The Aztecs were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (altepetl), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, the capital city of the Mexica or Tenochca, Tetzcoco, and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs have long been the topic of scholarly discussion ever since German scientist Alexander von Humboldt established its common usage in the early 19th century.
Jaguar warriors or jaguar knights, ocēlōtlNahuatl pronunciation:[oˈseːloːt͡ɬ] (singular) or ocēlōmeh (plural) were members of the Aztec military elite. They were a type of Aztec warrior called a cuāuhocēlōtl (derived from cuāuhtli and ocēlōtl. They were an elite military unit similar to the eagle warriors.
The Madrid Codex is one of four surviving pre-Columbian Maya books dating to the Postclassic period of Mesoamerican chronology. The Madrid Codex was produced in western Yucatán, Mexico, today is held by the Museo de América in Madrid and is considered to be the most important piece in its collection. However, the original is not on display due to its fragility; an accurate reproduction is displayed in its stead. At one point in time the codex was split into two pieces, given the names "Codex Troano" and "Codex Cortesianus". In the 1880s, Leon de Rosny, an ethnologist, realised that the two pieces belonged together, and helped combine them into a single text. This text was subsequently brought to Madrid, and given the name "Madrid Codex", which remains its most common name today.
Dumbarton Oaks, formally the Dumbarton Oaks Research Library and Collection, is a historic estate in the Georgetown neighborhood of Washington, D.C. It was the residence and gardens of wealthy U.S. diplomat Robert Woods Bliss and his wife Mildred Barnes Bliss. The estate was founded by the Bliss couple, who gave the home and gardens to Harvard University in 1940.
The religion of the Olmec people significantly influenced the social development and mythological world view of Mesoamerica. Scholars have seen echoes of Olmec supernatural in the subsequent religions and mythologies of nearly all later pre-Columbian era cultures.
A tzompantli or skull rack was a type of wooden rack or palisade documented in several Mesoamerican civilizations, which was used for the public display of human skulls, typically those of war captives or other sacrificial victims. It is a scaffold-like construction of poles on which heads and skulls were placed after holes had been made in them. Many have been documented throughout Mesoamerica, and range from the Epiclassic through early Post-Classic. In 2015 archeologists announced the discovery of the Huey Tzompantli, with more than 650 skulls, in the archeological zone of the Templo Mayor in Mexico City.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Many types of perishable artifacts that were once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
Aztec codices are Mesoamerican manuscripts made by the pre-Columbian Aztec, and their Nahuatl-speaking descendants during the colonial period in Mexico.
The Codex Borgia, also known as Codex Borgianus, Manuscrit de Veletri and Codex Yohualli Ehecatl, is a pre-Columbian Middle American pictorial manuscript from Central Mexico featuring calendrical and ritual content, dating from the 16th century. It is named after the 18th century Italian cardinal, Stefano Borgia, who owned it before it was acquired by the Vatican Library after the cardinal's death in 1804.
The traditions of indigenous Mesoamerican literature extend back to the oldest-attested forms of early writing in the Mesoamerican region, which date from around the mid-1st millennium BCE. Many of the pre-Columbian cultures of Mesoamerica are known to have been literate societies, who produced a number of Mesoamerican writing systems of varying degrees of complexity and completeness. Mesoamerican writing systems arose independently from other writing systems in the world, and their development represents one of the very few such origins in the history of writing.
Ancient Maya art comprises the visual arts of the Maya civilization, an eastern and south-eastern Mesoamerican culture made up of a great number of small kingdoms in what is now Mexico, Guatemala, Belize and Honduras. Many regional artistic traditions existed side by side, usually coinciding with the changing boundaries of Maya polities. This civilization took shape in the course of the later Preclassic Period, when the first cities and monumental architecture started to develop and the hieroglyphic script came into being. Its greatest artistic flowering occurred during the seven centuries of the Classic Period.
Tututepec is a Mesoamerican archaeological site. It is located in the lower Río Verde valley on the coast of Oaxaca. The city was the capital of a tributary Mixtec empire during the Late Postclassic period. At its largest extent the site covered some 21.85 km2, and its political influence extended over an area of more than 25,000 km² of the neighbouring territory covering many towns and cultures.
Maya blue is a unique bright turquoise or azure blue pigment manufactured by cultures of pre-Columbian Mesoamerica, such as the Mayas and Aztecs, during a period extending from approximately the 8th century to around 1860 CE. It is found in mural paintings on architectural buildings, ceramic pieces, sculptures, codices, and even in post-conquest Indochristian artworks and mural decorations.
Cholula was an important city of pre-Columbian Mesoamerica, dating back to at least the 2nd century BCE, with settlement as a village going back at least some thousand years earlier. The site of Cholula is just west of the modern city of Puebla and served as a trading outpost. Its immense pyramid is the largest such structure in the Americas, and the largest pyramid structure by volume in the world, measuring 4.45 million cubic meters.
Robert E. Lee Chadwick was an American anthropologist and archeologist, primarily known for his contributions to the Handbook of Middle American Indians.
The state of Oaxaca in southern Mexico has a noteworthy tradition of finely crafted textiles, particularly handmade embroidery and woven goods that frequently use a backstrap loom. Oaxaca is home to several different groups of indigenous peoples, each of which has a distinctive textile tradition.
The coat of arms of Mexico is a national symbol of Mexico and depicts a Mexican (golden) eagle perched on a prickly pear cactus devouring a rattlesnake. The design is rooted in the legend that the Aztec people would know where to build their city once they saw an eagle eating a snake on top of a lake. The image has been an important symbol of Mexican politics and culture for centuries. To the people of Tenochtitlan, this symbol had strong religious connotations, and to the Europeans, it came to symbolize the triumph of good over evil.
Painting in the Americas before European colonization is the Precolumbian painting traditions of the Americas. Painting was a relatively widespread, popular and diverse means of communication and expression for both religious and utilitarian purpose throughout the regions of the Western Hemisphere. During the period before and after European exploration and settlement of the Americas; including North America, Central America, South America and the islands of the Caribbean, the Bahamas, the West Indies, the Antilles, the Lesser Antilles and other island groups, indigenous native cultures produced a wide variety of visual arts, including painting on textiles, hides, rock and cave surfaces, bodies especially faces, ceramics, architectural features including interior murals, wood panels, and other available surfaces. Many of the perishable surfaces, such as woven textiles, typically have not been preserved, but Precolumbian painting on ceramics, walls, and rocks have survived more frequently.
The Codex Xolotl is a postconquest cartographic Aztec codex, thought to have originated before 1542. It is annotated in Nahuatl and details the preconquest history of the Valley of Mexico, and Texcoco in particular, from the arrival of the Chichimeca under the king Xolotl in the year 5 Flint (1224) to the Tepanec War in 1427.
The Maya Codex of Mexico (MCM) is a Maya screenfold codex manuscript of a pre-Columbian type. Long known as the Grolier Codex or Sáenz Codex, in 2018 it was officially renamed the Códice Maya de México (CMM) by the National Institute of Anthropology and History of Mexico. It is one of only four known extant Maya codices, and the only one that still resides in the Americas.
