in New York, since 1949.

<span class="mw-page-title-main">Hugh Belsey</span> British art historian

Hugh Graham Belsey, MBE, is a British art historian who is an authority on the art of Thomas Gainsborough. For 23 years he was the curator of Gainsborough's House in Sudbury. His most recent contribution to Gainsborough scholarship is his catalogue raisonné of Gainsborough's portraits published in February 2019 by the Yale University Press for the Paul Mellon Centre for Studies in British Art.

<span class="mw-page-title-main">Philip Eyre Gell</span> Lead-mining magnate from Derbyshire

Philip Eyre Gell (1723–1795) of Hopton Hall near Wirksworth, Derbyshire, was a wealthy lead-mining aristocrat.

References

  1. AGO: The Harvest Waggon
  2. John Bentley Mays. "Back to the land with Turner and Gainsborough." The Globe and Mail. Toronto, Ont.: Jul 29, 1995. pg. C.16
  3. https://www.nationaltrustcollections.org.uk/object/207839
  4. Hugh Besley. "Gainsborough's Harvest Wagons: Toronto and Birmingham." The Burlington Magazine Vol. 137, No. 1109 (Aug., 1995), pp. 574-575.
  5. Meryle Secrest. Duveen: A Life in Art. University of Chicago Press, 2004 pg. 297
  6. Brian Short The English Rural Community: Image and Analysis. CUP Archive, 1992
  7. "Art: Gary's Gainsborough" Time Apr. 30, 1928
  8. Hugh McLeave Rogues in the Gallery: The Modern Plague of Art Thefts C&M Online Media, Inc.