The Wynne Prize is an Australian landscape painting or figure sculpture art prize. As one of Australia's longest-running art prizes, it was established in 1897 from the bequest of Richard Wynne. [1] [2] Now held concurrently with the Sir John Sulman Prize and the Archibald Prize at the Art Gallery of New South Wales in Sydney.
It is awarded annually for "the best landscape painting of Australian scenery in oils or watercolours or for the best example of figure sculpture by Australian artists completed during the 12 months preceding the [closing] date".
Many of Australia's most famous artists have won the prize, including William Dobell, Brett Whiteley, Hans Heysen, Gloria Petyarre, Lloyd Rees, Fred Williams, William Robinson, Eric Smith, Nyapanyapa Yunupingu, and Sali Herman.
In 2010, the prize awarded was A$25,000, but the painting by Sam Leach which was awarded the prize, was later revealed to be a close copy of the 17th-century painting Boatmen Moored on the Shore of an Italian Lake by Adam Pijnacker. Concern was expressed that the prize had been awarded to a painting which did not fulfil the prize's criteria. [3] Nevertheless, the trustees of the Art Gallery of New South Wales decided that the award would stand. [4]
Image | Title | Year | Artist | Technique | Dimensions (cm) | Gallery |
---|---|---|---|---|---|---|
The Storm | 1897 | Walter Withers | oil on canvas on hardboard | 119.8 x 179.5 | Art Gallery of New South Wales | |
The last gleam | 1898 | W. Lister Lister | oil on canvas | 183 x 274.5 | ||
Across the black soil plains | 1899 | George Washington Lambert | oil on canvas | 91.6 x 305.5 | Art Gallery of New South Wales | |
Still Autumn | 1900 | Walter Withers | ||||
Thunderstorm on the Darling | 1901 | William Piguenit | ||||
In Defence of the Flat | 1902 | James White | ||||
Glenora | 1903 | Edward Officer | ||||
Mystic Morn | 1904 | Hans Heysen | ||||
A Blaze of Blue Noon | 1905 | Albert J. Hanson | watercolour | |||
The Golden Splendour of the Bush | 1906 | W. Lister Lister | oil on canvas | 239.8 x 190.5 | Art Gallery of New South Wales | |
Portrait, H. Garlick, Esq. | 1907 | G. W. L. Hirst | ||||
Noontide, Burnside | 1908 | Will Ashton | ||||
Summer | 1909 | Hans Heysen | watercolour | Art Gallery of New South Wales | ||
Mid Song of Birds and Insects Murmuring | 1910 | W. Lister Lister | ||||
Hauling Timber | 1911 | Hans Heysen | oil on canvas | 102.0 x 135.0 | Art Gallery of New South Wales | |
Sydney Harbour, Overlooking Taylors Bay | 1912 | W. Lister Lister | ||||
Federal Capital Site | 1913 | W. Lister Lister | oil on canvas | 159.0 x 284.0 | Historical Memorials Collection | |
Landscape | 1914 | Penleigh Boyd | ||||
Knowledge, Fine Art and Commerce | 1915 | John Christie Wright | ||||
Morning Light | 1916 | Elioth Gruner | oil on canvas on cardboard | 51.7 x 56.9 | Art Gallery of New South Wales | |
The Wind-swept Marsh Lands | 1917 | W. Lister Lister | ||||
The Grey Road | 1918 | W. B. McInnes | oil on canvas | 123.2 x 154.6 | Art Gallery of New South Wales | |
Spring Frost | 1919 | Elioth Gruner | oil on canvas | 157.5 x 206.3 | Art Gallery of New South Wales | |
The Toilers | 1920 | Hans Heysen | watercolour on paper | 73.0 x 86.0 | Art Gallery of South Australia | |
Valley of the Tweed | 1921 | Elioth Gruner | oil on canvas | 142.2 x 172.7 | Art Gallery of New South Wales | |
The Quarry | 1922 | Hans Heysen | watercolour | 51.0 x 66.7 | Art Gallery of New South Wales | |
Head of an Old Man | 1923 | G. W. L. Hirst | ||||
An Afternoon in Autumn | 1924 | Hans Heysen | ||||
A Bush Track | 1925 | W. Lister Lister | ||||
The Farmyard, Frosty Morning | 1926 | Hans Heysen | ||||
Head | 1927 | Rayner Hoff | ||||
Afternoon Light, Goulburn Valley | 1928 | Arthur Streeton | oil on canvas mounted on composition board | 51.0 x 76.0 | National Gallery of Australia | |
On the Murrumbidgee | 1929 | Elioth Gruner | oil on canvas | 101.6 x 123.2 | Art Gallery of New South Wales | |
Kosciusko | 1930 | Will Ashton | ||||
Red Gums of the Far North | 1931 | Hans Heysen | ||||
Brachina Gorge | 1932 | Hans Heysen | ||||
Youth | 1933 | Lyndon Dadswell | sculpture | Art Gallery of NSW | ||
Murrumbidgee Ranges, Canberra | 1934 | Elioth Gruner | oil on canvas | 51.6 x 89.0 | National Gallery of Australia | |
Winter Morning | 1935 | James Muir Auld | oil on canvas on paperboard | 41.3 x 46.3 | Art Gallery of New South Wales | |
Landscape | 1936 | Elioth Gruner | ||||
Weetangera, Canberra | 1937 | Elioth Gruner | oil on canvas on cardboard | 88 x 100.9 | Art Gallery of New South Wales | |
The Approaching Storm | 1938 | Sydney Long | ||||
Morning Light, Middle Harbour | 1939 | Will Ashton | ||||
The Lake, Narrabeen | 1940 | Sydney Long | ||||
Valley Farms | 1941 | Lorna Muir Nimmo | ||||
Backyards | 1942 | Douglas Watson | ||||
The Hilltop | 1943 | Douglas Dundas | ||||
McElhone Stairs | 1944 | Sali Herman | ||||
Old Grain Stores, Greenaugh, W. A. | 1945 | Douglas Watson | ||||
January Weather | 1946 | Lance Solomon | ||||
Sofala | 1947 | Russell Drysdale | oil on canvas on hardboard | 71.7 × 93.1 | Art Gallery of New South Wales | |
Storm Approaching Wangi | 1948 | William Dobell | oil on cardboard on composition board | 32.5 × 55.5 | ||
Two Rivers | 1949 | George Lawrence | ||||
The Harbour from McMahon's Point | 1950 | Lloyd Rees | ||||
Never Never Creek, Gleniffer | 1951 | Charles Meere | ||||
Summer at Kanmantoo | 1952 | Charles Bush | ||||
The River Bend | 1953 | Lance Solomon | ||||
Cooktown | 1954 | Arthur Evan Reed | ||||
Townsville Waterfront | 1955 | Charles Bush | ||||
The Chicory Kiln, Phillip Island | 1956 | L. Scott Pendlebury | ||||
Constitution Dock, Hobart | 1957 | L. Scott Pendlebury | ||||
The Cliff | 1958 | Ronald Steuart | ||||
Harbour Cruise | 1959 | Reinis Zusters | ||||
Dairy Farm, Victoria | 1960 | John Perceval | ||||
Landscape, Hill End | 1961 | David Strachan | ||||
The Devil's Bridge, Rottnest | 1962 | Sali Herman | ||||
Sandhills on the Darling | 1963 | Sam Fullbrook | ||||
Trees in a Landscape | 1964 | Sam Fullbrook (joint winner) | ||||
Landscape | 1964 | David Strachan (joint winner) | ||||
The Red House | 1965 | Sali Herman | ||||
Upwey Landscape V | 1966 | Fred Williams | ||||
Ravenswood I | 1967 | Sali Herman | ||||
Road to Whistlewood | 1968 | L. Scott Pendlebury | ||||
The Chasing Bird Landscape | 1969 | John Olsen | ||||
Redfern, Southern Portal | 1970 | Frederic Henry Bates | ||||
Karri Country | 1971 | Margaret Woodward | ||||
Falling Bark | 1972 | Eric Smith | ||||
Dry Landscape | 1973 | Clem Millward | ||||
Redfern Landscape | 1974 | Eric Smith | ||||
Murchison Sand Plain | 1975 | Robert Juniper | ||||
Mt Kosciusko | 1976 | Fred Williams | ||||
The Jacaranda Tree (On Sydney Harbour) | 1977 | Brett Whiteley | ||||
Summer at Carcoar | 1978 | Brett Whiteley | ||||
Flood Creek | 1979 | Robert Juniper | ||||
A Waterfall (Strath Creek) | 1980 | William Delafield Cook | ||||
Hills of Ravensdale | 1981 | David Voight | ||||
Morning on the Derwent | 1982 | Lloyd Rees | ||||
Life Along the Coast | 1983 | David Rankin | ||||
The South Coast After Rain | 1984 | Brett Whiteley | ||||
The Road to Clarendon, Autumn | 1985 | John Olsen | ||||
Torso | 1986 | Rosemary Madigan | ||||
Landscape Painting II | 1987 | Ian Bettinson | ||||
Fire and Drought near Old Junee | 1988 | Elwyn Lynn | ||||
Landscape Painting IV | 1989 | Ian Bettinson | ||||
The Rainforest | 1990 | William Robinson | ||||
Maschera Femina | 1991–92 | Peter Schipperheyn | ||||
Open Cut | 1993 | George Gittoes | ||||
Waratahs Wedderburn Series | 1994 | Suzanne Archer | ||||
Season of Drought | 1995 | David Aspden | ||||
Creation Landscape Earth and Sea | 1996 | William Robinson | ||||
Nandi Moon | 1997 | John Peart | ||||
Yellow Sound | 1998 | Ann Thomson | ||||
Leaves | 1999 | Gloria Tammere Petyarre | ||||
Thong Totems | 2000 | John Dahlsen | ||||
Piatra | 2001 | Aida Tomescu | ||||
Remembering Rain | 2002 | Angus Nivison | ||||
Seated Figure | 2003 | Tim Kyle | ||||
Untitled | 2004 | George Ward Tjungurrayi | ||||
The Road to Utopia | 2005 | Jenny Sages | ||||
The Gap | 2006 | John Beard | ||||
Winter Nocturne IV | 2007 | Philip Wolfhagen | ||||
The River is Calm | 2008 | Joanne Currie Nalingu | ||||
The Amorphous Ones (The Vast Colony of Our Being) | 2009 | Lionel Bawden | ||||
Proposal for Landscaped Cosmos | 2010 | Sam Leach | oil and resin on wood | 30 × 30 | ||
Co-Isolated Slave | 2011 | Richard J. Goodwin | ||||
Waterfall (After Williams) | 2012 | Imants Tillers | ||||
Namatjira | 2013 | Imants Tillers | ||||
Oceania High Low | 2014 | Michael Johnson | ||||
Biophilia | 2015 | Natasha Bieniek | ||||
Seven Sisters | 2016 | Ken Family Collaborative | ||||
Antara | 2017 | Betty Kuntiwa Pumani | acrylic on linen | 250 x 200 | ||
Untitled | 2018 | Yukultji Napangati | acrylic on linen | 244.5 x 183 | ||
Seven sisters | 2019 | Sylvia Ken | acrylic on linen | 200 x 240 | ||
Tjoritja | 2020 | Hubert Pareroultja | acrylic on canvas | 183 x 244 | ||
Garak – night sky | 2021 | Nyapanyapa Yunupingu | earth pigments on board | 244.2 x 244.2 | ||
Eora | 2022 | Nicholas Hardling | oil on linen | 196.5 x 374.8 | [5] | |
Inma | 2023 | Zaachariaha Fielding | acrylic on linen | 198.5 x 306.2 | [6] | |
Nyalala gurmilili | 2024 | Djakaŋu Yunupiŋu | natural pigments on bark | 263 x 154 | [7] | |
The Archibald Prize is an Australian portraiture art prize for painting, generally seen as the most prestigious portrait prize in Australia. It was first awarded in 1921 after the receipt of a bequest from J. F. Archibald, the editor of The Bulletin who died in 1919. It is administered by the trustees of the Art Gallery of New South Wales and awarded for "the best portrait, preferentially of some man or woman distinguished in Art, Letters, Science or Politics, painted by an artist resident in Australia during the twelve months preceding the date fixed by the trustees for sending in the pictures". The Archibald Prize has been awarded annually since 1921 and since July 2015 the prize has been AU$100,000.
Brett Whiteley AO was an Australian artist. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes. He held many exhibitions, and lived and painted in Australia as well as Italy, England, Fiji and the United States.
Sir William Dobell was an Australian portrait and landscape artist of the 20th century. Dobell won the Archibald Prize, Australia's premier award for portrait artists on three occasions. The Dobell Prize is named in his honour.
John Henry Olsen AO OBE was an Australian artist and winner of the 2005 Archibald Prize. Olsen's primary subject of work was landscape.
The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most important public gallery in Sydney and one of the largest in Australia.
The Sir John Sulman Prize is one of Australia's longest-running art prizes, having been established in 1936.
George Washington Thomas Lambert was an Australian artist, known principally for portrait painting and as a war artist during the First World War.
Nicholas Harding was a British-born Australian artist, known for his paintings, in particular portraits.
Sam Fullbrook was an Australian artist who was a winner of the Archibald Prize for portraiture and the Wynne Prize for landscape. He was described as "last of the bushman painters". However Fullbrook was fine art-trained and his sophisticated works are in every State art museum in Australia and international collections.
Lloyd Frederic Rees was an Australian landscape painter who twice won the Wynne Prize for his landscape paintings.
Sam Leach is an Australian contemporary artist. He was born in Adelaide, South Australia. Leach worked for many years in the Australian Tax Office after completion of a degree in Economics. He also completed a Diploma of Art, Bachelor of Fine Art degree and a Master of Fine Art degree at RMIT in Melbourne, Victoria. Leach currently resides in Melbourne. Leach's work has been exhibited in several museum shows including "Optimism" at the Queensland Art Gallery and "Neo Goth" at the University of Queensland Art Museum in 2008, in 2009 "the Shilo Project" at the Ian Potter Museum of Art and "Horror Come Darkness" at the Macquarie University Art Gallery and "Still" at Hawkesbury Regional Gallery in 2010. His work is held in public collections of regional galleries of Geelong, Gold Coast, Coffs Harbour, Newcastle and Gippsland and the collections of La Trobe University and the University of Queensland.
Fiona Lowry is an Australian painter who airbrushes pale colours to portray landscapes with people in them. The landscapes are beautiful and ambiguous, provoking the dangerous side of wilderness. Lowry also paints portraits and won the 2014 Archibald Prize at the Art Gallery of New South Wales with a portrait of Penelope Seidler. She is represented in the National Gallery of Australia, as well as the state galleries of Australia and in private collections.
Guido Maestri is an Australian contemporary artist. He won the 2009 Archibald Prize for a portrait of Australian singer and musician Geoffrey Gurrumul Yunupingu which he later donated to the National Portrait Gallery in Canberra.
Tim Storrier AM is an Australian artist who won the 2012 Doug Moran National Portrait Prize with The Lunar Savant, a portrait of fellow artist McLean Edwards.
L. Scott Pendlebury or Laurence Scott Pendlebury was an Australian landscape and portrait artist and teacher. He married fellow artist Eleanor Constance "Nornie" Gude in January 1943 and they were the parents of Anne Lorraine Pendlebury, a stage, film and TV actress; and Andrew Scott Pendlebury a guitarist-songwriter. Pendlebury won the Wynne Prize four times for his landscape paintings with The Chicory Kiln, Phillip Island (1956), Constitution Dock, Hobart (1957), Old Farmhouse and Road to Whistlewood (1968). He was a finalist in the Archibald Prize twenty-four times, including Nornie Gude (Artist) (1944) and Anne and Drew Pendlebury (1979). His work was presented in the state galleries of New South Wales, Queensland, South Australia, Tasmania and Victoria. Pendlebury worked at Swinburne Technical College as an instructor from 1946 to 1963 and then as head of the art school until his retirement in 1974. He died in May 1986, aged 72.
Rodney Pople is an Australian visual artist.
Neil Haddon is a British-Australian painter. His paintings display a wide variety of influences and styles, from hard edge geometric abstraction to looser expressive figurative painting. Haddon currently lives and works in Hobart, Tasmania.
Kerrie Lester was an Australian artist who was a frequent finalist in the Archibald Prize for portraiture, although she never won the main prize.
Proposal for landscaped cosmos is a 2010 painting by Australian artist Sam Leach. The work "heavily references" a 1660 painting by Dutch master Adam Pynacker, Boatmen Moored on the Shore of an Italian Lake.
Ann Thomson is an Australian painter and sculptor. She is best known for her large-scale public commissions Ebb Tide (1987) for the Sydney Convention and Exhibition Centre and Australia Felix (1992) for the Seville World Expo. In 1998 she won the Art Gallery of New South Wales' Wynne Prize. Her work is held in national and international collections, including: the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney, Newcastle Art Gallery, Newcastle, Thyssen-Bornemisza Collection, Madrid and Villa Haiss Museum, Germany.