World of Plenty | |
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Directed by | Paul Rotha |
Written by |
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Produced by | Yvonne Fletcher |
Cinematography | Wolfgang Suschitzky |
Music by | William Alwyn |
Production company | Paul Rotha Productions |
Running time | 43 mins |
Country | United Kingdom |
Language | English |
World of Plenty is a 1943 British documentary film directed by Paul Rotha for the Ministry of Agriculture and Fisheries. It discusses problems with, and possible improvements to, global food distribution. [1]
An opening narration explaining that the film's purpose is to examine the "world strategy of food", in terms of its production, distribution and consumption. Following the principles of dialectical montage at both the level of detail and of overall structure, the film is divided into three major parts: "Food - As It Was" (prewar), "Food - As It Is" (during the war) and "Food - As It Might Be" (looking forward to the postwar era).
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in west London from 1938 to 1955. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
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Paul Rotha was a British documentary film-maker, film historian and critic.
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The World Is Rich is a 1947 British documentary film directed by Paul Rotha about food shortages after World War II. It was nominated for an Academy Award for Best Documentary Feature.
Christmas Under Fire is a 1941 British short documentary film directed by Harry Watt for the Crown Film Unit of the Ministry of Information. It was conceived as propaganda primarily for an American audience, to raise support for the Allied cause during the Second World War. Produced in the context of German bombings of British cities, it depicts the resilience of British civilians despite the hardships they suffered during the 1940 Christmas, by showing the continuation of Christmas traditions in the face of the disruptions caused by war. The film is a sequel to London Can Take It!, with the same narrator, Quentin Reynolds. It was nominated for an Academy Award for Best Documentary Short, which was won by Churchill's Island.
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Nell Gwyn is a 1934 British historical drama film directed by Herbert Wilcox and starring Anna Neagle, Cedric Hardwicke, Jeanne de Casalis, Miles Malleson and Moore Marriott. The film portrays the historical romance between Charles II of England and the actress Nell Gwyn. In the opening credits, the dialogue is credited to "King Charles II, Samuel Pepys and Nell Gwyn" with additional dialogue by Miles Malleson. It was also released as Mistress Nell Gwyn.
The New Lot is a 1943 British drama film directed by Carol Reed and starring Eric Ambler, Robert Donat, Kathleen Harrison, Bernard Lee, Raymond Huntley, John Laurie, Peter Ustinov and Austin Trevor, with music by Richard Addinsell. It is a short training film made for the Army Kinematograph Service, which follows five new draftees from different backgrounds through their initial army training.
Stuart Legg was a pioneering English documentary filmmaker. At the 14th Academy Awards in 1941, Legg's National Film Board of Canada film Churchill's Island became the first-ever documentary to win an Oscar.
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