"Wristband" | ||||
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Single by Paul Simon | ||||
from the album Stranger to Stranger | ||||
Released | April 7, 2016 | |||
Genre | ||||
Length | 3:17 | |||
Label | Concord | |||
Songwriter(s) | ||||
Producer(s) |
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Paul Simon singles chronology | ||||
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"Wristband" is a song by American singer-songwriter Paul Simon. It was the first single from his album Stranger to Stranger (2016), released on Concord Records.
Simon collaborates with the Italian electronic dance music artist Clap! Clap! on "Wristband". Simon was introduced to him in 2015 by his son Adrian, who was a fan of his work[ clarification needed ]. "Wristband" tells a narrative about a rock musician unable to gain entry into his own concert because he lacks the wristband required. [1] The singer tries to persuade the security guard to let him in, and cannot even gain admittance to the backstage without the right pass. The song eventually transitions into a larger symbol of outrage of underprivileged people "whose anger is a shorthand / For you'll never get a wristband." Peter Ames Carlin writes, "It is an archetypal Paul Simon move: bridging the personal and the social, the silly with the serious, the frivolous and the absolutely essential." [2] "It's not a true story," said Simon. "But I know plenty of people with this story and there have been times where I've been stopped backstage and asked to [show] a pass." [1]
The song is composed in the key of E♭ major (Mixolydian mode), with Paul Simon's vocal range spanning from E♭4 to E♭5, according to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing. [3]
Simon premiered the song on the National Public Radio series Live from Here with Chris Thile on February 6, 2016. [4] "Wristband", as the first single from Stranger to Stranger, was released online on April 7, 2016. [5] The song peaked at #14 on the Adult Alternative Songs chart on May 21. [6] Simon performed the song on Austin City Limits in September, a performance that National Public Radio praised as a "playfully infectious version of the song." [7] Stereogum described the song as "a rhythmic groove that finds Simon spinning a tale of getting locked out of a venue while taking a smoke break into a meditation on the perpetuation of social inequality." [8]
The Wild, the Innocent & the E Street Shuffle is the second studio album by the American rock singer-songwriter Bruce Springsteen. It was recorded by Springsteen with the E Street Band at 914 Sound Studios in Blauvelt, New York, and released on November 5, 1973, by Columbia Records. It includes the song "Rosalita ", the band's most-used set-closing song through 1985.
Songs in the Key of Life is the eighteenth studio album by American singer, songwriter and musician Stevie Wonder. A double album, it was released on September 28, 1976, by Tamla Records, a division of Motown. It was recorded primarily at Crystal Sound studio in Hollywood, with some sessions recorded at the Record Plant in Hollywood, the Record Plant in Sausalito, and The Hit Factory in New York City; final mixing was conducted at Crystal Sound. The album has been regarded by music journalists as the culmination of Wonder's "classic period" of recording.
M.I.U. Album is the 22nd studio album by American rock band the Beach Boys, released on September 25, 1978. Characterized for its easy-listening sound, the album was produced by Al Jardine and touring member Ron Altbach during one of the most acrimonious periods in the band's history. It sold poorly, peaking at number 151 in the U.S, and was met with confused reactions from critics and fans.
Stars and Stripes Vol. 1 is the 28th studio album by American rock band the Beach Boys, released on August 19, 1996, by River North Records. Produced by Joe Thomas and Brian Wilson, Stars and Stripes is a collaborative album between the Beach Boys and various country acts.
"Calling Occupants of Interplanetary Craft" is a song by Canadian rock band Klaatu, originally released in 1976 on their first album 3:47 EST. The song was played to open night-time transmission of the pirate radio station Radio Caroline. The year following its release, American soft rock duo the Carpenters covered the song, using a crew of 160 musicians. The Carpenters' version reached the top 10 in the UK and Canada, and charted at number 1 in Ireland.
"Ob-La-Di, Ob-La-Da" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. Following the album's release, the song was issued as a single in many countries, although not in the United Kingdom or the United States, and topped singles charts in Australia, Japan, New Zealand, Switzerland and West Germany. When belatedly issued as a single in the United States in 1976, it peaked at number 49 on the Billboard Hot 100.
Mermaid Avenue is a 1998 album of previously unheard lyrics written by American folk singer Woody Guthrie, put to music written and performed by British singer Billy Bragg and the American band Wilco. The project was the first of several such projects organized by Guthrie's daughter, Nora Guthrie, original director of the Woody Guthrie Foundation and archives. Mermaid Avenue was released on the Elektra Records label on June 23, 1998. A second volume of recordings, Mermaid Avenue Vol. II, followed in 2000 and both were collected in a box set alongside volume three in 2012 as Mermaid Avenue: The Complete Sessions. The projects are named after the song "Mermaid's Avenue", written by Guthrie. This was also the name of the street in Coney Island, New York, on which Guthrie lived. According to American Songwriter Magazine, "The Mermaid Avenue project is essential for showing that Woody Guthrie could illuminate what was going on inside of him as well as he could detail the plight of his fellow man". It was voted number 939 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).
"Martha My Dear" is a song by the English rock band the Beatles from their 1968 double album The Beatles. Credited to Lennon–McCartney, the song was written solely by Paul McCartney inspired in title only by his Old English Sheepdog, Martha. The song has been interpreted as a veiled reference to his break up with Jane Asher, particularly in the line "don't forget me". "Help yourself to a bit of what is all around you" refers to her alleged affair while away from McCartney with The Old Vic Theatre. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal.
Wild Wood is the second solo studio album by Paul Weller, released in September 1993. It made it to number 2 on the UK Albums Chart, and contained four UK hits: "Wild Wood", which reached number 14 on the UK charts, "Sunflower", which reached number 16, "The Weaver" which reached number 18 as "The Weaver EP" and "Hung Up", which reached number 11.
"Let Him Run Wild" is a song by the American rock band the Beach Boys from their 1965 album Summer Days . Written by Brian Wilson and Mike Love, it was issued as the B-side to "California Girls".
Strangers is the third studio album by British singer-songwriter Ed Harcourt.
"Letting Go" is a song credited to Paul and Linda McCartney and originally released by Wings on their 1975 album Venus and Mars. The song was remixed and released as a single on 4 October 1975 in the United States, and on 18 October 1975 in the United Kingdom. The song peaked at number 41 in the UK, 41 on the Cash Box Top 100 and number 39 on the Billboard Hot 100.
Kissin Time is the 15th studio album by British singer Marianne Faithfull.
Gipsy Kings is the third album by the French Rumba Catalana band Gipsy Kings, which was released in 1987. The album was their first to reach a worldwide audience, going gold across France, the UK, the US and other countries. The US and European versions of this album are identical except in some cases the song order may differ. The Japanese version released in 1995 includes an alternate version of "Vamos a Bailar". The song "Inspiration" from this album famously appeared in the season five episode of Miami Vice, "World of Trouble", in June 1988.
Compas is the ninth studio album by rumba band Gipsy Kings. It was released in 1997 in Europe and the US, using a different song order. The European version has one completely new track, "Sueño de Noche", as well as a remixed version of "Ami Wa Wa ".
Cradle to the Grave is the fourteenth studio album, and the thirteenth album of original material, by British rock band Squeeze. It was released in October 2015 and is their first studio album since 2010's Spot the Difference. It also features their first new songs since their 1998 album Domino. It is the only Squeeze album to feature bassist Lucy Shaw who departed before the band's 2017 album, The Knowledge, which features Yolanda Charles on bass. Cradle to the Grave debuted at number 12 on the UK Albums Chart, making this the band's highest-charting album excluding hits compilations.
Stranger to Stranger is the thirteenth solo studio album by American folk rock singer-songwriter Paul Simon. Produced by Paul Simon and Roy Halee, it was released on June 3, 2016 through Concord Records. Simon wrote the material over a period of several years, perfecting it and rewriting it to his liking. Its music is experimental, making use of custom-made instruments by composer and music theorist Harry Partch. Three of the songs on the album are collaborations with Italian electronic artist Clap! Clap!.
Cristiano Crisci, commonly known by stage name Clap! Clap!, is an Italian producer and DJ. He is a long time jazz musician and previously worked under the alias Digi G'Alessio.
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"Welcome to the Show" is a song recorded by American singer Adam Lambert featuring Persian-Swedish singer-songwriter Laleh. It was released through Warner Bros. Records on March 17, 2016 independent of Lambert's 2015 album, The Original High. The power pop song was written by Laleh with Ali Payami and was produced by Laleh.