A wordless picture book or a almost-wordless picture book is a picture book whose narrative is expressed through the illustrations.
Wordless picture books, according to Arizona State University professor Frank Serafini, have "visually rendered narratives". [1] The narrative can use elements of graphic novels such as gutters and panels. [1] The narrative can also be expressed through full-page illustrations, with the story advanced by turning the page. [1] With this kind of book, the reader participates in creating the narrative. The reader must interpret the character's actions, feelings, and motivations without text to affirm; understand some ambiguity in the narrative may remain; and create and explain hypothesis about the events of the book. [1]
Wordless picture books will frequently have text containing metadata about the book, such as its title, illustrator, and copyright notice, and can also contain incidental text such as signs. [1] Some of these books will also contain dialogue, onomatopoeia and as a framing device to begin or end the story. [1] In the words of Serafini, "sparse written text that may be included there is there to support the visual images, anchor the narrative sequence, and call attention to various aspects of the visual narrative." [1]
These books began as educational tools for young children to tell stories and can still be a useful format for pre-literature children. [1] [2] However, some more recent wordless picture books require the reader to be acquainted with conventions around reading books and can be a fun challenge for older readers. [1] Further, some wordless picture books address themes like slavery which are topically more appropriate for older readers. [1] The number of wordless picture books has increased during the end of the 20th Century and during the 21st Century. [2] David Wiesner has won 3 Caldecott Medals for his wordless picture books. [2]
Because of the reader participation in the wordless picture book these stories can offer benefits for emerging readers. [1] These kinds of books can be stepping stones for readers to graphic novels and other non-traditional texts. [1] These can also be used with older students for teaching around inferencing and helping students to make explicit implicit understandings. [1] [3] This kind of work can also be useful with English-language learners as it lets them improve their spoken language proficiency with texts more complex than they would be able to read in English. [3] [4] Wordless picture books can also be used as writing prompts, with students providing their own narration or dialogue. [2] These books may also be useful for expanding cultural knowledge and understanding. [2]
A picture book combines visual and verbal narratives in a book format, most often aimed at young children. With the narrative told primarily through text, they are distinct from comics, which do so primarily through sequential images. The images in picture books can be produced in a range of media, such as oil paints, acrylics, watercolor, and pencil. Picture books often serve as pedagogical resources, aiding with children's language development or understanding of the world.
The Randolph Caldecott Medal, frequently shortened to just the Caldecott, annually recognizes the preceding year's "most distinguished American picture book for children". It is awarded to the illustrator by the Association for Library Service to Children (ALSC), a division of the American Library Association (ALA). The Caldecott and Newbery Medals are considered the most prestigious American children's book awards. Beside the Caldecott Medal, the committee awards a variable number of citations to runners-up they deem worthy, called the Caldecott Honor or Caldecott Honor Books.
An illustrator is an artist who specializes in enhancing writing or elucidating concepts by providing a visual representation that corresponds to the content of the associated text or idea. The illustration may be intended to clarify complicated concepts or objects that are difficult to describe textually, which is the reason illustrations are often found in children's books.
Lynd Kendall Ward was an American artist and novelist, known for his series of wordless novels using wood engraving, and his illustrations for juvenile and adult books. His wordless novels have influenced the development of the graphic novel. Although strongly associated with his wood engravings, he also worked in watercolor, oil, brush and ink, lithography and mezzotint. Ward was a son of Methodist minister, political organizer and radical social activist Harry F. Ward, the first chairman of the American Civil Liberties Union on its founding in 1920.
Esperanza Rising is a young adult historical fiction novel written by Mexican-American author Pam Muñoz Ryan and released by Scholastic Publishing on 27 March 2000. The novel focuses on Esperanza, the only daughter of wealthy Mexican parents, and follows the events that occur after her father's murder. Esperanza, her mother, and their former household servants flee to California with no money during the Great Depression, where they find agricultural work that pays very little. The book received generally positive reviews from critics, who praised Muñoz Ryan's writing and concluded that it was suitable for classroom discussion.
Postmodern picture books are a specific genre of picture books. Characteristics of this unique type of book include non-linear narrative forms in storybooks, books that are "aware" of themselves as books and include self-referential elements, and what is known as metafiction.
Asemic writing is a wordless open semantic form of writing. The word asemic means "having no specific semantic content", or "without the smallest unit of meaning". With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be "read" in a similar fashion regardless of the reader's natural language. Multiple meanings for the same symbolism are another possibility for an asemic work, that is, asemic writing can be polysemantic or have zero meaning, infinite meanings, or its meaning can evolve over time. Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.
The Watsons Go to Birmingham – 1963 is a historical-fiction novel by Christopher Paul Curtis. First published in 1995 by Delacorte Press, it was reprinted in 1997. It tells the story of the Watsons, a lower middle class African-American family living in Flint, Michigan in the early 1960s from the perspective of Kenny Watson, the middle child of three. The first part of the novel focuses on Kenny's struggles to make friends as a smart and thoughtful ten-year-old, then shifts in setting when his parents decide to deliver their oldest son, Byron, to live with his grandmother in Birmingham, Alabama. The family embarks on a road trip to the deep south, and while visiting in Alabama, they get caught up in a tragic historical event of the Civil Rights Movement.
Black and White is a 1990 postmodern children's picture book by David Macaulay. Published by Houghton Mifflin Company, it received mixed reviews upon its release, but it was the recipient of the Caldecott Medal for illustration in 1991. The book tells four overlapping stories, each drawn with a distinct visual style. The four stories are "Seeing Things", about a boy on a train trip by himself, "Problem Parents", about siblings whose parents behave differently one night, "A Waiting Game", about people waiting for a train, and "Udder Chaos", about cows who escape and then return to their field.
The Lion & the Mouse is a 2009 nearly wordless picture book illustrated by Jerry Pinkney. The book, published by Little, Brown and Company, tells Aesop's fable of The Lion and the Mouse. In the story, a mouse's life is a spared by a lion. Later, after the lion is trapped, the mouse is able to set the lion free. Adapting the fable, with the moral that the weak can help the strong, as a wordless picture book was seen as a successful way of overcoming the brief plot generally found in the source stories. While it was Pinkney's first wordless picture book, it was not the first time he had told the story, having previously included it in his Aesop's Fables, published in 2000. Pinkney, who had received five Caldecott Honors, became the first African American to win the Caldecott Medal for his illustrations in the book. His illustrations were generally praised for their realism and sense of place. The cover illustrations, featuring the title characters but no text, drew particular praise.
Smile is an autobiographical graphic novel written by Raina Telgemeier. It was published in February of 2010 by Graphix, an imprint of Scholastic Inc. The novel provides an account of the author's life, characterized by dental procedures and struggles with fitting in, from sixth grade to high school. The book originated as a webcomic, which was serialized on Girlamatic. It is most appropriate for readers between fourth and sixth grade. Smile has had a pedagogical impact, and reviews have been written on this novel.
Jillian Tamaki is a Canadian American illustrator and comic artist known for her work in The New York Times and The New Yorker in addition to the graphic novels Boundless, as well as Skim and This One Summer written by her cousin Mariko Tamaki.
He Done Her Wrong is a wordless novel written by American cartoonist Milt Gross and published in 1930. It was not as successful as some of Gross's earlier works, notably his book Nize Baby (1926) based on his newspaper comic strips. He Done Her Wrong has been reprinted in recent years and is now recognized as a comic parody of other similar wordless novels of the early 20th century, as well as an important precursor to the modern graphic novel.
The wordless novel is a narrative genre that uses sequences of captionless pictures to tell a story. As artists have often made such books using woodcut and other relief printing techniques, the terms woodcut novel or novel in woodcuts are also used. The genre flourished primarily in the 1920s and 1930s and was most popular in Germany.
Gods' Man is a wordless novel by American artist Lynd Ward (1905–1985) published in 1929. In 139 captionless woodblock prints, it tells the Faustian story of an artist who signs away his soul for a magic paintbrush. Gods' Man was the very first American wordless novel, and is considered a precursor of the graphic novel, whose development it influenced.
Passionate Journey, or My Book of Hours, is a wordless novel of 1919 by Flemish artist Frans Masereel. The story is told in 167 captionless prints, and is the longest and best-selling of the wordless novels Masereel made. It tells of the experiences of an early 20th-century everyman in a modern city.
Wild Pilgrimage is the third wordless novel of American artist Lynd Ward (1905–1985), published in 1932. It was executed in 108 monochromatic wood engravings, printed alternately in black ink when representing reality and orange to represent the protagonist's fantasies. The story tells of a factory worker who abandons his workplace to seek a free life; on his travels he witnesses a lynching, assaults a farmer's wife, educates himself with a hermit, and upon returning to the factory leads an unsuccessful workers' revolt. The protagonist finds himself battling opposing dualities such as freedom versus responsibility, the individual versus society, and love versus death.
Vertigo is a wordless novel by American artist Lynd Ward (1905–1985), published in 1937. In three intertwining parts, the story tells of the effects the Great Depression has on the lives of an elderly industrialist and a young man and woman. Considered his masterpiece, Ward uses the work to express the socialist sympathies of his upbringing; he aimed to present what he called "impersonal social forces" by depicting the individuals whose actions are responsible for those forces.
The hybrid novel is a form of fiction, characterized by reaching beyond the limits of the anticipated medium through the incorporation of varying storytelling methods, such as poetry, photography, collage, maps, diagrams, and posters. The hybrid novel refers to a broad spectrum of literary work such as the graphic narrative and fusion texts.
Multimodal pedagogy is an approach to the teaching of writing that implements different modes of communication. Multimodality refers to the use of visual, aural, linguistic, spatial, and gestural modes in differing pieces of media, each necessary to properly convey the information it presents.