Yinarupa Nangala | |
---|---|
Born | c. 1961 |
Movement | Papunyatula |
Yinarupa Nangala (born c. 1961) [1] [2] (or born c. 1958) [3] is a Pintupi from Western Australia. just west of the Kiwirrkurra community. [4] Her works are held in major art collections including the Art Gallery of NSW, [5] Museum and Art Gallery of the Northern Territory, and the National Gallery of Victoria. [6]
Nangala began to paint in 1996, when her children were older. In the late 2000s, she began to be recognised for her classic Pintupi painting style. [7]
In 2009, Nangala won the Telstra General Painting Award at the National Aboriginal and Torres Strait Islander Art Awards held in The Northern Territory. [8] [9] In 2008, 2014, 2015 and 2016 she was a finalist in the same award. [7]
In 2010 she received an honourable mention at the 36th Alice Art Prize. In 2014 she was a finalist in the Wynne Prize at the Art Gallery of NSW. [10]
Yinarupa has held solo as well as group exhibitions. Her works are held in major art collections including the Art Gallery of NSW, [5] Museum and Art Gallery of the Northern Territory, and the National Gallery of Victoria. [6]
Nangala paints her traditional land, specifically areas that are important to the Pintupi women and their ceremonies. Many of the sacred designs are related to the rock-hole site of Mukula (near Juniper Well in Western Australia) and the rock-hole site of Marrapinti (west of the Pollock Hills in Western Australia). Her designs are also associated with the women gathering bushfoods such as the kampurarrpa berries (desert raisin, Solanum centrale) [11] and pura (bush tomato, Solanum chippendalei ). [12] The ‘U’ shapes in the paintings represent the women while the circles represent the berries. [13]
Nangala is the daughter of the late Anatjari Tjampitjinpa, founding member of the Papunya Tula art movement. [10] Her late husband was Yala Yala Gibbs Tjungurrayi, also a Papunya Tula artist. [14]
Papunya is a small Indigenous Australian community roughly 240 kilometres (150 mi) northwest of Alice Springs (Mparntwe) in the Northern Territory, Australia. It is known as an important centre for Contemporary Indigenous Australian art, in particular the style created by the Papunya Tula artists in the 1970s, referred to colloquially as dot painting. Its population in 2016 was 404.
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as "dot painting". Credited with bringing contemporary Aboriginal art to world attention, its artists inspired many other Australian Aboriginal artists and styles.
Anatjari Tjakamarra was a Central Australian Aboriginal artist who was part of the Papunya Tula art movement. He came from the area of Kulkuta, southeast of Kiwirrkura in Western Australia. He was a Pintupi man.
Lake Macdonald is an ephemeral lake that straddles the border between Western Australia and the Northern Territory. It lies south of Lake Mackay, and south-west of Kintore, Northern Territory. Lying in country inhabited by Indigenous Australians for many thousands of years, it was first visited by Europeans in 1889, as part of an expedition supported by the Royal Geographical Society of South Australia. The expedition was led by William Tietkens; its activities included the first known photographs taken of Uluru. The lake is named after the secretary of the Victorian branch of the Geographical Society at that time. The area has been investigated for the mining of potash.
Makinti Napanangka was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.
Daisy Jugadai Napaltjarri was a Pintupi-Luritja-speaking Indigenous artist from Australia's Western Desert region, and sister of artist Molly Jugadai Napaltjarri. Daisy Jugadai lived and painted at Haasts Bluff, Northern Territory. There she played a significant role in the establishment of Ikuntji Women's Centre, where many artists of the region have worked.
Tjunkiya Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Wintjiya Napaltjarri.
Wintjiya Napaltjarri, and also known as Wintjia Napaltjarri No. 1, is a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Tjunkiya Napaltjarri; both were wives of Toba Tjakamarra, with whom Wintjiya had five children.
Takariya Napaltjarri is an Indigenous artist from Australia's Western Desert region. She has painted with Papunya Tula artists' cooperative. First exhibited in 1996, her work is held in the collection of the Art Gallery of New South Wales.
Parara Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. Her paintings are included in the collection of the Art Gallery of New South Wales.
Eileen Napaltjarri is a Pintupi-speaking indigenous artist from Australia's Western Desert region. Eileen Napaltjarri, also known as Anyima Napaltjarri or Nanyuma Napaltjarri, began painting for Papunya Tula artists' cooperative in 1996. She was named as one of Australian Art Collector magazine's 50 Most Collectible artists in 2008; her works are held by the National Gallery of Australia and the Art Gallery of New South Wales.
Linda Yunkata Syddick Napaltjarri is a Pintupi- and Pitjantjatjara- speaking Indigenous artist from Australia's Western Desert region. Her father was killed when she was young; her mother later married Shorty Lungkarta Tjungarrayi, an artist whose work was a significant influence on Linda Syddick's painting.
Topsy Gibson Napaltjarri, also known as Tjayika or Tjanika, is a Pintupi-speaking Indigenous artist from Australia's Western Desert region.
Nora Andy Napaltjarri is a Warlpiri- and Luritja-speaking Indigenous artist from Australia's Western Desert region. like her mother Entalura Nangala, Nora has painted for Indigenous artists' cooperative Papunya Tula. Her work has been exhibited at the Gauguin Museum in Tahiti, and is held by Artbank.
Ada Andy Napaltjarri is a Warlpiri– and Luritja–speaking Indigenous artist from Australia's Western Desert region. Ada was born near Haasts Bluff, Northern Territory, and has lived in several Northern Territory communities. She began painting in the early 1980s at Alice Springs and probably played a role in the development of interest in painting in the communities in which she has lived.
Ngoia Pollard Napaltjarri is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. Ngoia Pollard married Jack Tjampitjinpa, who became an artist working with the Papunya Tula company, and they had five children.
Molly Jugadai Napaltjarri (c.1954–2011) was a Pintupi- and Luritja-speaking Aboriginal artist from Australia's Western Desert region. Her paintings are held in major collections, including the National Gallery of Australia.
Yalti Napangati is an Australian Aboriginal artist. She is a painter of the Western Desert style of art, and paints for the Papunya Tula school. Her husband, Warlimpirrnga, is also a well-known artist. They were both members of the famous Pintupi Nine, the last group of Aborigines living a traditional way of life in Australia.
Narputta Nangala Jugadai (1933–2010) was an Aboriginal Australian artist born at Karrkurutinytja, who later lived at Haasts Bluff (Ikuntji) in the Northern Territory. Her language group was Pintupi/Pitjantjatjara, and her Dreaming was "Snake", "Jangala, Two Men" and "Two Women". She was a senior artist in her community at Ikuntji and prominent among the Ikuntji Women's Centre painters. She was the wife of the painter, Timmy Tjungurrayi Jugadai, and mother of Daisy Jugadai Napaltjarri.
Ningura Napurrula was a Pintupi-speaking Indigenous Australian artist from the Western Desert, whose work was internationally acclaimed. Her works included a site-specific commission for the ceiling of the Musée du Quai Branly in Paris, as well as appearing on an Australian postage stamp.