Yesterday's Children | |
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Origin | Cheshire-Prospect, Connecticut, United States |
Genres | |
Years active | 1966 | -1970
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Past members |
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Yesterday's Children was an American psychedelic rock band formed in Cheshire-Prospect, Connecticut, outside of New Haven, in 1966. The group's earliest release was "To Be or Not to Be". Initially a garage band, they transitioned into a psychedelic proto-heavy metal outfit and released one cult classic self-titled album before disbanding in 1970.
Formed in 1966, Yesterday's Children featured brothers Denis (lead vocals) and Richard Croce (rhythm guitar), along with Reggie Wright (lead guitar), Ralph Muscatelli (drums), and Chuck Maher (bass). [1] The band took an aggressive garage rock musical stance, while incorporating aspects of psychedelic nuance into their compositions. [2] Later in the year, the group released their debut single, "To Be or Not to Be", on the London Records subsidiary label, Parrot Records, and became a regional success. It is also one of the rarest and sought after releases by avid record collectors. [3] [4]
Over the following three years, Yesterday's Children released two additional singles. In 1970, the band recorded their only album, Yesterday's Children, which was released on Map City Records. [5] It exemplified the group's development of a psychedelic proto-heavy metal sound, among the earliest of its kind. The album is marked by Croce's high-pitch screeching wails that prefigured those of former AC/DC vocalist Bon Scott, and the fuzz-toned double guitar instrumentals played by both Wright and Muscatelli. [6] However, despite its innovative qualities, the album was perhaps released too early to be commercially accessible and failed to chart nationally. The group disbanded soon thereafter. [6]
Reinterest in Yesterday's Children resulted in some tracks appearing on the History of Garage Bands in Connecticut compilation album in 1995. [3] In 2004, Akarma Records released a remastered version of Yesterday's Children, which music critic Dean McFarlane described as a "stunning object to behold and an audiophile remaster of this underground classic". [7] As a result of its distribution, the album has received more recognition for the psychedelic hard rock music by Yesterday's Children. Another reflection of the album on the Sputnikmusic website boasts it is a "forgotten gem" and "Vanilla Fudge, Cream and the MC5 are often considered as three of the major influences on the future development of hard rock and metal. This obscure little band from Connecticut show, however, that these glory boys weren't the only ones trying to build upon their blues and psychedelic influences and attempt to deliver something distinctly harder edged". [8]
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Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
The Amboy Dukes were an American rock band formed in 1964 in Chicago, Illinois, and later based in Detroit, Michigan. They are best known for their only hit single, "Journey to the Center of the Mind". The band's name comes from the title of a novel by Irving Shulman. In the UK, the group's records were released under the name of the American Amboy Dukes, because of the existence of a British group with the same name. The band went through a number of personnel changes during its active years, the only constant being lead guitarist and composer Ted Nugent. The band transitioned to being Nugent's backing band before he discontinued the name in 1975.
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A Web of Sound is the second album by the American garage rock band the Seeds. Produced by Marcus Tybalt and released in October 1966, it contained the single "Mr. Farmer" and the 14-minute closing song "Up In Her Room". The album did not chart, though it has received generally favorable reviews from music critics.
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Bohemian Vendetta was an American garage rock and psychedelic band from Long Island, New York, who were active from 1966 to 1968. In addition to recording two officially released singles and several previously unissued demos, they cut a self-titled album, Bohemian Vendetta, released by Mainstream Records in 1968.
The Index were an American garage rock/psychedelic rock band from Grosse Pointe, Michigan who were active from 1966-1969 and are known for a sound characterized by droning guitars, as heard on their two albums, both released in 1968. Though they remained largely unknown for a number of years, since the 1980s they have come to the attention of garage rock collectors and fans.
The Liberty Bell was an American garage rock/psychedelic rock band from Corpus Christi, Texas who were active in the 1960s. They specialized in a blues-based brand of proto-punk influenced by British groups such as the Yardbirds. The band failed to reach wider audience in the time, but have come to the attention of garage rock collectors and enthusiasts in the intervening years since their breakup, with their work appearing on several compilations.
T.C. Atlantic was an American garage rock/psychedelic rock band from Minneapolis, Minnesota who were active in the 1960s. They were one of the most popular groups in the Twin Cities, but failed to break nationally. In the intervening years since their breakup, their recordings have attracted the interest of '60s music collectors and enthusiasts, and they are particularly remembered for their 1966 fuzz-tinged song, "Faces", which has been mentioned as one of the earliest garage rock songs to display psychedelic characteristics.
(Turn On) The Music Machine is the debut studio album by the American garage rock band the Music Machine, released on Original Sound Records on December 31, 1966. It arrived just months after the group's hit single, "Talk Talk", propelled to number 15 on the national charts. Although the album was hastily recorded to capitalize on the Music Machine's popularity, (Turn On) The Music Machine became a moderate hit on the Billboard Top LPs chart, and is hailed today as a classic garage rock album. Another single, "The People in Me" was also released in support of the album.
Chamaeleon Church was a short-lived American psychedelic rock band formed in Boston, Massachusetts, in 1967. It was founded by singer-songwriter Ted Myers after the disbandment of the Lost. Chamaeleon Church recorded one self-titled album in 1968. Similar to other psychedelic groups native to Boston, the band is remembered for its relation to the Bosstown Sound. In addition, the band had future actor and comedian Chevy Chase as a member.
The Oxford Circle was an American garage rock and psychedelic rock band from Davis, California, near Sacramento, who were active from 1964 to 1967. They became a popular garage rock act with a proto-punk sound influenced by Them and other blues-based bands of the British Invasion, that, in addition to heavy guitar feedback, came to encompass psychedelia. The group began to make appearances in San Francisco, where they became a top draw in venues such as the Avalon Ballroom. They taped a show at the Avalon in 1966 and, after lying in the vaults for years, it was rereleased in 1997 on the Nuggets from California: Live at the Avalon 1966 anthology. In 1967, they released the single, "Foolish Woman" b/w "Mind Destruction", which is also included, along with several other studio outtakes, on the Nuggets from California compilation. In 1967, drummer Paul Whaley left to play in pioneering heavy rock act Blue Cheer. Lead vocalist and guitarist Gary Lee Yoder and bassist Dehner Patten left to form Kak, who recorded for Epic Records. Yoder subsequently went on to join Blue Cheer in one of their later configurations.
The British North American Act was a Canadian psychedelic rock band formed in Montreal, Quebec, in 1968. The group recorded one studio album, In the Beginning, in 1969 which included their song "Joe Cool", a moderate hit on the Canadian charts. Although the album languished in obscurity for many years, retrospectively it fetches high asking prices and has been reissued.
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