The Yorkshire bagpipe is a type of bagpipe once native to the county of Yorkshire in northern England. The instrument is currently extinct, but sources as late as 1885 describe it as being familiar in Shakespeare's time. [1]
Modern researcher Kathleen Scott notes that the instrument was often likened to a sow, but not on the basis of its sound. [2]
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia.
The uilleann pipes, also known as Union pipes and sometimes called Irish pipes, are the characteristic national bagpipe of Ireland. Their current name is a partial translation of the Irish language terms píobaí uilleann, from their method of inflation. There is no historical record of the name or use of the term uilleann pipes before the 20th century. It was an invention of Grattan Flood and the name stuck. People mistook the term 'union' to refer to the 1800 Act of Union; however, this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'.
The chanter is the part of the bagpipe upon which the player creates the melody. It consists of a number of finger-holes, and in its simpler forms looks similar to a recorder. On more elaborate bagpipes, such as the Northumbrian bagpipes or the Uilleann pipes, it also may have a number of keys, to increase the instrument's range and/or the number of keys it can play in. Like the rest of the bagpipe, they are often decorated with a variety of substances, including metal (silver/nickel/gold/brass), bone, ivory, or plastic mountings.
The great Highland bagpipe is a type of bagpipe native to Scotland, and the Scottish analogue to the great Irish warpipes. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world.
The Scottish smallpipe is a bellows-blown bagpipe re-developed by Colin Ross and many others, adapted from an earlier design of the instrument. There are surviving bellows-blown examples of similar historical instruments as well as the mouth-blown Montgomery smallpipes, dated 1757, which are held in the National Museum of Scotland. Some instruments are being built as direct copies of historical examples, but few modern instruments are directly modelled on older examples; the modern instrument is typically larger and lower-pitched. The innovations leading to the modern instrument, in particular the design of the reeds, were largely taken from the Northumbrian smallpipes.
The border pipes are a type of bagpipe related to the Scottish Great Highland Bagpipe. It is perhaps confusable with the Scottish smallpipe, although it is a quite different and much older instrument. Although most modern Border pipes are closely modelled on similar historic instruments, the modern Scottish smallpipes are a modern reinvention, inspired by historic instruments but largely based on Northumbrian smallpipes in their construction.
The Galician gaita is the traditional instrument of Galicia and northern Portugal.
Cornish bagpipes are the forms of bagpipes once common in Cornwall in the 19th century. Bagpipes and pipes are mentioned in Cornish documentary sources from c.1150 to 1830 and bagpipes are present in Cornish iconography from the 15th and 16th centuries.
A Lambeg drum is a large drum, beaten with curved malacca canes. It is used primarily in Northern Ireland by Unionists and the Orange Order traditionally in street parades held in the summer, particularly on and around 12 July. The weight of the drum means that it had been replaced with smaller replicas for most parades, but the full-sized instrument has started to reappear in recent years - usually on floats. It is also used by the Ancient Order of Hibernians, having historical significance for parts of the nationalist community, as well.
The pastoral pipe was a bellows-blown bagpipe, widely recognised as the forerunner and ancestor of the 19th-century union pipes, which became the uilleann pipes of today. Similar in design and construction, it had a foot joint in order to play a low leading note and plays a two octave chromatic scale. There is a tutor for the "Pastoral or New Bagpipe" by J. Geoghegan, published in London in 1745. It had been considered that Geoghegan had overstated the capabilities of the instrument, but a study on surviving instruments has shown that it did indeed have the range and chromatic possibilities which he claimed.
Welsh bagpipes are a related instrument to one type of bagpipe, a chanter, which when played without the bag and drone is called a pibgorn. The generic term pibau which covers all woodwind instruments is also used in Welsh. They have been played, documented, represented and described in Wales since the fourteenth century. A piper in Welsh is called a pibydd or a pibgodwr.
The torupill is a traditional bagpipe from Estonia.
The Associação Gaita-de-fole is a non-profit organization, founded officially in 1994 by enthusiasts of the Portuguese folk traditions — specially the related with the Transmontan and Galician bagpipes. The volunteers contribute in a variety of ways, as artisans, musicians, anthropologists and teachers, both professional and amateurs.
The xeremia is a type of bagpipe native to the island of Majorca (Mallorca). It consists of a bag made of skin, known as a sac or sarró which retains the air, a blowpipe (bufador), a melody pipe or chanter (grall), and several, generally three, drones (bordons). The primary drone (roncó) sounds a tonic note, but the other drones are sometimes simply false drones for ornamentation.
When bagpipes arrived in England is unknown, there is some evidence to suggest Anglo-Saxon times, however the oldest confirmed proof of the existence of bagpipes anywhere in the world comes from three separate sources in the 13th century. Two of them English; the Tenison Marginalie Psalter from Westminster and an entry into the accounts books of Edward the I of England recording the purchase of a set of bagpipes. The third from the Cantigas Del Santa Maria published in Spain. From the 14th century onwards, bagpipes start to appear in the historical records of European countries, however half the mentions come from England suggesting Bagpipes were more common in England.
The gaita de boto is a type of bagpipe native to the Aragon region of northern Spain.
It is unclear whether Lincolnshire bagpipes refer to a specific type of pipes native to Lincolnshire, England, or to the popularity of a more general form of pipes in the region. Written records of bagpipes being associated with Lincolnshire date back to 1407, but it is difficult to find certain proof that any regional variation of the bagpipe existed which was peculiar to Lincolnshire. Despite the lack of evidence for a uniquely local instrument, it is clear that the bagpipe was enjoyed by the people of Lincolnshire.
The Lancashire bagpipe or Lancashire greatpipe has been attested in literature, and commentators have noticed that the Lancashire bagpipe was also believed proof against witchcraft.