"The Sound of Silence" | ||||
---|---|---|---|---|
Single by Simon & Garfunkel | ||||
from the album Wednesday Morning, 3 A.M. and Sounds of Silence | ||||
B-side | "We've Got a Groovy Thing Goin'" | |||
Released | October 19, 1964 (original acoustic version) September 12, 1965 (overdubbed electric version) | |||
Recorded | March 10, 1964 | |||
Studio | Columbia 7th Ave, New York City | |||
Genre | Folk rock [1] | |||
Length | 3:05 | |||
Label | Columbia | |||
Songwriter(s) | Paul Simon | |||
Producer(s) | Tom Wilson | |||
Simon & Garfunkel singles chronology | ||||
| ||||
Audio | ||||
"The Sound of Silence" on YouTube | ||||
Alternative release | ||||
"The Sound of Silence" (originally "The Sounds of Silence") is a song by the American folk rock duo Simon &Garfunkel,written by Paul Simon. The duo's studio audition of the song led to a record deal with Columbia Records,and the original acoustic version was recorded in March 1964 at Columbia's 7th Avenue Recording Studios in New York City for their debut album, Wednesday Morning,3 A.M. ,released that October to disappointing sales. An overdubbed electric remix was released the following year and went to number one on the Billboard singles chart.
In 1965,the song began to attract airplay at radio stations in Boston and throughout Florida. The growing airplay led Tom Wilson,the song's producer,to remix the track,overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon &Garfunkel were not informed of the song's remix until after its release. The remix hit No. 1 on the Billboard Hot 100 for the week ending January 1,1966,leading the duo to reunite and hastily record their second album,which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. Later,it was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson EP in 1968,along with three other songs from the film:"Mrs. Robinson","April Come She Will",and "Scarborough Fair/Canticle".
"The Sound of Silence" was a top-ten hit in multiple countries worldwide,among them Australia,Austria,West Germany,Japan and the Netherlands. Generally considered a classic folk rock song,the song was added to the National Recording Registry in the Library of Congress for being "culturally,historically,or aesthetically important" in 2012,along with the rest of the Sounds of Silence album. Since its release,the song was included in later compilations,beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits . [2]
Simon and Garfunkel had become interested in folk music and the growing counterculture movement separately in the early 1960s. Having performed together previously under the name Tom and Jerry in the late 1950s,their partnership had dissolved by the time they began attending college. In 1963,they regrouped and began performing Simon's original compositions locally in Queens. They billed themselves "Kane &Garr",after old recording pseudonyms,and signed up for Gerde's Folk City,a Greenwich Village club that hosted Monday night performances. [3] In September 1963,the duo's performances caught the attention of Columbia Records producer Tom Wilson,a young African-American jazz musician who was also helping to guide Bob Dylan's transition from folk to rock. [4] [3] [5] Simon convinced Wilson to let him and his partner have a studio audition;their performance of "The Sound of Silence" got the duo signed to Columbia. [6]
The song's origin and basis are unclear,with some thinking that the song commented on the assassination of John F. Kennedy,as the song was recorded three months after the assassination,although Simon &Garfunkel had performed the song live as Kane &Garr two months before the assassination. [7] Simon wrote "The Sound of Silence" when he was 21 years old, [8] [9] later explaining that the song was written in his bathroom,where he turned off the lights to better concentrate. [5] "The main thing about playing the guitar,though,was that I was able to sit by myself and play and dream. And I was always happy doing that. I used to go off in the bathroom,because the bathroom had tiles,so it was a slight echo chamber. I'd turn on the faucet so that water would run (I like that sound,it's very soothing to me) and I'd play. In the dark. 'Hello darkness,my old friend / I've come to talk with you again.'" [10] According to Garfunkel,the song was first developed in November 1963,but Simon took three months to perfect the lyrics,which were entirely written on February 19,1964. [11] Garfunkel,introducing the song at a live performance (with Simon) in Haarlem (Netherlands),in June 1966,summed up the song's meaning as "the inability of people to communicate with each other,and not particularly internationally but especially emotionally,so that what you see around you is people who are unable to love each other." [5]
Garfunkel's college roommate,Sandy Greenberg,wrote in his memoir that the song reflected the strong bond of friendship between Simon and Garfunkel,who had adopted the epithet "Darkness" to empathise with Greenberg's sudden-onset blindness. [12]
To promote the release of their debut album, Wednesday Morning,3 A.M. ,released on October 19,1964, [13] the duo performed again at Folk City,as well as two shows at the Gaslight Café,which went over poorly. Dave Van Ronk,a folk singer,was at the performances,and noted that several in the audience regarded their music as a joke. [14] "'Sounds of Silence' actually became a running joke:for a while there,it was only necessary to start singing 'Hello darkness,my old friend ... ' and everybody would crack up." [15] Wednesday Morning,3 AM sold only 3,000 copies upon its October release,and its dismal sales led Simon to move to London. [16] While there,he recorded a solo album, The Paul Simon Songbook (1965),which features a rendition of the song,titled "The Sound of Silence" (instead of "The Sounds of Silence",as on Wednesday Morning,3 A.M.). [17]
The original recording of the song is in D♯minor,using the chords D♯m,C♯,B and F♯. Simon plays a guitar with a capo on the sixth fret,using the shapes for Am,G,F and C chords. He provides the lower vocals for harmony while Garfunkel sings the melody. [18] The vocal span goes from C♯3 to F♯4 in the song. [19]
Wednesday Morning,3 A.M. had been a commercial failure before producer Tom Wilson was alerted that radio stations had begun to play "The Sound of Silence" in spring 1965. A late-night disc jockey at WBZ in Boston began to spin "The Sound of Silence",where it found a college student audience. [20] Those at Harvard and Tufts University responded well,and the song made its way down the east coast pretty much "overnight","all the way to Cocoa Beach,Florida,where it caught the students coming down for spring break." [20] A promotional executive for Columbia went to give away free albums of new artists,and beach-goers were interested only in the artists behind "The Sound of Silence". He phoned the home office in New York,alerting them of its appeal. [21] An alternate version of the story states that Wilson attended Columbia's July 1965 convention in Miami,where the head of the local sales branch raved about the song's airplay. [22]
Folk rock was beginning to make waves on pop radio,with songs such as the Byrds' "Mr. Tambourine Man" charting high. [23] Wilson listened to the song several times,thinking it too soft for a wide release. [20] He had strong feelings about editing the song with explicit rock overtones. [24] As stated by Geoffrey Himes,"If Columbia Records producer Tom Wilson hadn't taken the initiative,without the singers' knowledge,to dub a rock rhythm section over their folk rendition,the song never would have become a cultural touchstone—a generation's shorthand for alienation." [25] Wilson had also experimented the previous December with overdubbing an electric band over acoustic tracks by Bob Dylan;these recordings were never officially released,as Dylan and Wilson opted to record new tracks with a live band for what would become the album Bringing It All Back Home .
On June 15,1965,following sessions for Dylan's "Like a Rolling Stone",Wilson retained guitarist Al Gorgoni and drummer Bobby Gregg from the Dylan sessions,adding guitarist Vinnie Bell and bassist Bob Bushnell. [26] The tempo on the original recording was uneven,making it difficult for the musicians to keep the song in time. [23] Engineer Roy Halee employed a heavy echo on the remix,which was a common trait of the Byrds' hits. [23] The single was first provided to college FM rock stations,and a commercial single release followed on September 13,1965. [22] The lack of consultation with Simon and Garfunkel on the remix was because,although the duo was still contracted to Columbia Records,the duo was no longer a "working entity". [23] [27] It was not unusual for producers to add instruments or vocals to previous releases and re-release them as new products.[ citation needed ]
In the fall of 1965,Simon was in Denmark,performing at small clubs,and picked up a copy of Billboard ,as he had routinely done for several years. [22] Upon seeing "The Sound of Silence" in the Billboard Hot 100,he bought a copy of Cashbox and saw the same thing. Several days later,Garfunkel excitedly called Simon to inform him of the single's growing success. [22] A copy of the 7-inch single arrived in the mail the next day,and according to friend Al Stewart,"Paul was horrified when he first heard it ... [when the] rhythm section slowed down at one point so that Paul and Artie's voices could catch up." [24] Garfunkel was far less concerned about the remix,feeling conditioned to the process of trying to create a hit single:"It's interesting,I suppose it might do something,It might sell," he told Wilson. [28]
The lyrics of the song are written in five stanzas of seven lines each. Each stanza begins with a couplet describing the setting of the scene,followed by a couplet driving the action forward and another couplet expressing the climactic thought of the verse,and closes with a one-line refrain referring to "the sound of silence". This structure is supported by a melodic contour,where the first and second lines are paired with the arpeggio A-C-E-D and a repeat a step lower,respectively. The arpeggio is then stretched to become C-E-G-A-G and repeated twice in the second couplet. For the last three lines,the contour then leaps from C to the higher A,rises to the higher C,and then falls back to the A before singing the stretched arpeggio in reverse and finally retreating to the lower A. [18] The progress of the lyrics through its five stanzas places the singer into an incrementally increasing tension with an increasingly ambiguous "sound of silence". The irony of using the word "sound" to describe silence in the title lyrics suggests a paradoxical symbolism being used by the singer,which the lyrics of the fourth stanza eventually identifies as "silence like a cancer grows". The "sound of silence" is symbolically taken also to denote the cultural alienation associated with much of the 1960s. [25] In the counterculture movements of the 1960s,the phrase "sound of silence" can be compared to other more commonly used turns of phrase such as "turning a deaf ear" often associated with the detachment experienced with impersonal large governments.[ by whom? ]
The first stanza presents the singer as taking some relative solace in the peacefulness he associates with "darkness" which is submerged "within" the ambiguous sound of silence. [29] The second stanza has the effect of breaking into the silence with "the flash of a neon light" which leaves the singer "touched" by the enduring ambiguity of the sound of silence. In the third stanza,a "naked light" emerges as a vision of 10,000 people all caught within their own solitude and alienation without any one of them daring to "disturb" the recurring sound of silence.
In the fourth stanza,the singer proclaims in a declarative voice that "silence like a cancer grows," though his words "like silent raindrops fell" without ever being heard against the by now cancerous sound of silence. The fifth stanza appears to culminate with the urgency raised by the declarative voice in the fourth stanza through the apparent triumph of a false "neon god". The false neon god is only challenged when a "sign flashed out its warning" that only the words of the indigent written on "subway walls and tenement halls" could still "whisper" their truth against the recurring and ambiguous form of "the sound of silence". [5] The song has no lyrical bridge or change of key,and was written without any lyrical intro or outro.
(electric overdubs) personnel
"The Sound of Silence" first broke in Boston,where it became one of the top-selling singles in early November 1965; [22] [30] it spread to Miami and Washington,D.C. two weeks later,reaching number one in Boston and debuting on the Billboard Hot 100. [31]
Throughout the month of January 1966 "The Sound of Silence" had a one-on-one battle with the Beatles' "We Can Work It Out" for the number one spot on the Billboard Hot 100. "The Sound of Silence" was number one for the weeks of January 1 and 22 and number two for the intervening two weeks. "We Can Work It Out" held the top spot for the weeks of January 8,15,and 29,and it was number two for the two weeks that "The Sound of Silence" was number one. Overall,"The Sound of Silence" spent 14 weeks on the Billboard chart. [32]
In the wake of the song's success,Simon promptly returned to the United States to record a new Simon &Garfunkel album at Columbia's request. He later described his experiences learning the song went to number one,a story he repeated in numerous interviews: [33]
I had come back to New York, and I was staying in my old room at my parents' house. Artie was living at his parents' house, too. I remember Artie and I were sitting there in my car one night, parked on a street in Queens, and the announcer [on the radio] said, "Number one, Simon & Garfunkel." And Artie said to me, "That Simon & Garfunkel, they must be having a great time." Because there we were on a street corner [in my car in] Queens, smoking a joint. We didn't know what to do with ourselves. [34]
For his part, Garfunkel had a different memory of the song's success:
We were in L.A. Our manager called us at the hotel we were staying at. We were both in the same room. We must have bunked in the same room in those days. I picked up the phone. He said, 'Well, congratulations. Next week you will go from five to one in Billboard.' It was fun. I remember pulling open the curtains and letting the brilliant sun come into this very red room, and then ordering room service. That was good. [33] [35]
A cover by Peaches & Herb reached #88 in Canada, July 24, 1971. [36]
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [58] | Gold | 75,000^ |
Denmark (IFPI Danmark) [59] | Platinum | 90,000‡ |
Germany (BVMI) [60] | Gold | 250,000‡ |
Italy (FIMI) [61] | Platinum | 50,000‡ |
Spain (PROMUSICAE) [62] | Platinum | 60,000‡ |
United Kingdom (BPI) [63] | Platinum | 600,000‡ |
United States (RIAA) [64] | Gold | 1,000,000^ |
^ Shipments figures based on certification alone. |
The cover by the Irish group the Bachelors was released in 1966. Simon and Garfunkel's version did not chart in either the UK or Ireland, losing out to the Bachelors cover version, whose version peaked at number three in the UK and number nine in Ireland.
|
"The Sound of Silence" | ||||
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Single by Disturbed | ||||
from the album Immortalized | ||||
Released | December 7, 2015 | |||
Recorded | 2015 | |||
Studio | The Hideout Recording Studio Las Vegas, Nevada | |||
Genre | Symphonic rock | |||
Length | 4:08 | |||
Label | Reprise | |||
Songwriter(s) | Paul Simon | |||
Producer(s) | Kevin Churko | |||
Disturbed singles chronology | ||||
| ||||
Music video | ||||
"The Sound of Silence" on YouTube |
50 years after its original release, a cover version of "The Sound of Silence" was released by American heavy metal band Disturbed on December 7, 2015. [67] [68] A music video was also released. [69] Their cover hit number one on the Billboard Hard Rock Digital Songs [70] and Mainstream Rock charts, [71] and is their highest-charting song on the Hot 100, [72] peaking at number 42. It is also their highest-charting single in Australia, peaking at number four. David Draiman sings it in the key of F#m. His vocal span goes from F#2 to A4 in scientific pitch notation. [73]
In April 2016, Paul Simon endorsed the cover. [74] Additionally, on April 1, Simon sent Draiman an email praising Disturbed's performance of the rendition on American talk show Conan . Simon wrote, "Really powerful performance on Conan the other day. First time I'd seen you do it live. Nice. Thanks." Draiman responded, "Mr. Simon, I am honored beyond words. We only hoped to pay homage and honor to the brilliance of one of the greatest songwriters of all time. Your compliment means the world to me/us and we are eternally grateful." [75] As of September 2017, the single had sold over 1.5 million digital downloads [76] and had been streamed over 54 million times, estimated Nielsen Music. [77] As of September 2024, the music video has over 1 billion views on YouTube, while the live performance on Conan has over 149 million, making it the most watched YouTube video from the show. [78] [79]
In 2024, Australian musician Cyril Riley (known mononymously as Cyril) released a remixed version on Spinnin' Records.
Region | Year | Publication | Accolade | Rank |
---|---|---|---|---|
United States | 2015 | Loudwire | 20 Best Rock Songs of 2016 [80] | 1 |
10 Best Rock Videos of 2016 [81] | 2 |
Weekly charts | Monthly charts
Year-end charts
Decade-end charts
|
Weekly charts (Remix)
| Monthly charts (Remix)
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [174] | 8× Platinum | 560,000‡ |
Austria (IFPI Austria) [175] | Platinum | 30,000‡ |
Canada (Music Canada) [176] | 4× Platinum | 320,000‡ |
Denmark (IFPI Danmark) [177] | Platinum | 90,000‡ |
Germany (BVMI) [178] | Diamond | 1,000,000‡ |
Italy (FIMI) [179] | Platinum | 50,000‡ |
New Zealand (RMNZ) [180] | 5× Platinum | 150,000‡ |
Norway (IFPI Norway) [181] | 2× Platinum | 120,000‡ |
Poland (ZPAV) [182] | 2× Diamond | 500,000‡ |
Spain (PROMUSICAE) [183] | Gold | 30,000‡ |
Sweden (GLF) [184] | 2× Platinum | 80,000‡ |
Switzerland (IFPI Switzerland) [185] | Gold | 15,000‡ |
United Kingdom (BPI) [186] | 2× Platinum | 1,200,000‡ |
United States (RIAA) [187] | 8× Platinum | 8,000,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [188] | Gold | 40,000‡ |
Denmark (IFPI Danmark) [189] | 2× Platinum | 180,000‡ |
Portugal (AFP) [190] | Gold | 5,000‡ |
Switzerland (IFPI Switzerland) [185] | Platinum | 20,000‡ |
‡ Sales+streaming figures based on certification alone. |
"The Sound of Silence" | ||||
---|---|---|---|---|
Single by Paul Simon | ||||
from the album Paul Simon in Concert: Live Rhymin' | ||||
Released | 1974 | |||
Genre | Folk rock | |||
Length | 4:21 | |||
Label | Columbia Records | |||
Songwriter(s) | Paul Simon | |||
Producer(s) | Paul Simon | |||
Paul Simon singles chronology | ||||
|
Paul Simon released a solo acoustic version of "The Sound of Silence" in the spring of 1974. His version reached No. 84 in Canada [51] and No. 97 on the US Cash Box chart. [47] It was also a minor Adult Contemporary hit (US No. 50, Canada No. 42). [52] [50]
Simon had previously recorded a solo acoustic version of the song on his debut solo album The Paul Simon Songbook , released in 1965 in the UK only, and not widely available in the U.S. until its release as part of a retrospective box set in the 1980s.
In 1999, BMI named "The Sound of Silence" as the 18th most-performed song of the 20th century. [191] In 2004, it was ranked No. 156 on Rolling Stone 's list of the 500 Greatest Songs of All Time, one of the duo's three songs on the list. The song is now considered "the quintessential folk rock release". [192] On March 21, 2013, the song was added to the National Recording Registry in the Library of Congress for long-term preservation along with the rest of the Sounds of Silence album. [193]
In 2004, the song was inducted into the Grammy Hall of Fame. [194]
When director Mike Nichols and Sam O'Steen were editing the 1967 film The Graduate , they initially timed some scenes to this song, intending to substitute original music for the scenes. However, they eventually concluded that an adequate substitute could not be found and decided to purchase the rights for the song for the soundtrack. This was an unusual decision, as the song had charted more than a year earlier, and recycling established music for film was not commonly done at the time. [195]
A shortened cover of the song, performed by Anna Kendrick, was featured in the 2016 film Trolls . It was also included on the film’s soundtrack album, Trolls: Original Motion Picture Soundtrack . [196] It was also the b-side to the film’s lead single, the Oscar-nominated original song "Can't Stop the Feeling!" by Justin Timberlake, which was released on May 6, 2016. [197]
The Canadian band Rush alluded to the song lyrics in the last lines of their 1980 song "The Spirit of Radio". [198]
In 2017, the song re-emerged on Billboard's Hot Rock Songs Chart at no. 6, due to its use in a YouTube video and meme involving Ben Affleck's facial expression during an interview about his film Batman v Superman , dubbed "Sad Affleck." [199]
De Havilland Canada used the song title to promote its Active Noise and Vibration Suppression system (ANVS) with a special livery of a Dash 8-300 delivered to Tyrolean Airways as OE-LTI in 1997. [200]
Simon & Garfunkel were an American folk rock duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. They were one of the best-selling music acts of the 1960s. Their most famous recordings include three US number ones: "The Sound of Silence" (1965) and the two winners of the Grammy Award for Record of the Year, "Mrs. Robinson" (1968) and "Bridge over Troubled Water" (1970). Other hits include "The Boxer" (1969), "Cecilia" (1970) and the four 1966 releases "Homeward Bound", "I Am a Rock", "Scarborough Fair/Canticle" and "A Hazy Shade of Winter", as well as the 1968 album track "America".
Simon and Garfunkel's Greatest Hits is the first compilation album from Simon & Garfunkel, which was released on June 14, 1972, two years after Simon & Garfunkel had parted ways.
"Bridge over Troubled Water" is a song by the American folk rock duo Simon & Garfunkel, released in January 1970 as the second single from their fifth studio album, Bridge over Troubled Water (1970). It was written by Paul Simon and produced by Simon, Art Garfunkel and Roy Halee.
"Enjoy the Silence" is a song by the English electronic music band Depeche Mode. Recorded in 1989, it was released as the second single from their seventh studio album, Violator (1990), on 5 February 1990. The song is certified Gold in the US and Germany. The song won Best British Single at the Brit Awards 1991.
"Homeward Bound" is a song by the American music duo Simon & Garfunkel, released as a single on January 19, 1966, by Columbia Records. It was written by Paul Simon and produced by Bob Johnston. Simon wrote the song during his time in England, possibly while waiting for a train at Widnes railway station in the northwest of England. Simon said later he actually composed it at a railway station in Warrington.
"Mrs. Robinson" is a song by American folk rock duo Simon & Garfunkel from their fourth studio album, Bookends (1968). The writing of the song was begun before the 1967 film The Graduate, which contained only fragments of it. The full song was released as a single on April 5, 1968, by Columbia Records. Produced by Simon & Garfunkel and Roy Halee, the song was written by Paul Simon, who offered parts of it to movie director Mike Nichols alongside Art Garfunkel after Nichols rejected two other songs intended for the film. The Graduate's soundtrack album uses two short versions of "Mrs. Robinson". The song was additionally released on the Mrs. Robinson EP in 1968, which also includes three other songs from the film: "April Come She Will", "Scarborough Fair/Canticle", and "The Sound of Silence".
"What I've Done" is a song by American rock band Linkin Park. It was released as the first single from their third studio album, Minutes to Midnight (2007), and is the sixth track. The song was released as a radio single on April 1, 2007, as a digital download on April 2, and as a CD single on April 30. The live version of "What I've Done" from Road to Revolution: Live at Milton Keynes was nominated for Best Hard Rock Performance at the 52nd Grammy Awards, but did not win. It serves as the end credits track of the 2007 science fiction blockbuster film Transformers and also appears on Transformers: The Album (2007). Being certified six times platinum by the RIAA, it is the band's most commercially successful single in terms of pure sales, and reached number 7 on the Billboard Hot 100.
"Beggin'" is a song composed by Bob Gaudio and Peggy Farina and first released as a single by American band the Four Seasons in 1967. Initially charting at number 16 in the US Billboard Chart, the song became popular in the Northern soul scene in the United Kingdom in the 1970s. It has been covered multiple times, with versions by Norwegian hip-hop duo Madcon and Italian rock band Måneskin topping music charts in Europe and beyond. The Four Seasons' version was remixed in 2007 by French DJ Pilooski and re-released as a single, reaching number 32 in the UK Singles Chart, commercially outperforming the band's original release in the UK.
The discography of American heavy metal band Disturbed includes eight studio albums, two live albums, one compilation album, one extended play, 31 singles, three video albums, and 27 music videos. The band formed when guitarist Dan Donegan, drummer Mike Wengren and bassist Steve "Fuzz" Kmak hired vocalist David Draiman in 1996. A demo tape led to their signing to Giant Records, which released their debut album, The Sickness, in March 2000. The album reached the top 30 on the United States' Billboard 200, and the Australian ARIA Charts. Since its release, The Sickness was certified 5× platinum, a measure of its high sales volume, in the US by the Recording Industry Association of America (RIAA), 3× platinum in Canada by Music Canada, and platinum in Australia by the Australian Recording Industry Association (ARIA). Four singles were released from the album, "Stupify", "Voices", "The Game", and "Down with the Sickness"; the latter of which was the most successful, having been certified platinum by the RIAA.
"Stumblin' In" is a song written by Mike Chapman and Nicky Chinn, performed by Chris Norman and Suzi Quatro. Originally released as a standalone single, it was later added to some editions of the Quatro album If You Knew Suzi... It was Norman's first single as a solo artist.
The Concert in Central Park is the first live album by American folk rock duo Simon & Garfunkel, released on February 16, 1982, by Warner Bros. Records. It was recorded on September 19, 1981, at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of 500,000 people. A film of the event was shown on TV and released on video. Proceeds went toward the redevelopment and maintenance of the park, which had deteriorated due to lack of municipal funding. The concert and album marked the start of a three-year reunion of Paul Simon and Art Garfunkel.
"Radioactive" is a song by American pop rock band Imagine Dragons from their major-label debut EP Continued Silence and later on their debut studio album, Night Visions (2012), as the opening track. It was first sent to modern rock radio on October 29, 2012, and then released to contemporary hit radio on April 9, 2013. Musically, "Radioactive" is an electronic rock and alternative rock song with elements of dubstep.
"Safe and Sound" is a song by American indie pop duo Capital Cities, written and produced by band members Ryan Merchant and Sebu Simonian. The song was released as a single on January 6, 2011, and first appeared on their debut EP Capital Cities (2011), later serving as the lead single from their debut studio album, In a Tidal Wave of Mystery (2013). "Safe and Sound" became the duo's breakout hit, peaking at number eight on the United States Billboard Hot 100 and achieving commercial success in several other territories. Three music videos were produced for the single, with the third video, directed by Grady Hall and set in the Los Angeles Theatre, later being nominated for Best Music Video at the 56th Annual Grammy Awards
"King" is a song by British synth-pop trio Years & Years from their debut studio album Communion. It was originally released as a single on 3 February 2015. The song was released in the United Kingdom as a digital download on 1 March 2015 through Polydor Records.
"The Hills" is a song by the Canadian singer-songwriter the Weeknd. It was released on May 27, 2015, as the second single from his second studio album, Beauty Behind the Madness (2015). The song was written by the Weeknd alongside producers Emmanuel "Mano" Nickerson and Illangelo, with Belly receiving additional writing credits.
Immortalized is the sixth studio album by American heavy metal band Disturbed. The album was released on August 21, 2015, by Reprise Records, and is Disturbed's first studio album since Asylum (2010), marking the longest gap between two studio albums in their career.
"This Town" is the debut solo single by Irish singer-songwriter Niall Horan, released on 29 September 2016 by Capitol Records as the lead single from his debut solo album Flicker (2017). An accompanying music video of a live performance was released the same day. The song was written by Horan, Jamie Scott, Mike Needle, Daniel Bryer and produced by Greg Kurstin. It is Horan's first solo single, as well as the second solo single released by any of One Direction's remaining members, following the hiatus of the band, which was announced earlier in 2016. It peaked at number 9 on the UK Singles Chart, earning it his second highest-charting single as a lead artist to date, behind "Slow Hands". It also peaked at number 20 on the US Billboard Hot 100.
"Are You Ready" is a song by American heavy metal band Disturbed. It was released on 16 August 2018, as the first single from their album Evolution. The song topped the Billboard Mainstream Rock Songs chart in September 2018.
"The Door" is a song by American singer-songwriter Teddy Swims. The song was released on September 15, 2023, on his debut studio album I've Tried Everything but Therapy as a track. The song was released in April 2024 as the album's third single.
Cyril Riley, known mononymously as Cyril, is an Australian DJ and record producer.
Notes
サウンド・オブ・サイレンス - 発売日 - 1968年06月15日 - 最高順位 - 1位 - 登場回数 - 59週
Bibliography