Pure Prairie League is an American country rock band whose origins go back to 1965 and Waverly, Ohio, with singer and guitarist Craig Fuller, drummer Tom McGrail, guitarist and drummer Jim Caughlan and steel guitar artist John David Call. Fuller started the band in 1970 and McGrail named it after a fictional 19th century temperance union featured in the 1939 Errol Flynn cowboy film Dodge City. The Pure Prairie League scored five consecutive Top 40 LPs in the 1970s and added a sixth in the 1980s. The band has had a long run, active from the 1970s through the late 1980s and was revived in the late 1990s for a time, then again in 2004. Pure Prairie League continues to tour and performs over 100 concerts a year, primarily in the northeastern and mid-Atlantic regions of the United States.
David Charles Olney is an American folk singer-songwriter.
Kelly Willis is the self-titled third album from the Austin, Texas-based singer. There were a couple of minor Billboard hits in the #63 "Heaven's Just a Sin Away" and the #72 "Whatever Way the Wind Blows." Also of note is a duet with Kevin Welch, "That'll Be Me."
Dead Reckoning Records is an American independent record label specializing in country music. The label was established in 1994 by musicians Kevin Welch, Kieran Kane, Mike Henderson, Tammy Rogers, and Harry Stinson produce their records without the frustrations of a major record label.
Trouble in Mind is an album released by American singer Hayes Carll in 2008. The album debuted at number 18 of the Top Heatseekers chart.
Down the Old Plank Road: The Nashville Sessions is a 2002 album by The Chieftains. It is a collaboration between the Irish band and many top country music musicians including Ricky Skaggs, Vince Gill, Lyle Lovett, Martina McBride and Alison Krauss.
"Till I'm Too Old to Die Young" is a song recorded by American country music artist Moe Bandy. It was released in February 1987 as the second single from his album You Haven't Heard the Last of Me. The song peaked at number 6 on the Billboard Hot Country Singles chart.
Life Down Here on Earth is the third album by Kevin Welch. The album got a positive review from Gerry Galipault at Pause&Play. Galipault stated in the article that "Welch’s stunning third album, “Life Down Here On Earth,” marks his debut on the artist-owned-and-operated Dead Reckoning label."
Find My Way Home is the second album by Kieran Kane and his last one for Atlantic Records before starting his own label, Dead Reckoning Records, with fellow musicians, Kevin Welch, Harry Stinson, Tammy Rogers and Mike Henderson.
Six Months, No Sun is the fourth studio album by Kieran Kane. It's the second album on Dead Reckoning Records, which is the label established in 1994 by musicians Kevin Welch, Kieran Kane, Mike Henderson, Tammy Rogers, and Harry Stinson.
11/12/13: Live in Melbourne is a live album by Kieran Kane and Kevin Welch, recorded at The Continental, Melbourne, Australia on November 12–13, 1999. They played unaccompanied, using just a bass and a guitar. Most of the songs are original compositions either written or co-written by Kane or Welch. The two exceptions are covers of John Hiatt's "Train to Birmingham" and Hank Williams' "Ramblin' Man."
Western Beat is the second studio album by Kevin Welch, as Kevin Welch @nd The Overtones, released in 1992 on Reprise Records. This was Welch's last album for Reprise, before he went on to co-found Dead Reckoning Records in 1994 with fellow musicians Kieran Kane, Mike Henderson, Tammy Rogers, and Harry Stinson.
Beneath My Wheels is Kevin Welch's fourth solo album. This was Welch's second album for Dead Reckoning Records, which he co-founded in 1994 with fellow musicians Kieran Kane, Mike Henderson, Tammy Rogers, and Harry Stinson.
Millionaire is the fifth studio album by Kevin Welch. Welch was backed by The Danes, a Copenhagen-based band, on this album. The album was Welch's fourth album for Dead Reckoning Records, the label founded by Welch in 1994 along with fellow musicians Kieran Kane, Mike Henderson, Tammy Rogers, and Harry Stinson.
The Blue Chair is the fifth solo album by Kieran Kane, his third for Dead Reckoning Records, the label founded by Kane in 1994 along with fellow musicians Kevin Welch, Mike Henderson, Tammy Rogers, and Harry Stinson. Robert Wooldridge reviewed The Blue Chair on Country Standard Time website favorably, stating "Though unlikely to bring Kane the commercial success he enjoyed with The O'Kanes, this release reinforces Kane's reputation as one of today's best alt.-country singer-songwriters."
Shadows on the Ground is the sixth solo studio album by Kieran Kane. The album was Kane's fourth solo album for Dead Reckoning Records, the label which he founded in 1994 along with fellow musicians Kevin Welch, Mike Henderson, Tammy Rogers, and Harry Stinson. This album was recorded live at Moraine Studio in Nashville, TN on July 5 & 6, 2002. Charlene Blevins of Paste magazine writes, "With Shadows on the Ground, Kane doesn’t exactly come full circle so much as he colors in the sphere of his career with a harmonious rainbow."
A Patch of Blue Sky is the sixth solo album by Kevin Welch, his first album since Kane Welch Kaplin, the self-titled third album from the band formed with Kieran Kane and Fats Kaplin. "A Patch of Blue Sky is pretty much a ballad album from start to finish" according to James Allen from his AllMusic review.
Lost John Dean is the second album by the trio, Kieran Kane, Kevin Welch & Fats Kaplin. Hal Horowitz of AllMusic writes "The recording is clean, clear and crisp, with each instrument defined under the vocals making a good album even better."
