The veneration of the dead, including one's ancestors, is based on love and respect for the deceased. In some cultures, it is related to beliefs that the dead have a continued existence, and may possess the ability to influence the fortune of the living. Some groups venerate their direct, familial ancestors. Certain sects and religions, in particular the Eastern Orthodox Church and Roman Catholic Church, venerate saints as intercessors with God; the latter also believes in prayer for departed souls in Purgatory. Other religious groups, however, consider veneration of the dead to be idolatry and a sin.
Odinani or Odinala, also known as Omenala, Omenana, Odinana, Ọmenani, Ọdịlalị, or Ọdịlala, are the traditional cultural beliefs and practices of the Igbo people of south east Nigeria. These terms, as used here in the Igbo language, are synonymous with the traditional Igbo "religious system" which was not considered separate from the social norms of ancient or traditional Igbo societies. Theocratic in nature, spirituality played a huge role in their everyday lives. Although it has largely been supplanted by Christianity, the indigenous belief system remains in strong effect among the rural and village populations of the Igbo, where it has at times influenced the colonial religions. Odinani is a pantheistic and polytheistic faith, having a strong central deity at its head. All things spring from this deity. Although a pantheon of other gods and spirits, these being Ala, Amadiọha, Anyanwụ, Ekwensu, Ikenga, exists in the belief system, as it does in many other Traditional African religions, the lesser deities prevalent in Odinani serve as helpers or elements of Chukwu, the central deity.
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as: African-American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa.
The Bambara are a Mandé ethnic group native to much of West Africa, primarily southern Mali, Ghana, Guinea, Burkina Faso and Senegal. They have been associated with the historic Bambara Empire. Today they make up the largest Mandé ethnic group in Mali, with 80% of the population speaking the Bambara language, regardless of ethnicity.
Moai or moʻai are monolithic human figures carved by the Rapa Nui people on Rapa Nui in eastern Polynesia between the years 1250 and 1500. Nearly half are still at Rano Raraku, the main moai quarry, but hundreds were transported from there and set on stone platforms called ahu around the island's perimeter. Almost all moai have overly large heads, which comprise three-eighths the size of the whole statue and they have no legs. The moai are chiefly the living faces of deified ancestors. The statues still gazed inland across their clan lands when Europeans first visited the island in 1722, but all of them had fallen by the latter part of the 19th century. The moai were toppled in the late 18th and early 19th centuries, possibly as a result of European contact or internecine tribal wars.
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.
The Marapu religion is a form of ancestral religion that is practiced mainly in the island of Sumba in Indonesia. Marapu is also practiced in many more remote areas of Sumba and Flores. Both the Christians and Muslims on these islands tend to combine their faiths with Marapu. Since Marapu, like Kaharingan of the Dayaks, is not an official religion of Indonesia, and all Indonesian citizens are required to identify as a member of one of the religions sanctioned by law, members have chosen either Christianity or Islam to self identify.
The diverse culture of Ivory Coast, a coastal West African country bordered by Ghana, Liberia, Mali, Burkina Faso, and Guinea, is exemplified by a multitude of ethnic groups, events, festivals, music, and art.
A death mask is a likeness of a person's face after their death, usually made by taking a cast or impression from the corpse. Death masks may be mementos of the dead, or be used for creation of portraits. It is sometimes possible to identify portraits that have been painted from death masks because of the characteristic slight distortions of the features caused by the weight of the plaster during the making of the mould.
A Bisj, mbis or Bis pole is a ritual artifact created and used by the Asmat people of south-western New Guinea, Indonesia. Bisj poles can be erected as an act of revenge, to pay homage to the ancestors, to calm the spirits of the deceased and to bring harmony and spiritual strength to the community. Bisj poles are a type of wooden ancestor pole among the Asmat of the province of South Papua, Indonesia. Figures of the dead are stacked along the pole, and a phallic symbol of fertility and power is included. The poles were traditionally carved to accompany the feast after a headhunting raid, and although headhunting is no longer practiced, the bisj tradition continues to the present time as a customary practice to honor deceased members of a village.
Traditional African masks play an important role in certain traditional African rituals and ceremonies.
Kore is the modern term given to a type of free-standing ancient Greek sculpture of the Archaic period depicting female figures, always of a young age. Kouroi are the youthful male equivalent of kore statues.
Kulap figurines of limestone or chalk were made in Melanesia. The small funerary sculptures from New Ireland were associated with death rituals. They are typical in the hilly Punam region of the New Ireland province in Papua New Guinea of the Bismarck Archipelago. They were believed to contain the soul of the deceased person whom they were meant to represent, and would be ritually smashed once their usefulness or the period of mourning was over. In more recent years, some have been sold in their intact forms to Westerners, particularly to German administrators.
Hyang is a representation of the supreme being, in ancient Java and Bali mythology. The spiritual entity can be either considered as divine or ancestral. The reverence for this spiritual entity can be found in the folk religions of Java and Bali, such as the Sunda Wiwitan, Kejawen, Kapitayan, and Gama Tirta. The realm where Hyang resides is called the Kahyangan, which is an Old Javanese term that literally means "the abode of Hyang", "part of Hyang", or "heaven".
Si Gale Gale or Si Galegale is a wooden puppet used in a funeral dance performance of the Batak people in Samosir Island, Northern Sumatra. Sigale Gale is a well known feature to visiting tourists. During the dance, the puppet is operated from behind like a marionette using strings that run through the ornate wooden platform on which it stands. The set up enables its arms and body to be moved and its head to turn.
Sangirese or Sangihe people are one of the native people to the Sangir Islands in the northern chain of islands in Sulawesi and the southern part of Mindanao. The Sangirese people are fishermen and nutmeg growers in their home areas and also work as wage labourers in industrial crops enterprises in Bolaang Mongondow Regency and Minahasa Regency.
Kundu is a pidgin name in Papua New Guinea for an hourglass shaped drum used to accompany formal occasions, religious ceremonies and for celebrations. This drum is emblematic of Papua New Guinea and it appears on the country's coat of arms.
Nias people are an ethnic group native to Nias, an island off the west coast of North Sumatra, Indonesia. In the Nias language, the Nias people are known as Ono Niha, which literally means 'descendants of human'. Nias island is known as Tanö Niha, with Tanö meaning 'land' in the Nias language.
Awa, also known as the Awa Society, the Society of Masks, is an African mask and initiatory society of the Dogon people of Mali which is made up of circumcised men, and whose role is both ritual and political within Dogon society. The Awa Society takes an important role in Dogon religious affairs, and regularly preside over funereally rites and the dama ceremony—a ritual ceremony that marks the end of bereavement in Dogon country. This Society is one of the important aspect of Dogon religious life—which is primarily based on the worship of the single omnipotent, omniscient and omnipresent Creator God Amma and the veneration of the ancestors. Although it is only one aspect of Dogon's religious sects, it is perhaps more well known than the others partly due to Dogon mask–dance culture which attracts huge tourism, and their masks highly sought after, and in fact, one of the first to be sought after by art collectors in the west.
The tifa, tiwa or tiva is a single-headed goblet drum used throughout the Maluku Islands of Eastern Indonesia, where it is traditionally the "dominant instrument" in Maluku province music. The term tifa has been used outside of the Maluku Islands, including on the island of Java and on the island of New Guinea, in Indonesia's Papua province.
