Young Farmers (photograph)

Last updated
Young Farmers (1914) by August Sander Young Farmers.jpg
Young Farmers (1914) by August Sander

Young Farmers, also known as Three Farmers on their Way to a Dance, is a black and white photograph taken by August Sander in 1914. It is one of his better known photographs and it was included in his photographic book Face of Our Time (1929). [1] [2]

Contents

Description

The picture depicts three young men standing in a empty landscape, wearing fine suits, hats and canes. All the three men are still and facing the camera, being caught on their action of going to a dance in a nearby village. Despite the title, the picture does not actually depict real farmers. Two of the men worked in an iron ore mine and the other at the mine's office. They all would fight in World War I, which started the same year, and one of them would die there. Their fashionable clothing and posture seem to give them a higher social status than they actually had.

The J. Paul Getty Museum website describes the picture: "Perhaps most striking about this portrait of three farmers walking along a country road on their way to a dance is their formal dress: each wears a hat and suit and carries a walking stick", "This formal appearance removes them from the reality of their occupations. Each man is seen from the side, glancing over his shoulder at the photographer; they stop only for a moment before continuing on their journey." [3]

Critical evaluation

Art critic John Berger wrote the book The Suit and the Photograph (1980), based on this photograph. He states: "The date is 1914. The three young men belong, at the very most, to the second generation who ever wore such suits in the European countryside. Twenty or 30 years earlier, such clothes did not exist at a price which peasants could afford."

Identities and fate of the subjects

Later investigation has identified the young men in the picture as Otto Krieger, August Klein, and his cousin Ewald Klein. [4] The three young men all came from the village called Dünebusch in Western Germany and were likely on their way to a dance in a nearby town called Halscheid. [5] They were actually not farmers: Otto and August worked in the iron ore mine, whereas Ewald worked in the iron ore mine's office. [4] It has also been established that all the three young men were enlisted to fight for Germany in World War One in Belgium shortly after the photograph was taken, with only Otto and Ewald surviving the war. [5]

Cultural references

The photograph inspired the novel Three Farmers on Their Way to a Dance (1985), by American novelist Richard Powers.

Public collections

There are prints of the photograph at the August Sander Archive, Photographische Sammlung/SK Stiftung Kultur, in Cologne, the Museum für Kunst und Gewerbe, in Hamburg, the Museum of Modern Art, in New York, and the J. Paul Getty Museum, in Los Angeles. [6] [7] [8]

Related Research Articles

Getty Images Holdings, Inc. is an American visual media company and supplier of stock images, editorial photography, video, and music for business and consumers, with a library of over 477 million assets. It targets three markets—creative professionals, the media, and corporate.

<span class="mw-page-title-main">Deutscher Werkbund</span> German Association of Craftsmen

The Deutscher Werkbund is a German association of artists, architects, designers and industrialists established in 1907. The Werkbund became an important element in the development of modern architecture and industrial design, particularly in the later creation of the Bauhaus school of design. Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets. The Werkbund was less an artistic movement than a state-sponsored effort to integrate traditional crafts and industrial mass production techniques, to put Germany on a competitive footing with England and the United States. Its motto Vom Sofakissen zum Städtebau indicates its range of interest.

<span class="mw-page-title-main">August Sander</span> German portrait and documentary photographer

August Sander was a German portrait and documentary photographer. His first book Face of our Time was published in 1929. Sander has been described as "the most important German portrait photographer of the early twentieth century". Sander's work includes landscape, nature, architecture, and street photography, but he is best known for his portraits, as exemplified by his series People of the 20th Century. In this series, he aims to show a cross-section of society during the Weimar Republic.

<span class="mw-page-title-main">Timothy Greenfield-Sanders</span> American filmmaker and photographer (born 1952)

Timothy Greenfield-Sanders is an American documentary filmmaker and portrait photographer based in New York City. The majority of his work is shot in large format.

<i>Three Farmers on Their Way to a Dance</i> Richard Powers first novel, published in 1985.

Three Farmers on Their Way to a Dance is Richard Powers' first novel, published in 1985. The novel follows the journeys of three young European boys represented in a c. 1913 or 1914 photograph by August Sander.

<span class="mw-page-title-main">Abteiberg Museum</span> Art museum in Mönchengladbach, Germany

The Museum Abteiberg is a municipal museum for contemporary art in the German city Mönchengladbach.

<span class="mw-page-title-main">Lothar Wolleh</span> German photographer

Lothar Wolleh was a well-known German photographer.

<span class="mw-page-title-main">1910s in Western fashion</span> Costume and fashion in the 1910s

Fashion from 1910 to 1919 in the Western world was characterized by a rich and exotic opulence in the first half of the decade in contrast with the somber practicality of garments worn during the Great War. Men's trousers were worn cuffed to ankle-length and creased. Skirts rose from floor length to well above the ankle, women began to bob their hair, and the stage was set for the radical new fashions associated with the Jazz Age of the 1920s.

<i>The Steerage</i> 1907 black and white photograph by Alfred Stieglitz

The Steerage is a black and white photograph taken by Alfred Stieglitz in 1907. It has been hailed by some critics as one of the greatest photographs of all time because it captures in a single image both a formative document of its time and one of the first works of artistic modernism.

There were men and women and children on the lower deck of the steerage. There was a narrow stairway leading to the upper deck of the steerage, a small deck right on the bow with the steamer.

To the left was an inclining funnel and from the upper steerage deck there was fastened a gangway bridge that was glistening in its freshly painted state. It was rather long, white, and during the trip remained untouched by anyone.

On the upper deck, looking over the railing, there was a young man with a straw hat. The shape of the hat was round. He was watching the men and women and children on the lower steerage deck...A round straw hat, the funnel leaning left, the stairway leaning right, the white drawbridge with its railing made of circular chains – white suspenders crossing on the back of a man in the steerage below, round shapes of iron machinery, a mast cutting into the sky, making a triangular shape...I saw shapes related to each other. I was inspired by a picture of shapes and underlying that the feeling I had about life."

<span class="mw-page-title-main">Hofatelier Elvira</span>

The Hofatelier Elvira was a photography studio in Munich founded by jurist and actress Anita Augspurg and friend photographer Sophia Goudstikker in 1887 and is notable as the first company founded by women in Germany. A branch also existed in Augsburg from 1891. They became especially famous for their work in the feminist movement.

<span class="mw-page-title-main">Museum für Kunst und Gewerbe Hamburg</span> Museum of fine, applied and decorative arts in Hamburg, Germany

The Museum für Kunst und Gewerbe Hamburg is a museum of fine, applied and decorative arts in Hamburg, Germany. It is located centrally, near the Hauptbahnhof.

<span class="mw-page-title-main">Zero (art)</span>

Zero was an artist group founded in the late 1950s in Düsseldorf by Heinz Mack and Otto Piene. Piene described it as "a zone of silence and of pure possibilities for a new beginning". In 1961 Günther Uecker joined the initial founders. ZERO became an international movement, with artists from Germany, the Netherlands, Belgium, France, Switzerland, and Italy.

<span class="mw-page-title-main">Angelika Platen</span> German photographer (born 1942)

Angelika Platen is a German photographer known internationally for her portraits of artists.

Johann Wilhelm Weimar, known as Wilhelm Weimar, was a German museum scientist, draftsman, typographer and photographer.

<i>Berlin Coal Carrier</i> Photograph by August Sander

Berlin Coal Carrier is a black and white photograph taken by August Sander in 1929. This picture was included in his book Face of Our Time (1931) and was part of his project People of the Twentieth Century, where he pictured several people and professions of Germany.

<span class="mw-page-title-main">August Sander Archive</span> Art gallery in Cologne

The August Sander Archive comprises the estate of the German photographer August Sander and is part of the collection of Die Photographische Sammlung/SK Stiftung Kultur, in Cologne. The photographic work has been kept there since 1993 with a large number of original photographs, negatives and documents.

<i>Arrest of a Suspect in Sarajevo</i> Iconic photograph from July 1914

Arrest of a Suspect in Sarajevo, also erroneously known as The Arrest of Gavrilo Princip, is a historically significant photograph that captured the immediate aftermath of the assassination of Archduke Franz Ferdinand of Austria and his wife Sophie, Duchess of Hohenberg, in Sarajevo on 28 June 1914. Originally believed to depict the apprehension of the assassin, Gavrilo Princip, the image gained widespread attention after being featured prominently on the front cover of the Austrian weekly newspaper Wiener Bilder on 5 July 1914. This portrayal played a crucial role in generating patriotic sentiments that unified allied nations at the onset of World War I.

<i>View from Williamsburg, Brooklyn, on Manhattan, 9/11</i>

View from Williamsburg, Brooklyn, on Manhattan, 9/11 is a color photograph by German photographer Thomas Hoepker. It shows five people sitting on the banks of the East River in the Williamsburg neighborhood of the New York City Borough of Brooklyn while a cloud of smoke rises over Manhattan in the background. It emanates from the collapsed towers of the World Trade Center, which had been the target of a terrorist attack that day.

Working Students is a black and white photograph by German photographer August Sander, taken in 1926. The photograph depicts a group of four students, who also worked for a living, from the Weimar Republic. It was included in his photography landmark book Antlitz der Zeit (1929), and became one of the most famous pictures that Sander took back then.

The Painter Anton Räderscheidt is a black and white photograph taken by German photographer August Sander, in 1926. It depicts the painter Anton Räderscheidt, a member of the New Objectivity artist movement, in a street of Cologne. It was included in his book Face of Our Time (1929).

References

  1. The story behind the “Three Young Farmers” of August Sander, 1914, Rare Historical Photos
  2. August Sander, Young Farmers, History of Photography
  3. "The story behind the "Three Young Farmers" of August Sander, 1914". Rare Historical Photos.
  4. 1 2 Green, John (2021-05-18). The Anthropocene Reviewed: Essays on a Human-Centered Planet. Penguin. ISBN   978-0-525-55522-3.
  5. 1 2 What This Photo Doesn't Show , retrieved 2022-01-24
  6. Young Farmers, from the project People of the 20th Century, Museum für Kunst und Gewerbe
  7. Young Farmers, Museum of Modern Art
  8. Young Farmers (Jungbauern), The J. Paul Getty Museum