The Waterhouse Natural Science Art Prize, formerly the Waterhouse Natural History Art Prize, is a biennial competition for artists, with a science theme, organised by the South Australian Museum in Adelaide, South Australia. [1]
The prize was established in 2002 and named after Frederick George Waterhouse, who was the first curator of the Museum. He discovered 40 new species of fish along the SA coastline, collected plants, insects, reptiles, birds and mammals and was an avid naturalist. [2] The annual competition changed its name to "Waterhouse Natural Science Art Prize" in 2013. [3] It offered a total prize pool of A$77,000 in that year. [4]
The competition was not held in 2015 due to a consultative review on the nature of the competition. [5] However, a retrospective exhibition, Magnified: 12 years of the Waterhouse Natural Science Art Prize, exhibiting all winners thus far, took place at the National Archives of Australia (NAA) in Canberra. [6]
It was held again in 2016, [7] and has been held biennially since then. [8] [9]
As of 2022 [update] there are two categories of prize, which is open to artists of any age, nationality and experience: [10] [9]
There is an exhibition of the works at the museum, which also tours to the Museum of Australian Democracy in Canberra, hosted by the NAA, [11] [12] and all of the exhibits are available for purchase. [13]
The Waterhouse Natural Science Art Prize receives sponsorship from public and private sectors. The prize is also supported by private donations.
In 2014, Gala launch principal sponsors were Beach Energy and the Government of South Australia. Exhibition prize sponsors were legal firm Fisher Jeffries, printer Finsbury Green and the South Australian Department of Environment, Water and Natural Resources (DEWNR). Private donations in support of the prizes (a total prize pool of A$114,500 [27] ) in 2014 included: [28] [29]
In 2018 the prize had federal government support through the Australia Council for the Arts and the National Archives of Australia; from the Government of South Australia via Arts South Australia; from the City of Adelaide; and from private sponsors the Hill Smith Gallery, Fisher Jeffries, The Adelaide Review , and printers Finsbury Green. [30]
The Archibald Prize is an Australian portraiture art prize for painting, generally seen as the most prestigious portrait prize in Australia. It was first awarded in 1921 after the receipt of a bequest from J. F. Archibald, the editor of The Bulletin who died in 1919. It is administered by the trustees of the Art Gallery of New South Wales and awarded for "the best portrait, preferentially of some man or woman distinguished in Art, Letters, Science or Politics, painted by an artist resident in Australia during the twelve months preceding the date fixed by the trustees for sending in the pictures". The Archibald Prize has been awarded annually since 1921 and since July 2015 the prize has been AU$100,000.
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The South Australian Museum is a natural history museum and research institution in Adelaide, South Australia, founded in 1856 and owned by the Government of South Australia. It occupies a complex of buildings on North Terrace in the cultural precinct of the Adelaide Parklands. Plans are under way to move much of its Australian Aboriginal cultural collection, into a new National Gallery for Aboriginal Art and Cultures.
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The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia. As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east.
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Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
Margel Ina Harris Hinder was an Australian-American modernist sculptor, noted for her kinetic and public sculptural works. Her sculptures are found outside the Australian Reserve Bank building in Martin Place, Sydney, in a memorial in Newcastle, New South Wales, and in Canberra, ACT. Her work is held in several Australian public collections.
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