Yuval Avital

Last updated
Yuval Avital
Foto Yuval Avital 1- Crediti Sebastian Rodriguez Medieta (cropped).jpg
Background information
BornIsrael
Genresbad art, contemporary music, experimental music, multicultural and multidisciplinary music, video art, sound art, multimedia art
Instrument(s)classical guitar, electric guitar, live electronics, video
Website www.yuvalavital.com

Yuval Avital (born in Jerusalem in 1977) is a composer, multimedia artist and guitarist known for his creations for large-scale compositions for numerous performers, multimedia contemporary operas involving indigenous cultures [1] and collaborations with scientific institute such as NASA. In 2016 his icon-sonic opera Fuga Perpetua received the sponsorship of the UNHCR. [2]

Contents

Biography

Born in Jerusalem in 1977 and living in Milan, composer, multimedia artist and guitar player Yuval Avital develops his works in a variety of spaces, including public venues, industrial archaeological sites, theatres and museums, challenging the traditional crystallized categories that separate the arts.

His wide-ranging career includes the realization of monographic exhibitions,massive sonic works, sound and video installations of vast dimensions, collective performances involving sound masses in the creation of contemporary rituals, icon-sonic operas and artworks, complex multimedia frameworks, technological projects with the participation of scientists and usage of artificial intelligence, and compositions for soloists, choirs, orchestras and ensembles involving, sometimes, traditional masters of ancient cultures, dancers, performers and non-musicians. [3]

Works

Avital’s sound and visual artworks have been presented in museums, art foundations, venues and art events such as MANIFESTA Biennial, GAM - Torino, MACRO Museum of Contemporary Art Rome; OSTRALE Dresden Biennial, La Fabbrica del Cioccolato Foundation in Switzerland, Saint Antoine Church Istanbul, Marino Marini Museum in Florence; National Science and Technology Museum “Leonardo da Vinci” in Milan. He is the author of large-scale Installations such as ALMA MATER - the largest sound installation in Italian history, the artwork covers an area of 1200 sqm with a “forest” of 140 loudspeakers, projections and light (Fabbrica del Vapore, Milan 2015); permanent Sound Sculptures such as THE RATTLES GARDEN - composed of fifty wrought-iron wheat-like sculptures and olive trees on which are hanged 180 bells and rattles from every part of the Mediterranean (Mulinum San Floro, Calabria) and OPEN FENCE - a massive Sound-Sculpture (biggest in Italy), of 320 tubular bells, 64 meters long and 4 meters high, playable by 80 visitors simultaneously (East End Studios, Milan).

Different works of Avital are dedicated to humanitarian issues such as his Opera Fuga Perpetua (2016) whose protagonists are refugees, which is endorsed by United Nations UNHCR; and his Opera Giobbe [Job, 2018 ] (איוב), commissioned by the Italian Government and the Italian the chairmanship of the IHRA (International Holocaust Remembrance Alliance) in occasion of the 80th anniversary of the promulgation of the racial laws, In which he connected the holocaust to the genocides which followed afterwards till today.

His latest sound and visual artwork is HUMAN SIGNS, a Global participatory online dance and voice artwork, conceived in time of COVID-19, with the participation of over 180 artists from over 47 countries presented digitally in MANIFESTA 13 Marseille as a part of Real Utopias exhibition.

Monographic exhibitions

Massive Sonic Works

Installations

Icon-Sonic Operas

Compositions for indigenous ensemble

Works for indigenous ensembles involve contemporary music and ancient traditions, they are a big part of Avital’s creations and researches. These projects seek a dialogue between cultures that seem distant in the common perception and the enhancement of unknown traditions. They enrich the contemporary musical language by presenting exciting sonorities, diverse esthetics, new instruments and vocal styles. Hence, contemporary works with ancient traditions or indigenous ensembles bring with them a meaningful value from a social, ethical, cultural and musical point of view.

Chamber/Orchestra/Soloists

His Operas, symphonic and chamber works were performed by numerous soloists and ensembles, presented in concert halls and festivals such as London Design Festival, Brighton Festival, Warsaw Autumn Festival, MiTo SettembreMusica Milan, Tel Aviv Museum, Opera House L.Pavarotti, Musiktheater im Revier Gelsenkirchen, RomaEuropa, National Conservatory of China, Centre Pompidou, Palazzo Reale of Milan, and Quinta da Regaleira Palace (Portugal).

Orchestra

  • OTOT: [22] icon-sonic symphony for extended chamber orchestra, 5 percussions, 3 accordions, visuals & live electronics. World premiere: opening of the symphonic season of Teatro Sociale di Como, Italy, January 2013. Duration: 55–65 minutes.

Soloist with orchestra

  • Hope studies
  • Concert for viola & orchestra (2010-2012)

Chamber music

  • Music for 7 N.1 - "Cycles" for seven tenor recorders ensemble. In memory of Jose Monserrat Maceda. Premiere: RomaEuropa Festival, Teatro Palladium, Rome, Italy, October 2011. Performing: The Running Seven Recorders Ensemble. Duration: 17 minutes.
  • Music for 7 N.2 - "Modus benedictus" for seven cellos. In memory of Nusrat Fateh Ali Khan, 2009. Unperformed works. Duration: 22 minutes approx.
  • Music for 7 N.3 - "Un porto griggio" for seven contrabass tuba. Dedicated to Bjork (2009/2014). Conductor: Antonio Macciomei. Premiere: 4° Italian Low Brass Festival, Auditorium G.Verdi, Segrate, Italy, April 2014. Duration: 30 minutes.
  • Music for 7 N.4 - "Al mishkavi" for 7 copper plates and seven voices. Dedicated to Shlomo Avital (2008 - 2009). Unperformed works. Duration: 27 minutes approx.
  • Music for 7 N.5 - "Sunset" for 7 violins. In memory of Abel Ehrlich (2010). Unperformed works. Duration: 22 minutes approx.
  • Music for 7 N.6 - "Horror vacui" for seven accordions. Dedicated to Pauline Oliveros (2011). Premiere: RomaEuropa Festival, Teatro Palladium, Roma, Italy, October 2011. Performing: Sergio Scappini, Michele Bracciali, Nadio Marenco, Giancarlo Calabria, Augusto Comminesi, Paolo Vignani. Duration: 15.30 minutes.
  • Seven demons of drought for piano and percussions, 2010.
  • HORIZON & SIREN for alto sax & viola. Premiere: Cantiere Internazionale d'Arte, Montepulciano, Italy July 2015. Duration: 25 minutes.
  • Kolà (her voice) for violin and piano. Duration: 18 minutes.

Solo works

  • BDIDUT for scordatura guitar. Premiere. Toronto Performing Arts Center, George Washington hall, Canada, October, 2007. Duration: 12 minutes.
  • ENVIRONMENTS EXPLORATION solo performance. Premiere Miami Art Basel, Casa Fendi, Miami, USA, December 2007.
  • DIMDUM for bass flute (2010). Premiere: Frazione Saliana, Pianello del Lario, Como, 2011. Soloist: Gianluigi Nuccini. Duration: 17 minutes.
  • "Dream, shadows and passages", piano sonata (2010-2011). Premiere: RomaEuropa Festival, Teatro Palladium, Roma, Ottobre 2011. Performing: Maria Grazia Bellocchio. Duration: 21 minutes.
  • Utopie N.1 for percussions, video & Tape. Premiere: Conservatorio G. Verdi, Milan, Italy. 04/09/2013. Performing: Lorenzo Colombo. Duration: 27 minutes.
  • KANAF for Bass clarinet, tape & live electronics (2011–13). Premiere: Spain 2015. Performing: Paolo de Gaspari. Duration: 21 minutes.

Electro-acoustic & multimedia works

Electro-acoustic composition

Global Multimedia Participatory artwork

  • HUMAN SIGNS - Global Multimedia Participatory artwork of voice and gesture - with over 180 artists from over 46 countries, presented online through audiovisual ensembles on different formats and platforms, March 2020 - Ongoing. Opening at MANIFESTA 13 Biennial, Real Utopias exhibition as “A Door to Human Signs” (2020, Marseille).

Installations & live performance

  • “Background” for ensemble and tape, Biella, 2006.
  • Cariatidi Sonore Premiere: special production for the Notte Bianca festival, Stazione Ostiense, Roma, Italy, 2007.
  • Masà for Tape, live electronics, guitar, and various electro-acoustic instruments. Premiere: Sala Puccini, Milan 2008, in collaboration with Riccardo Sinigaglia.
  • Kanaf for elaborated bass clarinet & taper. Clarinet: Paolo de Gasperi (2011).
  • Alpha - Uniform infinite sonic tree for 8 speakers and artificial intelligence system in collaboration with Giovanni Cospito, 2012.
  • Spaces Unfolded for infinite sonic tree for 8 speakers (in collaboration with Giovanni Cospito). Premiere: Bergamo science festival, December 2012. Duration: unlimited.
  • Unfolding Space: Concerto for electric & classic guitar, live electronics, video and sonic translations of the cosmic space. In collaboration with NASA & ESA scientists. Duration 60 minutes. Premiere BergamoScienza, Italy, October 2012. Duration 60 minutes.
  • Utopie N.1 for percussions, video & Tape. Soloist: Lorenzo Colombo. Premiere: Conservatorio G. Verdi, Milan, Italy, September 2013.
  • Silent Quartet: Icon-sonic chamber work for string quartet, video, tape & live electronics. Performers: Xenia Ensemble. Premiere: Est-Ovest Festival (commission), Turin & Genoa, Italy, October 2014.
  • FIELDS - installation for tape. Premiere: I Maestri del Paesaggio, Piazza Vecchia & Giardino Tresoldi, Bergamo, Italy 05-20 September 2015.
  • MULTIPLICATIONS N.1 for viola, Saxophone, Percussions, analogue synthesizer & live mixing. Commission: Tempo Reale Premiere: Closing event of Tempo Reale Festival, Florence, Italy 10 October 2015. Duration: 21+ minutes.
  • FOREIGN BODIES ICONS - Opening performance at Woolbridge Gallery [23] with Accademia Teatro alla Scala dancers 2020, Dresden Biennial Ostrale 2019.

Electronic works

  • Yom (2007)
  • Ensof (2007)
  • Caves of Winds (2008)
  • Voices never-ending (2008)
  • Shir leShlomo (2014)

Music for Dance/Theater

Guitar

Graduated in the Jerusalem music Academy and later a part of Angelo Gilardino soloists class, under the tutorship of M° Angelo Gilardino & M° Luigi Biscaldi, Avital performed around the world for several years. After that he has focused on creating his own original compositions and on collaborations with masters and soloists of both creative and traditional music. Avital uses elements from the tradition of stringed instruments in the Middle East, Central Asia and Far East, combined with extended techniques for classical guitar.

Collaborations

Yuval Avital’s work is focused on the research of intercultural relations, based on dialogue as a way to show hidden symmetries and complementarity inherent in the culture. Avital’s operas try to unite, through an ideal “bridge”, non-western musical cultures, traditional artists and custodians of ancient cultures around the world. His research of new forms of musical expressions through dialogue gave birth, in 2006, to Trialogo Festival, [25] where masters of ancient traditions, dance, jazz, classical and electric music and many other discipline meet to create a new opera or a common project.

Related Research Articles

<span class="mw-page-title-main">Olga Neuwirth</span> Austrian composer

Olga Neuwirth is an Austrian contemporary classical composer, visual artist and author. She gained fame mainly through her operas and music theater works, which often deal with topical and decidedly political themes of identity, violence and intolerance.

Gérard Pape is a composer of electronic music, author, and Lacanian psychologist. He is a former student of David Winkler, George Cacioppo, William Albright, and George Balch Wilson. He became the director of Les Ateliers UPIC in 1991 and in 2015 authored a French-English bi-lingual book Musipoesc: Writings About Music that was published by Éditions Michel de Maule. Pape has lived and worked in France since the early 1990s.

<i>Prometeo</i> Opera by Luigi Nono

Prometeo (Prometheus) is an "opera" by Luigi Nono, written between 1981 and 1984 and revised in 1985. Here the word "opera" carries the generic Italian meaning of "works", as in work of art, and not its usual meaning in English. Indeed, Nono scornfully labels Prometeo a "tragedia dell'ascolto", a tragedy of listening. Objectively it can be considered a sequence of nine cantatas, the longest lasting 23 minutes. The Italian libretto, by Massimo Cacciari, selects from texts by such varied authors as Aeschylus, Walter Benjamin and Rainer Maria Rilke and presents the different versions of the myth of Prometheus without telling any version literally.

<span class="mw-page-title-main">Lorenzo Ferrero</span> Italian composer (born 1951)

Lorenzo Ferrero is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language.

Andrea Molino is an Italian composer and conductor.

<span class="mw-page-title-main">Javier Torres Maldonado</span> Mexican composer

Javier Torres Maldonado is a Mexican composer internationally recognized for, mostly, his orchestral, chamber, vocal and electro-acoustic works.

Jennifer Walshe is an Irish composer, vocalist and artist.

Marios Joannou Elia, is a Cypriot composer and artistic director. He was the youngest director in the history of the European Capital of Culture (2013–15). He is ambassador in tourism of the Republic of Cyprus. Since 2016 he has been the director of the large-scale project "Sound of Vladivostok", on behalf of Zarya Foundation, in Russia; from January 2018, director of "Sound of Kyoto", on behalf of Kyoto City and Kyoto Arts and Culture Foundation after an invitation of the Agency for Cultural Affairs, Government of Japan.

Oliver Martin Schneller is a German composer and saxophonist.

p53 was an experimental music group commissioned by English percussionist Chris Cutler to play at the 25th Frankfurt Jazz Festival in Germany in September 1994. Their performance was recorded and released by Recommended Records in 1996 on a live album entitled p53. The group reassembled in May 1997 to play at the Angelica International Festival of contemporary music in Bologna, Italy. In November 2006 an orchestral version with three soloists, Jon Rose, Zeena Parkins and Chris Cutler performed with the BBC Scottish Symphony Orchestra in Glasgow, Scotland, which was recorded and broadcast by the BBC in March 2007. This version was performed again at the Opera House in Milan in 2014 with the Orchestra de Teatro Communale, with soloists Daan Vandewalle and Thomas Dimuzio.

Marina Rosenfeld is an American composer, sound artist and visual artist based in New York City. Her work has been produced and presented by the Park Avenue Armory, Museum of Modern Art, Portikus (Frankfurt), Donaueschinger Musiktage, and such international surveys as documenta 14 and the Montreal, Liverpool, PERFORMA, and Whitney biennials, among many others. She has performed widely as an improvising turntablist, and served as co-chair of Music/Sound in the MFA program at the Milton Avery School of the Arts, Bard College, from 2007 to 2020. She has also taught at Harvard, Yale, Brooklyn College, and Dartmouth.

Yannis Kyriakides is a composer of contemporary classical music, and sound art. His music explores new forms and hybrids of media, synthesizing disparate sound sources and highlighting the sensorial space of music. He has focused in the majority of his work on ways of combining traditional performance practices with digital media, particularly in the use of live electronics. The relation between music and language has been explored in many pieces that utilize text films as a multimedia element.

Gordon Fitzell is a composer, concert organizer, and professor of music. His catalog consists of solo, chamber, and electroacoustic music, including open and improvisatory works.

<span class="mw-page-title-main">Antonio Buonomo</span> Italian composer

Antonio Buonomo is an Italian composer, solo percussionist and music educator.
Professor of percussion at the conservatories of "S.Pietro a Majella in Naples" of Naples and "S.Cecilia" of Rome, Antonio Buonomo's professional experience includes performing as timpani soloist in various orchestras and director of one of Europe's first all-percussion instrument groups.
His many compositions and transcriptions for percussion instruments have been published by the main houses of this sector and include teaching materials as well as music for plays and television documentaries. They have been performed for the occasion of prestigious avant-garde musical events, television and radio programs as well as in public concerts.

<span class="mw-page-title-main">Adriano Guarnieri (composer)</span> Italian composer

Adriano Guarnieri is an Italian composer of contemporary classical music.

<span class="mw-page-title-main">Luca Francesconi</span> Italian composer

Luca Francesconi is an Italian composer. He studied at the Milan Conservatory, then with Karlheinz Stockhausen and Luciano Berio.

Kraft is a composition for solo ensemble, electronics, and orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival and was first performed on September 4, 1985 by the Toimii ensemble and the Finnish Radio Symphony Orchestra under the direction of Esa-Pekka Salonen. The piece was awarded the International Rostrum of Composers in 1986 and won the Nordic Council Music Prize in 1988.

<span class="mw-page-title-main">Dario Palermo</span>

Dario Palermo is an Italian composer.

Scott L. Miller is an American composer best known for his electroacoustic chamber music and ecosystemic performance pieces.

<span class="mw-page-title-main">Amir Shpilman</span> Israeli composer (born 1980)

Amir Shpilman is an Israeli composer.

References

  1. "Behance about Samaritans".
  2. "Pacefuturo about Fuga Perpetua and UNHCR".
  3. C., Cupchik, Gerald (2016-07-28). The aesthetics of emotion : up the down staircase of the mind-body. Cambridge, United Kingdom. ISBN   9781107024458. OCLC   953582218.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link)
  4. The Yuval Avital’s 45 tubas - Abitare
  5. "Fondazione Amadeus".
  6. France Musique about REKA
  7. Amadeus about Reka
  8. ViviMilano. "Requiem Monumentale | ViviMilano". ViviMilano (in Italian). Retrieved 2017-09-04.
  9. "Open Fence - Interni Magazine". Interni Magazine (in Italian). 2017-06-19. Retrieved 2017-09-04.
  10. Italia, Rolling Stone. "'Open Fence', dodici tonnellate di suono". Rolling Stone Italia (in Italian). Retrieved 2017-09-04.
  11. Espoarte Magazine - "Il Respiro della Grande Madre"
  12. INEXHIBIT - ALMA MATER
  13. ""Corpi estranei" in Svizzera - Il Sole 24 ORE". Il Sole 24 ORE (in Italian). 21 April 2017. Retrieved 2017-09-04.
  14. Emilia, Reggio. "Icon-Sonic Postcards Triptych n. 1 - I Teatri". www.iteatri.re.it. Retrieved 2017-09-04.
  15. La Repubblica XL
  16. Il Corriere Musicale - Noise for Syd
  17. THE METROPOLIST - FUGA PERPETUA
  18. "L'Arte che restituisce dignità" - Repubblica
  19. "Fuga Perpetua at Brighton Festival".
  20. Brighton & Hove Independent - Fuga Perpetua
  21. Corriere della Sera
  22. IL SOLE 24 ORE about OTOT
  23. Giraud, Claudia (2020-10-10). "Un ex lanificio biellese diventa un nuovo polo culturale". Artribune (in Italian). Retrieved 2020-11-19.
  24. Una Notte in Tunisia - Il Fatto Quotidiano
  25. Trialogo Festival on Behance

Bibliography