Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
The Shadows of Knight are an American rock band from Chicago, Illinois, who play a form of British blues mixed with influences from their native city. At the time they first started recording, the band's self-description was as follows: "The Stones, Animals and the Yardbirds took the Chicago blues and gave it an English interpretation. We've taken the English version of the Blues and re-added a Chicago touch," to which noted rock critic Richie Unterberger commented: "The Shadows of Knight's self-description was fairly accurate."
The UFO Club was a short-lived part of the British counter-culture scene in London during the 1960s. The club was established by Joe Boyd and John "Hoppy" Hopkins and featured light shows, poetry readings, well-known rock acts such as Jimi Hendrix, avant-garde art by Yoko Ono, as well as local house bands such as Pink Floyd, and Soft Machine.
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common forms include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics. Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, verse, chorus and outro. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo may be performed by a synthesizer player or sax player.
Reigning Sound is an American garage punk band originally based in Memphis, Tennessee, United States, now located in Asheville, North Carolina. In 2012, it signed to Merge Records. The band's current lineup includes songwriter Greg Cartwright, Benny Trokan (bass), Mike Catanese (guitar), Mikey Post (drums) and Dave Amels (organ).
The Rising Storm is an American rock group that was active at Phillips Academy in Andover, Massachusetts, United States, between 1965 and 1967. Their music is considered to belong in the folk rock and garage rock genres. The original members of the group were Bob Cohan (guitar), Todd Cohen (bass), Charlie Rockwell (keyboards), Tom Scheft (drums), Tony Thompson, and Rich Weinberg.
"Same Old Song and Dance" is a song by American hard rock band Aerosmith, written by singer Steven Tyler and guitarist Joe Perry. Released on March 19, 1974 as the lead single from their second studio album, Get Your Wings, it has remained a staple on rock radio and in the band's setlists.
Alex Harvey and His Soul Band is the debut album by Alex Harvey accompanied by his Soul Band. It was originally released in 1964 on vinyl, and was re-released on vinyl in Germany in 1985 or 1986. The 1999 release is a compilation of 20 unreleased songs of the Soul Band, including two songs recorded before the debut album. The album is available on CD.
Chuck Berry's Golden Decade is a compilation of music by Chuck Berry, released in three volumes in 1967, 1973, and 1974. Covering the decade from 1955 to 1964, each volume consists of a two-LP set of 24 songs recorded by Berry. The first volume reached number 72 on Billboard's Pop Albums chart. The second volume peaked at number 110. The third volume, which included only two hit singles among its tracks, did not chart.
King Louie Bankston is an American rock and roll musician from New Orleans, Louisiana, United States. Associated early on with garage punk, he abandoned the genre in 1998 and has focused on Louisiana swamp pop, boogie woogie, boogie rock and power pop. He is best known for his work in the Royal Pendletons, The Persuaders, The Exploding Hearts, and The King Louie One Man Band. Bankston has toured Europe and the United States since the very early 1990s. He has released 53 records in the vinyl format. Louis currently plays music based out of Oakland, California, and lives in a suburb of New Orleans. Bankston has lived in New Orleans, Portland, Oregon, and Memphis, Tennessee.
Clubland X-Treme Hardcore are a series of compilation albums from Clubland released by Universal Music TV, AATW.
Daddy Rockin' Strong: A Tribute to Nolan Strong & the Diablos is a vinyl-only tribute album released by The Wind Records and distributed by Norton Records. On January 21, 2013, Burger Records re-issued the compilation on cassette tape.
Back from the Grave, Volume 1 is the first installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
Raw 'n' Alive at the Cellar, Chicago 1966! is a live album by the American garage rock band the Shadows of Knight, and was released on Sundazed Records in 1994. The album consists of recordings from the band's appearance at the Cellar in Arlington Heights, Illinois in December 1966. Although the tapes were never anticipated to be released publicly, Raw 'n' Alive at the Cellar is commended for its good sound quality, and represents one of the better live concert recordings to emerge from the garage rock era.
The Lost was an American garage rock and psychedelic band from Plainfield, Vermont who were active in the Boston rock scene 1960s. They were initially an interracial rock band, one of the few at the time, and, along with The Remains and the Rockin' Ramrods, later became one of the most popular live acts in Boston, landing a contract with Capitol Records. In spite of having a regional hit with their first record, they were unable to find greater commercial success and broke up in 1967. In the intervening years their work has come to the attention of garage rock collectors and enthusiasts with the release of the anthology, Early Recordings and Lost Tapes, on Arf! Arf! Records.
No No No is a compilation of garage rock recordings from the 1960s issued by Arf! Arf! Records, and is available exclusively on compact disc. In keeping with the sub-heading that reads "28 Moody, Somber and Tragic '60s Garage Rock Sagas", the set features mostly somber and downcast examples of the genre, many of them ballads in contrast to Arf! Arf!'s subsequently released companion piece, Yeah Yeah Yeah, which instead features upbeat, driving, and hard-rocking songs. There are no liner notes included, but the cover artwork nonetheless displays photographs of the labels of the original singles from which the tracks were taken.
New England Teen Scene: Unreleased! 1965-1968 is a compilation album, which features previously unreleased material by American garage rock bands from the New England region. The album was released in 1996, and is the third and final compilation issued on Arf! Arf! Records related to the New England garage scene. The featured artists on New England Teen Scene: Unreleased 1965-1968 were sorted after 15 years of research to uncover their obscured recordings. For the most part, the bands never had the opportunity to release any official material, with five of the tracks being completely uncredited, having been discovered in undocumented tapes. Perhaps the most prominent group on the album is Underground Cinema, the pre-band that manifested into the psychedelic rock band Ultimate Spinach. Speaking on the album, music historian Richie Unterberger wrote "New England bands in general seemed to favor melodic pop and Zombie-ish keyboards more than groups from other regions, and that's reflected in many of the selections on the disc".
GS I Love You Too: Japanese Garage Bands of the 1960s is the second installment in the GS I Love You CD compilation series, featuring songs from the Group sounds movement in Japan during the 1960s. GS was essentially the Japanese variant of garage and psychedelic rock. Japan, like many Western countries, experienced a beat boom in the 1960s as a result of the British Invasion, particularly in the wake of the Beatles' 1966 visit to the country. Though the Japanese beat craze blossomed slightly later than in the West, it stretched well into the end of the decade, with groups continuing to play in the beat/garage style after it had fallen out of favor elsewhere. Surf rock, which had been popular in Japan since before the arrival of the Beatles continued to exert influence on the music throughout the decade. Bands typically sang in both Japanese and English. GS I Love You Too was issued in 1999 by Big Beat Records. Like the first entry in the series, it is noted for good mastering and high sound quality. The front cover sleeve of the CD is adorned with a backdrop of bright red sun rays invoking the pre-WWII (pre-surrender) Japanese imperial flag, and the inside includes English liner notes that provide biographical information about the groups and their songs.
Howling Wolf Sings the Blues is a compilation album by blues musician Howlin' Wolf, which was released by Crown Records in 1962. The original album included eight songs recorded for Modern Records between 1951 and 1952 including that were released as singles by the RPM and an additional two instrumentals by Joe Hill Louis.
