Nazi Germany, officially known as the German Reich until 1943, later the Greater German Reich, was the German state between 1933 and 1945, when Adolf Hitler and the Nazi Party controlled the country, transforming it into a totalitarian dictatorship. The Third Reich, meaning "Third Realm" or "Third Empire", referred to the Nazi claim that Nazi Germany was the successor to the earlier Holy Roman Empire (800–1806) and German Empire (1871–1918). The Third Reich, which the Nazis referred to as the Thousand-Year Reich, ended in May 1945, after only 12 years, when the Allies defeated Germany and entered the capital, Berlin, ending World War II in Europe.
The Nazi Party, officially the National Socialist German Workers' Party, was a far-right political party in Germany active between 1920 and 1945 that created and supported the ideology of Nazism. Its precursor, the German Workers' Party, existed from 1919 to 1920. The Nazi Party emerged from the extremist German nationalist, racist and populist Freikorps paramilitary culture, which fought against communist uprisings in post–World War I Germany. The party was created to draw workers away from communism and into völkisch nationalism. Initially, Nazi political strategy focused on anti–big business, anti-bourgeois, and anti-capitalist rhetoric; it was later downplayed to gain the support of business leaders. By the 1930s, the party's main focus shifted to antisemitic and anti-Marxist themes. The party had little popular support until the Great Depression, when worsening living standards and widespread unemployment drove Germans into political extremism.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
The Weimar Republic, officially known as the German Reich, was a historical period of Germany from 9 November 1918 to 23 March 1933, during which it was a constitutional federal republic for the first time in history; hence it is also referred to, and unofficially proclaimed itself, as the German Republic. The period's informal name is derived from the city of Weimar, which hosted the constituent assembly that established its government. In English, the republic was usually simply called "Germany", with "Weimar Republic" not commonly used until the 1930s.
Degenerate art was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an "insult to German feeling", un-German, Freemasonic, Jewish, or Communist in nature. Those identified as degenerate artists were subjected to sanctions that included being dismissed from teaching positions, being forbidden to exhibit or to sell their art, and in some cases being forbidden to produce art.
The Eternal Jew is a 1940 antisemitic Nazi propaganda film, presented as a documentary. The film's initial German title was Der ewige Jude, the German term for the character of the "Wandering Jew" in medieval folklore. The film was directed by Fritz Hippler at the insistence of Nazi Germany's Minister of Propaganda, Joseph Goebbels.
From Caligari to Hitler: A Psychological History of the German Film is a book by film critic and writer Siegfried Kracauer, published in 1947.
The propaganda used by the German Nazi Party in the years leading up to and during Adolf Hitler's dictatorship of Germany from 1933 to 1945 was a crucial instrument for acquiring and maintaining power, and for the implementation of Nazi policies.
Victims of the Past is a Nazi propaganda film made in 1937, directed by Gernot Bock-Stieber and Kurt Botner.
Erbkrank is a 1936 Nazi propaganda film directed by Herbert Gerdes.
The Nazi regime in Germany actively promoted and censored forms of art between 1933 and 1945. Upon becoming dictator in 1933, Adolf Hitler gave his personal artistic preference the force of law to a degree rarely known before. In the case of Germany, the model was to be classical Greek and Roman art, seen by Hitler as an art whose exterior form embodied an inner racial ideal. It was, furthermore, to be comprehensible to the average man. This art was to be both heroic and romantic. The Nazis viewed the culture of the Weimar period with disgust. Their response stemmed partly from conservative aesthetics and partly from their determination to use culture as propaganda.
Nazism created an elaborate system of propaganda, which used the new technologies of the 20th century, including cinema. Nazism courted the masses by means of slogans that were aimed directly at the instincts and emotions of the people. The Nazis valued film as a propaganda instrument of enormous power. The interest that Adolf Hitler and his propaganda minister Joseph Goebbels took in film was not only the result of a personal fascination. The use of film for propaganda had been planned by the Nazi Party as early as 1930, when the party first established a film department. The department's goals included using the economic power of German moviegoers to self-censor films globally, resulting in all but one Hollywood producers censoring films critical of Nazism and even showing news shorts of film produced by the Nazis in American theaters. No American films between 1933-1939 were critical of Nazism.
Hitler: A Film from Germany, called Our Hitler in the US, is a 1977 film written, directed and narrated by Hans-Jürgen Syberberg, and produced by Bernd Eichinger. An co-production by West Germany, France and the United Kingdom, the film stars Heinz Schubert in a dual role, as Adolf Hitler and Heinrich Himmler. Along with Syberberg's characteristic and unusual motifs and style, it is notable for its 442-minute running time.
Fritz Hippler was a German filmmaker who ran the film department in the Propaganda Ministry of Nazi Germany, under Joseph Goebbels. He is best known as the director of the propaganda film Der Ewige Jude .
Holocaust victims were people targeted by the government of Nazi Germany based on their ethnicity, religion, political beliefs, and/or sexual orientation. The institutionalized practice by the Nazis of singling out and persecuting people resulted in the Holocaust, which began with legalized social discrimination against specific groups, involuntary hospitalization, euthanasia, and forced sterilization of persons considered physically or mentally unfit for society. The vast majority of the Nazi regime's victims were Jews, Sinti-Roma peoples, and Slavs but victims also encompassed people identified as social outsiders in the Nazi worldview, such as homosexuals, and political enemies. Nazi persecution escalated during World War II and included: non-judicial incarceration, confiscation of property, forced labor, sexual slavery, death through overwork, human experimentation, undernourishment, and execution through a variety of methods. For specified groups like the Jews, genocide was the Nazis' primary goal.
Heinz Peter Longerich is a German professor of history and historian. He is regarded by fellow historians, including Ian Kershaw, Richard Evans, Timothy Snyder, Mark Roseman and Richard Overy, as one of the leading German authorities on the Holocaust.
Anti-Jewish legislation in pre-war Nazi Germany comprised several laws that segregated the Jews from German society and restricted Jewish people's political, legal and civil rights. Major legislative initiatives included a series of restrictive laws passed in 1933, the Nuremberg Laws of 1935, and a final wave of legislation preceding Germany's entry into World War II.
Gestern und heute is a 1938 German Nazi propaganda short film directed by Hans Steinhoff and Ben Keim.
Dasein ohne Leben – Psychiatrie und Menschlichkeit is a 1942 Nazi propaganda film about the physically and mentally disabled. The film labeled inherited mental illness as a threat to public health and society, and called for extermination of those affected.
The claim that there was a Jewish war against Nazi Germany is an antisemitic conspiracy theory promoted in Nazi propaganda which asserts that the Jews, framed within the theory as a single historical actor, started World War II and sought the destruction of Germany. Alleging that war was declared in 1939 by Chaim Weizmann, president of the World Zionist Organization, Nazis used this false notion to justify the persecution of Jews under German control on the grounds that the Holocaust was justified self-defense. Since the end of World War II, the conspiracy theory has been popular among neo-Nazis and Holocaust deniers.
