Yelena Dudochkin | |
---|---|
Born | 1976 (age 47–48) |
Occupation | Operatic soprano |
Yelena Dudochkin (born 1976) is a soprano known for her "gorgeous, expressive and rich voice...a true pearl of the opera" (Voice of America) [1] and her "dramatic intelligence" (Boston Globe).[ citation needed ]
Dudochkin was born in Kiev in 1976, the daughter of an oil and gas engineer and a concert pianist. She immigrated to the United States at the age of 10. As a child, she studied piano which she pursued further at the Juilliard School while also a student at Columbia University. Dudochkin worked at Morgan Stanley, where her team was twice recognized as the top sector analyst team by Institutional Investor . Dudochkin simultaneously started her vocal training at the Manhattan School of Music. In 2009, Yelena won a principal role in The Nose by Shostakovich with Opera Boston in her first ever audition.
Dudochkin launched her career as a soprano, debuting with Opera Boston in the New England premier of The Nose in February, 2009. She also won First Prize in the Golden Voices of America International Vocal Competition, [1] performing in the winner's concert at Carnegie Hall. As a singer, Dudochkin has performed in over 40 concerts and 5 operas. [2] Dudochkin's concert performances include performances in Carnegie Hall, Jordan Hall, Alice Tully Hall and Boston's Symphony Hall. Her opera performances include The Nose , Don Pasquale, [3] Iolanta, [4] Tsar's Bride, Manon, Rigoletto, and The Snow Maiden. [5] Dudochkin's voice has been described as having a "fully bodied, supple voice." [6] She recently performed in the world premier of Magic Mirror. Between the first and second runs, the composer specifically expanded the role, dedicating a new aria to Dudochkin. Dudochkin is perhaps best known for her performance of Die Lorelei by Franz Liszt at Jordan Hall. [7]
Dudochkin is currently on the Board of the Columbia University Club of New England. [8]
Pauline Viardot was a French dramatic mezzo-soprano, composer and pedagogue of Spanish descent. Born Michelle Ferdinande Pauline García, she came from a musical family and took up music at a young age. She began performing as a teenager and had a long and illustrious career as a star performer.
Mary Violet Leontyne Price is an American spinto soprano who was the first African-American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Giuseppe Verdi's Aida.
Renée Lynn Fleming is an American soprano and actress, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nominated for 18 Grammy Awards and has won five times. In June 2023, the John F. Kennedy Center for the Performing Arts announced that Fleming would be one of the five artists recognized at the 2023 Kennedy Center Honors, which she received in December 2023. Other notable honors won by Fleming have included the Crystal Award from the World Economic Forum in Davos, the Chevalier de la Légion d'Honneur from the French government, Germany's Cross of the Order of Merit, Sweden's Polar Music Prize and honorary membership in England's Royal Academy of Music. Unusual among artists whose careers began in opera, Fleming has achieved name recognition beyond the classical music world. In May, 2023, Fleming was appointed by the World Health Organization as a Goodwill Ambassador for Arts and Health. On April 9, 2024, Penguin Random House published Fleming's anthology Music and Mind: Harnessing the Arts for Health and Wellness, a collection of essays about the health benefits of music and the arts, by scientists from leading research institutions, practitioners, educators, arts leaders, musicians, artists and writers.
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016, and again in May 2024.
Jessye Mae Norman was an American opera singer and recitalist. She was able to perform dramatic soprano roles, but did not limit herself to that voice type. A commanding presence on operatic, concert and recital stages, Norman was associated with roles including Beethoven's Leonore, Wagner's Sieglinde and Kundry, Berlioz's Cassandre and Didon, and Bartók's Judith. The New York Times music critic Edward Rothstein described her voice as a "grand mansion of sound", and wrote that "it has enormous dimensions, reaching backward and upward. It opens onto unexpected vistas. It contains sunlit rooms, narrow passageways, cavernous halls."
Estelle Liebling was an American soprano, composer, arranger, music editor, and celebrated voice teacher and vocal coach.
Deborah Joy Voigt is an American dramatic soprano who has sung roles in operas by Wagner and Richard Strauss.
Monica Yunus is a Bangladeshi-American operatic soprano who has performed with many opera companies and music ensembles. She is the daughter of Bangladeshi social entrepreneur, banker, Nobel laureate economist and eventual chief adviser Muhammad Yunus. About her singing quality reviewers from US dailies, The New York Times, the Charleston City Paper and the Palm Beach Daily News have described her voice as "especially winning", "utterly captivating" and "a voice destined for super-stardom" respectively. Her voice's performance range lies from a low A (A3) to a high F (F6). She performed regularly at the Metropolitan Opera in New York City from 2003-2014; appearing in several broadcasts of Metropolitan Opera Live in HD.
Alice Nielsen was an American Broadway performer and operatic soprano who had her own opera company and starred in several Victor Herbert operettas.
Louise Beatty Homer was an American operatic dramatic contralto who had an active international career in concert halls and opera houses from 1895 until her retirement in 1932.
D'Anna Fortunato is an American mezzo-soprano. She has long been an admired favorite on the American orchestral-concert scene, while establishing herself as a respected operatic artist as well. Of her New York City Opera debut in Handel's Alcina, the New Yorker called her "a Handelian of crisp accomplishment".
Harolyn Blackwell is an American lyric coloratura soprano who has performed in many of the world's finest opera houses, concert halls, and theaters in operas, oratorios, recitals, and Broadway musicals. Initially known for her work within musical theater during the early 1980s, Blackwell moved into the field of opera and by 1987 had established herself as an artist within the soubrette repertoire in many major opera houses both in the United States and in Europe. Feeling that she was being "type cast" into one particular kind of role, Blackwell strove to establish herself within the lyric coloratura repertoire beginning in the mid-1990s. With the aid of such companies as Seattle Opera, Blackwell successfully made this move and is now an interpreter of such roles as Lucia in Donizetti's Lucia di Lammermoor and Olympia in Offenbach's Les contes d'Hoffman. She has also periodically returned to musical theater performances throughout her career in staged productions, concert work, and recitals. Blackwell is known for her interpretations and recordings of the works of Leonard Bernstein.
Betty Allen was an American operatic mezzo-soprano who had an active international singing career during the 1950s through the 1970s. In the latter part of her career her voice acquired a contralto-like darkening, which can be heard on her recording of Sergei Prokofiev’s Alexander Nevsky with conductor Eugene Ormandy and the Philadelphia Orchestra. She was known for her collaborations with American composers, such as Leonard Bernstein, Aaron Copland, David Diamond, Ned Rorem, and Virgil Thomson among others.
Julia Mikhaylovna Lezhneva is a Russian soprano opera singer and recitalist, specializing in soprano and coloratura mezzo-soprano material of the 18th and early 19th century. She studied with Tamara Cherkasova, Irina Zhurina, Elena Obraztsova, Dennis O'Neill and Yvonne Kenny.
Shirlee Emmons was an American classical soprano, voice teacher, and author on vocal pedagogy. She began her career in the early 1940s as a concert soprano, eventually becoming one of the original singers in the Robert Shaw Chorale in 1948. She branched out into opera in the 1950s; performing mainly with regional companies in the United States. She achieved several honours as a performer, including winning the Marian Anderson Award in 1953 and an Obie Award in 1956.
Lydia Yakolevna Lipkowska was a Russian operatic soprano of Ukrainian origin who had an active international career during the first half of the 20th century. A gifted lyric coloratura soprano, she performed leading roles at the Mariinsky Theatre, the Metropolitan Opera, the Royal Opera House, La Scala, and the Opéra-Comique among other theaters.
Hulda Lashanska was an American lyric soprano.
Yvonne Regina Ciannella was an American coloratura soprano in opera and concert. She began her career performing and recording with the Robert Shaw Chorale in the early 1950s. After graduate voice studies at the Mozarteum in Salzburg, she embarked on a career as an opera singer; working mainly in Germany at the Staatstheater Braunschweig, Theater Bonn, and Theater Dortmund during the 1960s. She also appeared as a guest artist with opera companies in Berlin, Cologne, Florida, Frankfurt, Hamburg, and Vienna. For many years she was a member of the voice faculty of the College of Music at Florida State University.
Heidi Stober is an American operatic soprano who has performed leading roles in major opera houses internationally, including the Dutch National Opera, the Garsington Opera, the Lyric Opera of Chicago, the Metropolitan Opera, the Municipal Theatre of Santiago, the Semperoper, and the Vienna State Opera. She has been particularly active with the Houston Grand Opera where she has performed in more than a dozen operas since 2004, including the world premieres of Daniel Catán's Salsipuedes: a Tale of Love, War and Anchovies (2004), Mark Adamo's Lysistrata (2005), and Ricky Ian Gordon's The House without a Christmas Tree (2017). She has also performed in more than ten operas with the San Francisco Opera since 2010. Since 2008 she has been a resident artist at the Deutsche Oper Berlin where she has primarily performed roles from the lyric soprano repertoire. Also active as a concert soprano on the international stage, she has performed with the Berlin Radio Symphony Orchestra, the Hong Kong Philharmonic Orchestra, the Houston Symphony, the Los Angeles Philharmonic, the New York Philharmonic, the Milwaukee Symphony Orchestra, the Philadelphia Orchestra, the Oslo Philharmonic, and the Radio Filharmonisch Orkest among other orchestras. She is particularly admired for her interpretations of the works of George Frideric Handel and Wolfgang Amadeus Mozart.
Auguste Götze was a German classical singer, actress, playwright, and a distinguished voice teacher. Götze was born in Weimar where she initially trained in music with her father, the tenor Franz Götze. In her later years, she had her own singing school in Leipzig as well as teaching in the conservatory there. She died in Leipzig at the age of 68 after several years of increasingly poor health.