Related Research Articles
Citizen Kane is a 1941 American drama film directed by, produced by, and starring Orson Welles. Welles and Herman J. Mankiewicz wrote the screenplay. The picture was Welles' first feature film. Citizen Kane is frequently cited as the greatest film ever made. For 50 consecutive years, it stood at number 1 in the British Film Institute's Sight & Sound decennial poll of critics, and it topped the American Film Institute's 100 Years ... 100 Movies list in 1998, as well as its 2007 update. The film was nominated for Academy Awards in nine categories and it won for Best Writing by Mankiewicz and Welles. Citizen Kane is praised for Gregg Toland's cinematography, Robert Wise's editing, Bernard Herrmann's music, and its narrative structure, all of which have been considered innovative and precedent-setting.
The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, and Carol Reed produced their most critically acclaimed works. Many British actors have accrued critical success and worldwide recognition, such as Audrey Hepburn, Olivia de Havilland, Vivien Leigh, Glynis Johns, Maggie Smith, Laurence Olivier, Michael Caine, Sean Connery, Ian Mckellen, Joan Collins, Judi Dench, Julie Andrews, Daniel Day-Lewis, Gary Oldman, Emma Thompson, Anthony Hopkins and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the fourth and fifth highest-grossing film franchises.
Robert Joseph Flaherty, was an American filmmaker who directed and produced the first commercially successful feature-length documentary film, Nanook of the North (1922). The film made his reputation and nothing in his later life fully equaled its success, although he continued the development of this new genre of narrative documentary with Moana (1926), set in the South Seas, and Man of Aran (1934), filmed in Ireland's Aran Islands. Flaherty is considered the father of both the documentary and the ethnographic film.
King: A Filmed Record... Montgomery to Memphis is a 1970 American documentary film biography of Martin Luther King Jr. and his creation and leadership of the nonviolent campaign for civil rights and social and economic justice in the Civil Rights Movement.
Louisiana Story is a 1948 American black-and-white drama film directed by Robert J. Flaherty. Its script was written by Frances H. Flaherty and Robert J. Flaherty. Although it has historically been represented as a documentary film, the events and characters depicted are fictional. There is not enough factual or educational material in the film to warrant classifying it as docufiction. The film was commissioned by the Standard Oil Company to promote its drilling ventures in the Louisiana bayous.
Man with a Movie Camera is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the eponymous Man of the film.
The GPO Film Unit was a subdivision of the UK General Post Office. The unit was established in 1933, taking on responsibilities of the Empire Marketing Board Film Unit. Headed by John Grierson, it was set up to produce sponsored documentary films mainly related to the activities of the GPO.
Paul Rotha was a British documentary film-maker, film historian and critic.
Bill Nichols is an American film critic and theoretician best known for his pioneering work as founder of the contemporary study of documentary film. His 1991 book, Representing Reality: Issues and Concepts in Documentary, applied modern film theory to the study of documentary film for the first time. It has been followed by scores of books by others and by additional books and essays by Nichols. The first volume of his two-volume anthology Movies and Methods helped to establish film studies as an academic discipline. Nichols is Professor Emeritus in the Cinema Department at San Francisco State University and Chair of the Documentary Film Institute advisory board.
Wolfgang Suschitzky, BSC, was an Austrian-born British documentary photographer, as well as a cinematographer perhaps best known for his collaboration with Paul Rotha in the 1940s and his work on Mike Hodges' 1971 film Get Carter.
Fourth Estate is a traditional term for the press; it may also refer to "the mob" or the proletariat.
Basil Wright was a documentary filmmaker, film historian, film critic and teacher.
The Documentary Film Movement is the group of British filmmakers, led by John Grierson, who were influential in British film culture in the 1930s and 1940s.
Documentary News Letter was a magazine about documentary film founded by filmmaker John Grierson. The publication was developed as the wartime successor to World Film News, which ceased publication in 1938, and sought to promote a "documentary approach to everyday living." It published its first edition in January 1940, with an editorial board that consisted of Grierson, Paul Rotha, Basil Wright, Arthur Elton and Thomas Baird.
The Film Producers Guild was a collective of documentary film companies in England. It was formed in August 1944 and had offices and screening facilities on Upper St. Martin's Lane, in London. They owned Merton Park Studios in south London.
Blue Scar is a 1949 British drama film directed by documentary filmmaker Jill Craigie. Set in a Welsh village where the mine has recently been nationalised, it focuses on the relationship between Olwen Williams, a miner's daughter who leaves the village to live in London, and Tom Thomas, who dedicates his life to working in the mine. With Craigie's background in documentary films with a social message, Blue Scar was designed to raise questions about the value of nationalising the coal industry. It was the only non-documentary film Craigie directed.
No Resting Place is a 1951 British motion picture directed by Paul Rotha, produced by Colin Lesslie Productions, and starring Michael Gough, based on Ian Niall's 1948 novel. It is noteworthy for its early use of location shooting and for bringing the acting style of Dublin's Abbey Theatre to the screen, as well as being the fiction feature debut of director Paul Rotha and cinematographer Wolfgang Suschitzky.
Donald Alexander (1913–1993) was a British documentary film-maker who worked as producer, director, writer and editor of films documenting social and industrial conditions, most notably in the coal-mining industry, between the 1930s and 1970s. The movement of which he was part is now regarded as the golden age of British documentary. Its leading figures also included Paul Rotha, John Grierson, Edgar Anstey, Humphrey Jennings, Basil Wright and Arthur Elton.
Hugh Quigley was a Scottish economist, statistician, farmer, and author. His diary of his service with the 12th Royal Scots Regiment of the British Army at Passchendaele and the Somme during the First World War was published in 1928.
Air Outpost is a 1937 film produced by documentary maker Paul Rotha focusing on the Imperial Airways 'Empire Route' and highlighting a day at the aerodrome at Sharjah, then one of the Trucial States and now one of the United Arab Emirates. The film was made by Rotha for Strand Films and was one of three commissioned by Imperial Airways to showcase the Empire Route and highlight its efficiency and safety for passengers.
References
- ↑ Sussex, Elizabeth (1975). The Rise and Fall of British Documentary: The Story of the Film Movement Founded by John Grierson . University of California Press. p. 136. ISBN 0-520-02869-4.
- ↑ Rotha, Paul (1973). Documentary Diary. Secker and Warburg. pp. 262–3. ISBN 0-436-42820-2.
- ↑ The Fourth Estate’ Documentary Film Screening
