Ferdinand Rudolph von Grofé, known as Ferde Grofé was an American composer, arranger, pianist and instrumentalist. He is best known for his 1931 five-movement symphonic poem, Grand Canyon Suite, and for having orchestrated George Gershwin's Rhapsody in Blue for its 1924 premiere.
The Four Seasons is a group of four violin concertos by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua. They were published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione.
Ottorino Respighi was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century. His compositions range over operas, ballets, orchestral suites, choral songs, chamber music, and transcriptions of Italian compositions of the 16th–18th centuries, but his best known and most performed works are his three orchestral tone poems which brought him international fame: Fountains of Rome (1916), Pines of Rome (1924), and Roman Festivals (1928).
Mannheim Steamroller is an American neoclassical new-age music ensemble founded and directed by percussionist/composer Chip Davis in 1974. The group is known primarily for its Fresh Aire series of albums, which blend classical music with elements of new age and rock, and for its modern recordings of Christmas music. The group has sold 28 million albums in the U.S. alone.
The Day the Universe Changed: A Personal View by James Burke is a British documentary television series written and presented by science historian James Burke, originally broadcast on BBC1 from 19 March until 21 May 1985 by the BBC. The series' primary focus is on the effect of advances in science and technology on western society in its philosophical aspects.
Mississippi; Tone Journey is a 1926 orchestral suite in four movements by Ferde Grofé, depicting scenes along a journey down the Mississippi River from its headwaters of Minnesota to New Orleans.
Pines of Rome, P 141, is a tone poem in four movements for orchestra completed in 1924 by the Italian composer Ottorino Respighi. It is the second of his three tone poems about Rome, following Fontane di Roma (1916) and preceding Feste Romane (1928). Each movement depicts a setting in the city with pine trees, specifically those in the Villa Borghese gardens, near a catacomb, on the Janiculum Hill, and along the Appian Way. The premiere was held at the Teatro Augusteo in Rome on 14 December 1924, with Bernardino Molinari conducting the Augusteo Orchestra, and the piece was published by Casa Ricordi in 1925. The piece is widely praised for its emotional orchestration and is widely considered one of the greatest orchestral works ever written.
Grand Canyon most often refers to:
American Spirit is an album released on American Gramaphone in 2003 as a collaboration between Mannheim Steamroller and country musician C. W. McCall. The album focuses on American patriotic songs, hence the title. McCall contributed to a number of spoken word songs on the album and rerecorded his 1976 hit song "Convoy" for it; this was also the case with another song of his, "Wolf Creek Pass," which can be found on the album. McCall is a persona created by Bill Fries and Manheim Steamroller leader Chip Davis; Fries provides the vocals as McCall. This was the last album to feature C. W. McCall.
Bernardino Molinari was an Italian conductor.
25 Year Celebration of Mannheim Steamroller is a two-disc anthology album released by new-age musical group Mannheim Steamroller in 1999, in honor of the group's 25th anniversary.
Laszlo Varga was a Hungarian-born American cellist who had a worldwide status as a soloist, recording artist, and authoritative cello teacher.
Antonio Pedrotti was an Italian conductor and composer.
The Death Valley Suite is a short symphonic suite written by Ferde Grofé in 1949, depicting the westward travels of pioneers through the 'harsh lands' of Death Valley in California. Grofe was commissioned by the Death Valley 49ers, a non profit organization devoted to preserving the pioneering and mining history of the Death Valley region. The composition and music was part of a pageant celebrating the 100th anniversary of the 49ers who came by way of Death Valley in search of gold and other riches and celebration of the California state centennial (1850-1950).
Salvatore Di Vittorio is an Italian composer and conductor. He is music director and Conductor of the Chamber Orchestra of New York. He has been recognized by Luigi Verdi as a "lyrical musical spirit, respectful of the ancient Italian tradition… an emerging leading interpreter of the music of Ottorino Respighi".
The Violin Concerto in A major, P. 49, is the first violin concerto by the Italian composer Ottorino Respighi, which he abandoned in 1903. In 2009, Salvatore Di Vittorio completed it.
Overture Respighiana was composed by Salvatore Di Vittorio in 2008, as an homage to Ottorino Respighi. The work was written one year before Di Vittorio's completion of Respighi's rediscovered first Violin Concerto in A Major.
The 50 Greatest Pieces of Classical Music is a selection of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. Recorded at Abbey Road Studios, Royal Festival Hall and Henry Wood Hall in London, the album was released in digital formats in November, 2009 and as a 4-CD set in 2011. The 50 Greatest Pieces of Classical Music has sold over 200,000 copies and spent over three days as one of the top 10 classical albums on iTunes.
Marco Rogliano is an Italian violinist.
The Sei pezzi per pianoforte, P 044, is a set of six solo piano pieces written by the Italian composer Ottorino Respighi between 1903 and 1905. These predominantly salonesque pieces are eclectic, drawing influence from different musical styles and composers. The pieces have various musical forms and were composed separately and later published together between 1905 and 1907 in a set under the same title for editorial reasons; Respighi had not conceived them as a suite, and therefore did not intend to have uniformity among the pieces. The set, under Bongiovanni, became his first published work. Five of the six pieces are derived from earlier works by Respighi, and only one of them, the "Canone", has an extant manuscript.
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