The film industry in Germany can be traced back to the late 19th century. German cinema made major technical and artistic contributions to early film, broadcasting and television technology. Babelsberg became a household synonym for the early 20th century film industry in Europe, similar to Hollywood later. Early German and German-speaking filmmakers and actors heavily contributed to early Hollywood.
Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir.
New German Cinema is a period in German cinema which lasted from 1962 to 1982, in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences. These filmmakers included Percy Adlon, Harun Farocki, Rainer Werner Fassbinder, Peter Fleischmann, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner Schroeter, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders. As a result of the attention they garnered, they were able to create better-financed productions which were backed by the big US studios. However, most of these larger films were commercial failures and the movement was heavily dependent on subsidies. By 1977, 80% of a budget for a typical German film was ensured by a subsidy.
Volker Schlöndorff is a German film director, screenwriter and producer who has worked in Germany, France and the United States. He was a prominent member of the New German Cinema of the late 1960s and early 1970s.
Alexander Kluge is a German author, philosopher, academic and film director.
Mädchen in Uniform is a 1931 German romantic drama film based on the play Gestern und heute by Christa Winsloe and directed by Leontine Sagan with artistic direction from Carl Froelich, who also funded the film. Winsloe also wrote the screenplay and was on the set during filming. Due to the film's overt and openly lesbian themes, the film remains an international cult classic and enjoys widespread acclaim from critics.
Jean-Marie Straub and Danièle Huillet were a duo of French filmmakers who made two dozen films between 1963 and 2006. Their films are noted for their rigorous, intellectually stimulating style and radical, communist politics. While both were French, they worked mostly in Germany and Italy. From the Clouds to the Resistance (1979) and Sicilia! (1999) are among the duo's best regarded works.
Vive l'amour is a 1994 Taiwanese New Wave film directed by Tsai Ming-liang. Starring Lee Kang-sheng, Yang Kuei-mei and Chen Chao-jung.
Sybille Maria Christina Schmitz was a German actress.
'Beate Mainka-Jellinghaus' is a German film editor who was a member of the New German Cinema movement and is noted particularly for her many films with director Werner Herzog. Between 1966 and 1986, she was credited on more than twenty-five feature films and feature-length documentaries.
Artists in the Big Top: Perplexed is a 1968 West German film written and directed by Alexander Kluge. The film is made in a collage style, featuring newsreels and quotations from philosophers alongside the story of a failing circus whose owner, Leni, must decide whether her dream of a new kind of circus is too optimistic. The film is a symbolic representation of Kluge's own frustrations in trying to help stimulate the New German Cinema movement.
Alexandra Kluge was a German actress and medical doctor.
Ursula Dirichs was a German actress.
Germany in Autumn is a 1978 West German anthology film about the period of 1977 known as the German Autumn, which was dominated by incidents of terrorism. The film is composed of contributions from different filmmakers, including Rainer Werner Fassbinder, Alexander Kluge, Edgar Reitz, Bernhard Sinkel, Alf Brustellin, Hans Peter Cloos, Katja Rupé, Peter Schubert and Volker Schlöndorff. It was entered into the 28th Berlin International Film Festival, where it won a Special Recognition award.
So This Is Africa is a 1933 American Pre-Code comedy film directed by Edward F. Cline and starring Bert Wheeler, Robert Woolsey, Raquel Torres, and Esther Muir. It was Wheeler and Woolsey's only film for Columbia Pictures.
"Anita G." is a short story written by Alexander Kluge in 1962, which was adapted into the film Yesterday Girl in 1966.
The Color Wheel is a 2011 American independent film co-written, co-produced, edited, directed by and co-starring Alex Ross Perry. Perry co-wrote the film with Carlen Altman, who both also play the respective lead roles.
Between Yesterday and Tomorrow is a 1947 German drama film directed by Harald Braun and starring Hildegard Knef, Winnie Markus and Sybille Schmitz.
Private Road is a 1971 British drama film directed by Barney Platts-Mills and starring Susan Penhaligon and Bruce Robinson. It was Platts-Mills second feature, following his debut with Bronco Bullfrog (1970).
The 27th annual Venice International Film Festival was held from 28 August to 10 September 1966.
