Related Research Articles
The Troggs are an English beat music band formed in Andover, Hampshire in May 1964. Their most famous songs include the US chart-topper "Wild Thing", "With a Girl Like You" and "Love Is All Around", all of which sold over 1 million copies and were awarded gold discs. "Wild Thing" is ranked No. 257 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time and was an influence on garage rock and punk rock.
"I Honestly Love You" is a song recorded by Olivia Newton-John and released in 1974 on the album Long Live Love in the United Kingdom and If You Love Me, Let Me Know in the United States. The song became a worldwide pop hit, her first number-one single in the United States and Canada. The single was first released in Australia as "I Love You, I Honestly Love You", as per its chorus. The song was written by Jeff Barry and Australian singer and composer Peter Allen. The latter recorded it around the same time for his album Continental American.
"Just My Imagination (Running Away with Me)" is a song by American soul group the Temptations, written by Norman Whitfield and Barrett Strong. Released on the Gordy (Motown) label, and produced by Norman Whitfield, it features on the group's 1971 album, Sky's the Limit. When released as a single, "Just My Imagination" became the third Temptations song to reach number one on the US Billboard Hot 100. The single held the number one position on the Billboard Pop Singles Chart for two weeks in 1971, from March 28 to April 10. "Just My Imagination" also held the number one spot on the Billboard R&B Singles chart for three weeks, from February 27 to March 20 of that year.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
Van Allen Clinton McCoy was an American record producer, arranger, songwriter and singer. He is known for his 1975 internationally successful hit "The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Brenda & the Tabulations, David Ruffin, The Stylistics, The Presidents, Faith, Hope & Charity, New Censation, Gladys Knight & the Pips, Aretha Franklin, Peaches & Herb, Lesley Gore, and Stacy Lattisaw.
Loose Ends are a British R&B band that achieved several hit records throughout the 1980s and into the 1990s. The trio was formed in London in 1980, initially comprising vocalist and guitarist Carl McIntosh, vocalist Jane Eugene, and keyboard player and vocalist Steve Nichol.
Diana Ross & the Supremes Join the Temptations is a collaborative album combining Motown's two best selling groups, Diana Ross & the Supremes and the Temptations. Issued by Motown in late 1968 to coincide with the broadcast of the Supremes/Temptations TCB television special, the album was a success, reaching #2 on the Billboard 200. Diana Ross & the Supremes Join the Temptations spent four weeks at number one on the UK Albums Chart.
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.
The Detroit Emeralds are an American R&B/soul vocal group, best known in the early 1970s. They enjoyed a run of successful records in the decade including their 1973 transatlantic hit single, "Feel the Need in Me".
"You to Me Are Everything" is a song by British soul group the Real Thing, released as a single in 1976. Written by Ken Gold and Michael Denne and produced by Gold, "You to Me Are Everything" was the Real Thing's sole number-one single on the UK Singles Chart, spending three weeks at the top in July 1976. The song was re-released ten years later titled the "Decade Remix" which returned the song to the chart in March 1986, reaching number five.
40-Hour Week is the ninth studio album from American country music band Alabama. Released in January 1985, the album included three songs that topped the Billboard magazine Hot Country Singles chart and continued the band's dominance during the 1980s. The album peaked at number one on the Billboard Country Albums chart and number 28 on the Billboard 200.
Lisa Stansfield is the fourth solo studio album by British singer Lisa Stansfield, released by Arista Records on 21 March 1997. It was her first new studio album since 1993's So Natural. Stansfield co-wrote most songs for the album with her husband Ian Devaney. The tracks were produced by Devaney and Peter Mokran. Lisa Stansfield garnered favourable reviews from music critics and was commercially successful, reaching number two in the United Kingdom and receiving Gold certification. In the United States, it spawned four number-one singles on Billboard's Hot Dance Club Songs. Lisa Stansfield was rereleased as a deluxe 2CD + DVD set in Europe in November 2014.
"Broken Strings" is the second single by British musician James Morrison from his second studio album, Songs for You, Truths for Me (2008), and was released in December 2008. The song is a duet with Canadian singer-songwriter Nelly Furtado. The single became Morrison's most successful single to date, peaking at number two on the UK Singles Chart in January 2009, as well as in the top ten on many other European charts while topping the charts in Germany and Switzerland. It was featured in episode 16 of the second season of the American television drama The Vampire Diaries.
British soul, Brit soul, or the British soul invasion, is soul music performed by British artists. Soul has been a major influence on British popular music since the 1960s, and American soul was extremely popular among some youth subcultures, such as mods, skinheads, and the Northern soul movement. In the 1970s, soul gained more mainstream popularity in the UK during the disco era.
"Some Things You Never Get Used To" is a song released in 1968 by Diana Ross & the Supremes on the Motown label. The single stalled for three weeks at number 30 on the U.S. Billboard pop chart in July 1968. It became the lowest-charting Supremes single since 1963 and became the catalyst for Berry Gordy to revamp songwriting for The Supremes since the loss of Motown's premier production team Holland–Dozier–Holland, which Gordy had assigned as the group's sole producers after the success of "When the Lovelight Starts Shining Through His Eyes."
The Real Thing is a British soul group formed in the 1970s. The band charted internationally with their song "You to Me Are Everything", which reached No. 1 on the UK Singles Chart. They also had successes with a string of British hits such as "Can't Get By Without You" and "Can You Feel the Force?". They returned to mainstream success in 1986 with the Decade Remix of "You to Me Are Everything". By number of sales, they were the most successful black rock/soul act in England during the 1970s. The journalist, author and founder of Mojo magazine Paul Du Noyer credits them alongside Deaf School with restoring "Liverpool's musical reputation in the 1970s" with their success.
Christopher Charles Amoo is a British singer-songwriter, and the lead singer of English soul group, The Real Thing.
"Love's Such a Wonderful Thing" is a song released in 1977 by the UK band The Real Thing taken from their album 4 from 8. The song peaked at #33 on the UK Singles Chart.
"Can't Get By Without You" is a song by British soul group The Real Thing, released in 1976. It was the follow-up to their hit "You to Me Are Everything".
"Can You Feel the Force?" is a song by British soul group The Real Thing, released as a single on 26 January 1979. It was written by band members Chris Amoo and his brother Eddie Amoo, and produced by Ken Gold for Tony Hall Productions and mastered at Sterling Sound. The song was the group's biggest disco hit, reaching number five in the UK Singles Chart and spending 11 weeks in the top 75, and also charting in a number of other countries. In March 1979 it was certified silver by the BPI for shipments of 250,000 copies.
References
- ↑ 45cat Record Details, Artist: Real Thing, Catalogue: 7N 45662
- ↑ Billboard , April 2, 1977 Page 68 Billboard's Top Single Picks, recommended
- ↑ Billboard, February 28, 1977 Page 84 Billboard Hits Of The World, Britain
- ↑ Billboard, March 19, 1977 Page 70 Billboard Hits Of The World, Britain
- ↑ Billboard, March 26, 1977 Page 75 Billboard Hits Of The World, Britain
- ↑ Billboard April 9, 1977 Page 68 Billboard Hits Of The World, Britain
- ↑ 1000 UK Number One Hits, By Jon Kutner 391 The Real Thing You To Me Are Everything