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Anahuac is the ancient core of Mexico. Anahuac is a Nahuatl name which means "close to water." It can be broken down like this: A(tl) + nahuac. Atl means "water" and nahuac, which is a relational word that can be affixed to a noun, means "close to." Anahuac is sometimes used interchangeably with "Valley of Mexico", but Anahuac properly designates the south-central part of the 8,000 km2 (3,089 sq mi) valley, where well-developed pre-Hispanic culture traits had created distinctive landscapes now hidden by the urban sprawl of Mexico City. In the sense of modern geomorphological terminology, "Valley of Mexico" is misnamed.
The Aztecs were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (altepetl), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca, Texcoco, and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although, the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs have long been the topic of scholarly discussion ever since German scientist Alexander von Humboldt established its common usage in the early 19th century.
In Aztec mythology, Xochiquetzal, also called Ichpochtli Classical Nahuatl: Ichpōchtli[itʃˈpoːtʃtɬi], meaning "maiden"), was a goddess associated with fertility, beauty, and love, serving as a protector of young mothers and a patroness of pregnancy, childbirth, and the crafts practiced by women such as weaving and embroidery. In pre-Hispanic Maya culture, a similar figure is Goddess I.
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In Aztec mythology, Centeōtl[senˈteoːt͡ɬ] is the maize deity. Cintli[ˈsint͡ɬi] means "dried maize still on the cob" and teōtl[ˈteoːt͡ɬ] means "deity". According to the Florentine Codex, Centeotl is the son of the earth goddess, Tlazolteotl and solar deity Piltzintecuhtli, the planet Mercury. He was born on the day-sign 1 Xochitl. Another myth claims him as the son of the goddess Xochiquetzal. The majority of evidence gathered on Centeotl suggests that he is usually portrayed as a young man, with yellow body colouration. Some specialists believe that Centeotl used to be the maize goddess Chicomecōātl. Centeotl was considered one of the most important deities of the Aztec era. There are many common features that are shown in depictions of Centeotl. For example, there often seems to be maize in his headdress. Another striking trait is the black line passing down his eyebrow, through his cheek and finishing at the bottom of his jaw line. These face markings are similarly and frequently used in the late post-classic depictions of the 'foliated' Maya maize god.
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The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. The popular religion tended to embrace the mythological and polytheistic aspects, and the Aztec Empire's state religion sponsored both the monism of the upper classes and the popular heterodoxies.
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Ahwahnee, in the Aztec world, is the name for the female young entertainers who act as hostesses and whose skills include performing various arts such as music, dance, games and conversation, mainly to entertain male customers, usually Aztec warriors. The Ahwahnees patroness is the goddess Xochiquetzal, symbol of fertility, beauty, and female sexual power, and the crafts practised by women such as weaving and embroidery.
Omeyocan is the highest of thirteen heavens in Aztec mythology, the dwelling place of Ometeotl, the dual god comprising Ometecuhtli and Omecihuatl.
The history of the Nahuatl, Aztec or Mexicano language can be traced back to the time when Teotihuacan flourished. From the 4th century AD to the present, the journey and development of the language and its dialect varieties have gone through a large number of periods and processes, the language being used by various peoples, civilizations and states throughout the history of the cultural area of Mesoamerica.
Netotiliztli, often known as the dance of celebration and worship, was a traditional dance practiced by the Mexica community. As a pre-Hispanic tradition, it was a spiritual dance, deeply associated with the worship of Aztec gods. Each movement had a connection to the four elements and to the four cardinal points.
References
- 1 2 "An Opera that Explores Sexuality".
- ↑ Bierhorst, John (1985). Cantares Mexicanos. Stanford University Press. ISBN 9780804711821.
- 1 2 3 4 "Xochicuicatl cuecuechtli".