Xploding Plastix | |
---|---|
Origin | Oslo, Norway |
Genres | Big beat, acid jazz, electronica, trip hop |
Years active | 2000–present |
Labels | Beatservice, Hospital |
Members | Jens Petter Nilsen Hallvard Wennersberg Hagen |
Website | www |
Xploding Plastix is a Norwegian electronic music duo, consisting of Jens Petter Nilsen and Hallvard Wennersberg Hagen.
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Jens Petter Nilsen and Hallvard Wennersberg Hagen (formerly in Norwegian black metal band Kvist) formed the group in early 1999, and submitted their first demotape in 2000. Their song, "Treat Me Mean, I need the Reputation" became an instant classic when it was released as a 7" on Beatservice Records in 2000. It was later re-released in 2002 on Hospital Records and championed by LTJ Bukem, Coldcut, and Grooverider. Their first album, Amateur Girlfriends Go Proskirt Agents , was released in 2001 on Beatservice, and re-issued in 2004 by Palm Pictures. [1]
Since the release of The Donca Matic Singalongs album in 2003, they have been busy working with music for short films, movies, and TV- and radio-productions. [2] They have also collaborated with the Kronos Quartet [3] who have performed their three movement composition, The Order on Things: Music for the Kronos Quartet. They have also worked in the collaboration project Piston Ltd who released the album Domestic Engine in 2007. [4] They also have a side project, The Electones. [5]
Xploding Plastix released a new album in September 2008 entitled Treated Timber Resists Rot on Beatservice Records. This was accompanied by a revisited re-release of The Donca Matic Singalongs which was not originally distributed outside of Scandinavia, [2] and a new EP called Devious Dan featuring tracks from previous music videos. [2]
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Beatservice Records is a Norwegian record label releasing electronic music. It was initiated by Vidar Hanssen who was DJing for a local student radio with the program The Beatservice Radio Show at the time. Beatservice Records have released music ranging from minimalistic ambient via house and experimental techno to drum and bass. The label was an important factor in the mid-to-late 1990s popularity of the Tromsø based electronic music scene, both in Norway and elsewhere.
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