The William and Winifred Bowness Photography Prize is an Australian prize for photography awarded by the Museum of Australian Photography. [1] The prize first awarded in 2006. [2] The prize money for the award in 2017 is A$30,000 [3]
Established in 2006 to promote excellence in photography, the annual William and Winifred Bowness Photography Prize is an initiative of the MGA Foundation. [4]
The Bowness Photography Prize has quickly become Australia's most important photography prize. It is also one of the country's most open prizes for photography. In the past, finalists have included established and emerging photographers, art and commercial photographers. All film-based and digital work from amateurs and professionals is accepted. There are no thematic restrictions. [4] In its first year the winner was awarded $10,000. As the prize grew in prominence the prize money also increased; since 2017 the winner has been awarded $30,000. The winning work is acquired into the Museum of Australian Photography (MAPh) collection. [5]
Each year three Honourable Mentions are also acknowledged, along with the Smith & Singer People's Choice Award of $5,000 which is announced at the end of the exhibition.
The Wai Tang Commissioning Award is an initiative of the MAPh Foundation as part of the Bowness Photography Prize. Paula Mahoney was the first artist selected from the 2021 Bowness Photography Prize to be awarded the $10,000 commission and the second in 2022 was Janelle Low. Their exhibitions coincided with the Bowness Photography Prize exhibition the following year, with one work entering MAPh's significant collection of Australian photographs in honour of Wai Tang’s legacy. The 2023 recipients are The Huxleys (Will Huxley and Garrett Huxley).
Wai Tang served on MAPh’s Committee of Management from 2018 until she died in 2020. Tang’s expertise included more than 30 years of experience in the retail and fashion industries where she held senior executive roles and non-executive directors’ roles in public and private companies. Her commitment to the visual and performing arts was demonstrated through her leadership roles and philanthropic support (and she had a true passion for fashion). The Wai Tang Commissioning Award has been established by her husband, Kee Wong, to recognise and honour her significant impact on the arts and preserve her legacy within MAPh’s collection and exhibition history.
In 2017 the prize money awarded has been increased to $30,000 and for the first time, the winning work will be acquired for the Monash Gallery of Art, City of Monash Collection.
The finalists for 2017 have been announced, the exhibition will include 59 works from 61 artists. [6]
Kathy Mackey with "Reliquary 1" a pigment ink-jet print on cotton paper from an unnamed series of young women juxtaposing human skin with metallic and reflective objects. [8] [9] [4]
Ray Cook with "For God's sake, somebody throw a pie" a gelatin silver print from the series "Oblivion" [4]
Nat Thomas and Concertina Inserra with "Portrait of mother and daughter" a chromogenic print from the series "after Mirka" inspired by the artist Mirka Mora [4]
Paul Knight with "14 months #01" a chromogenic print from an unnamed series of photographs showing couples in sexual embraces from an aerial perspective. [4] [10] [11]
Lee Grant with "Mary with her daughters Aja and Adau, and her granddaughter Nankir" a pigment ink-jet print from the series "New Australians: Sudanese migrants in suburbia" [4] [12]
Jacky Redgate with "Light throw (mirrors) #4" a chromogenic print from the still-life series "Light throw (mirrors) 2010–11" [4] [13]
Jesse Marlow with "Laser vision" a chromogenic print from the street photography series "Don't just tell them, show them" [4] [14]
Pat Brassington with "Shadow boxer" a pigment ink-jet print from the series "Quill" [4] [15]
Petrina Hicks with "Venus" a pigment ink-jet print from the series "The shadows" using portraiture to deal with ideas of beauty and representation in art history. [16] [4] [17]
Joseph McGlennon with "Florilegium #1" a pigment ink-jet print from the series "Florilegium" showing animals in exotic landscapes inspired by naturalist Joseph Banks [18] [4] [19]
Valerie Sparks won $25,000 with "Prospero's Island – North East" a pigment ink-jet print from the series "Prospero's Island", which digitally combined images of Tasmania to become the setting of Shakespeare's "The Tempest". [20] [21] [22] [4]
The winner of the 2017 Bowness Photography prize was announced on 19 October 2017. Polixeni Papapetrou won with her work ‘Delphi’ (2016) a pigment ink-jet print from the series "Eden" depicting young women wearing floral dresses in front of floral backgrounds; merging figure and ground. Three honorable mentions were awarded to Del Kathryn Barton, Danica Chappell and Jenny Pollak. [23]
The winner of the 2018 Bowness Photography prize was announced on 11 October 2018. Melbourne-based, Iranian-born artist Hoda Afshar won for her photograph ‘Portrait of Behrouz Boochani, Manus Island’ (2018) a pigment ink-jet print from the series "Remain". Three honorable mentions were awarded to Shelley Horan, Darren Sylvester and Cyrus Tang. [24]
Katrin Koenning with "Three" a triptych of pigment ink-jet prints from the series "Lake Mountain" showing bushland recovering from bushfires.
Christian Thompson with "Rule of three" four chromogenic prints from the series "Flower walls 2018–" showing the artist immersed in colourful arrangements of Australian native flora.
Lillian O'Neil with "Drawing to a close" a collage of black and white pigment ink-jet prints.
Amos Gebhardt with "Wallaby" a chromogenic print on a light box from an unnamed series of native animal x-rays.
The City of Monash is a local government area in Melbourne, Victoria, Australia in the south-eastern suburbs of Melbourne with an area of 81.5 square kilometres and a population of 200,077 people in 2016.
Print permanence refers to the longevity of printed material, especially photographs, and preservation issues. Over time, the optical density, color balance, lustre, and other qualities of a print will degrade. The rate at which deterioration occurs depends primarily on two main factors: the print itself, that is, the colorants used to form the image and the medium on which image resides, and the type of environment the print is exposed to.
LightJet is a brand of hardware used for photographic printing of digital images to photographic paper and film. LightJet printers are no longer manufactured but are however remanufactured and resold; and their lasers are still manufactured.
A chromogenic print, also known as a C-print or C-type print, a silver halide print, or a dye coupler print, is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. They are composed of three layers of gelatin, each containing an emulsion of silver halide, which is used as a light-sensitive material, and a different dye coupler of subtractive color which together, when developed, form a full-color image.
Derek Kreckler is an Australian visual artist, born in Sydney in 1952. He has worked in a variety of media creating performance, video, sound and photographic art works. His work is concerned with an ongoing examination of the transformation of modes of historical avant-gardism into the present. His "clean, crisp Cibachromes" of refrigerators were exhibited at the 14th Sydney Biennale in 2004.
Christian Andrew William Thompson, also known as Christian Bumbarra Thompson, is a contemporary Australian artist. Of Bidjara heritage on his father's side, his Aboriginal identity has played an important role in his work, which includes photography, video installations and sound recordings. After being awarded the Charlie Perkins Scholarship, to complete his doctorate in Fine Arts at Oxford University, he has spent much time in England. His work has been extensively exhibited in galleries around Australia and internationally.
Matthew Sleeth is an Australian visual artist and filmmaker. His often collaborative practice incorporates photography, film, sculpture and installation with a particular focus on the aesthetic and conceptual concerns of new media. The performative and photographic nature of media art is regularly highlighted in his work.
Bindi Cole Chocka is an Australian contemporary new media artist, photographer, writer and curator of Wadawurrung heritage.
Pat Brassington is an Australian contemporary artist working in the field of digital art, and photography. Born in Hobart, Tasmania, she was named Australia's key surrealist working in photomedia.
Ruth Maddison is an Australian photographer. She started photography in the 1970s and continues to make contributions to the Australian visual arts community.
Wayne Quilliam is an Aboriginal Australian photographic artist, curator, and cultural adviser based in Melbourne. He specializes in portraits and landscapes.
Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.
Jesse Marlow (1978) is an Australian street photographer, editorial and commercial photographer who lives and works in Melbourne.
Aldona Kmieć is an Australian contemporary artist working in Photography and Installation Art. Her works are held in public collection of State Library of Victoria, Museum of Democracy at Eureka in Ballarat, Ballarat Arts Foundation and private collections.
Bronwyn Kidd is an Australian photographer known for fashion and portraiture who formerly resided in London 1992-2004, and now lives in Melbourne, Australia.
Andrew Chapman OAM, is an Australian photojournalist.
Robert Ashton (1950) is an Australian photographer and photojournalist.
Hoda Afshar is an Iranian documentary photographer who is based in Melbourne. She is known for her 2018 prize-winning portrait of Kurdish-Iranian refugee Behrouz Boochani, who suffered a long imprisonment in the Manus Island detention centre run by the Australian government. Her work has been featured in many exhibitions and is held in many permanent collections across Australia.
Katrin Koenning is a German-born Australian photographer and videographer whose work has been exhibited and published since 2007.
Sue Pedley is an Australian multi-media artist known for site-specific artworks in Australia and overseas. She has participated in residencies including the Bundanon Trust Creative Research Residency in 2016, the Tokyo Wonder Site in 2012, and the 2008 International Sculpture Symposium, Vietnam. Pedley works solo and in collaboration with other artists.