 | This article needs additional citations for verification .(June 2017) |
| "Wor Geordie's lost his penka" | |
|---|---|
| Song | |
| Language | English (Geordie) |
| Written | Unknown |
| Songwriter(s) | Traditional |
"Wor Geordie's Lost His Penka" (or ... His Liggie) is a Geordie folk song, the origins of which are unknown. The 'penka' was the large marble that the other marbles or 'liggies' were rolled at, in a game of marbles. It is Roud Folk Song Index no. S226413. [1]
Edward "Ned" Corvan was a Tyneside concert hall songwriter and performer, and a contemporary of George "Geordie" Ridley. His songs were printed in a modified English orthography designed to represent the traditional dialect of Tyneside in the middle of the 19th century, and are examples of Dialect Literature.
Thomas Wilson was a Tyneside poet, from Low Fell in Gateshead. His most famous work, written in the Geordie dialect, is The Pitman's Pay, originally published between 1826 and 1830.
"Keep yor feet still! Geordey, hinny" is a famous Geordie comic song written in the 19th century by Joe Wilson, in a style deriving from music hall. Though the words were by Wilson, it is to be sung to the existing tune of "Nelly Gray"
The Pitman’s Happy Times is a Geordie folk song written in the 19th century by J.P.(Joseph Philip) Robson, known as "The bard af ths Tyne and minstrel of the Wear", in a style deriving from music hall.
The Pitman's Courtship is a famous Geordie folk song written in the 19th century by William Mitford, in a style deriving from music hall. This piece takes a humorous look at the courtship of a Pitman and his lass where the discussion forms the proposal of marriage and the couple's plans for a life together. This song was generally considered to be one of the region's finest 'traditional' songs, one of only a handful of Tyneside songs to be appreciated outside the region in its day.
Thomas "Tommy" Armstrong was an English, County Durham-based concert hall songwriter, and performer in the late 19th century. His most famous song is arguably "Wor Nanny's a mazer". He was known as "The Pitman Poet" or "The Bard of the Northern Coalfield".
"Wor Peg's Trip te Tynemouth" is a Geordie folk song written in the 19th century by Joe Wilson, in a style deriving from music hall.
Harry Nelson (1804-????) was a Newcastle upon Tyne concert hall singer and comedian of the late 19th/early 20th century. He is credited with writing "Hi, canny man hoy a ha'penny oot"
"The Collier’s Rant" is a traditional Geordie folk song written many years ago, the writer is unknown. It is one of the oldest mining songs in existence. It was already popular, and had been for how long we do not know, when Joseph Ritson published it in his Northumbrian Garland in 1793. It is still a very popular piece by choirs throughout the North East of England.
Newcassel Props is a famous Geordie folk song written in the 19th century by William Oliver, in a style deriving from music hall.
The Pitman's Revenge is a traditional Geordie folk song, written circa 1804, by George Cameron in the Geordie dialect. The song is about the threat of invasion posed by Napoleon Bonaparte.
David Ross Lietch (c1809-1881) was a 19th-century Tyneside born poet and songwriter. His most famous song is the ballad "The Cliffs of Old Tynemouth".
John Peacock was a South Shields born songwriter and poet in the 19th century. His most famous piece is possibly "Marsden Rocks".
The Tyne Songster is a chapbook style songbook, giving the lyrics of local, now historical songs, with a few bits of other information. It was published by W. & T. Fordyce of Newcastle upon Tyne in 1840.
William Stephenson (senior) (1763–1836) was a Geordie (from Gateshead) watchmaker, schoolteacher, poet and songwriter, and father of William Stephenson (junior). His best known works are probably "The Quayside Shaver" and "The Skipper’s Wedding"
The Tyneside Songster (or to give it its full title – "The Tyneside Songster containing a splendid collection of Local Songs by popular Authors, in the Northumbrian Dialect Printed by J W Swanston, 67 & 69 St Andrews Street, Newcastle and may be had at all Booksellers, Newsagents, &c" is a chapbook of Geordie folk song consisting of 39 songs, crammed into its meagre 16 pages, and published in the 1880s by J. W. Swanston, a Newcastle printer and publisher.
Charles Ernest Catcheside-Warrington (1859–1937) was an English Music hall artist and songwriter from the late 19th century who became a recording artist, record producer and a collector and arranger of "Geordie" songs.
Bob Davenport is an English traditional folk singer who has been a leading and influential voice in the British folk revival since the early 1960s.