Zacharie Heince (1611, in Paris - 22 June 1669, in Paris) was a well known French painter and engraver of Swiss origin. He drew portraits of the plenipotentiaries negotiating the peace of Münster engraved by F. Bignon (33 plates plus a frontispiece, 1648), and the Illustrious Frenchmen Painted in the Gallery of the Palais Richelieu (27 plates engraved). [1]
1677 (MDCLXXVII) was a common year starting on Friday of the Gregorian calendar and a common year starting on Monday of the Julian calendar, the 1677th year of the Common Era (CE) and Anno Domini (AD) designations, the 677th year of the 2nd millennium, the 77th year of the 17th century, and the 8th year of the 1670s decade. As of the start of 1677, the Gregorian calendar was 10 days ahead of the Julian calendar, which remained in localized use until 1923.
Zacharie is both a masculine French given name and a surname. Notable people with the name include:
Events in the year 1816 in Art.
Events from the year 1606 in art.
Events from the year 1665 in art.
Antonio Tempesta, also called il Tempestino, was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp.
Events from the year 1729 in art.
Events from the year 1628 in art.
Events from the year 1707 in art.
Events from the year 1582 in art.
Events from the year 1615 in art.
Events from the year 1601 in art.
Events from the year 1651 in art.
Bartholomeus or Bartholomaeus or Barthelomaeus is a masculine Latin given name, the Latin equivalent of Bartholomew. The German cognate is Bartholomäus. Notable people with the name include:
Cornelis Boel was a Flemish draughtsman and engraver. He is sometimes known as Cornelis Bol, or Cornelis Bol I, to distinguish him from later artists of the same name.
Jean Boulanger, a French line-engraver, son of the painter Olivier Boulanger and cousin to the painter of the same name, was born at Amiens in 1608 and baptized in Troyes in Champagne on 24 January 1608; he had five children with Marie Judon. He was documented in Paris in 1645 and resided in the parish of Saint-Etienne-du-Mont.
Friedrich Brentel, a German printmaker in engraving and etching, and miniature painter, was born at Lauingen in 1580, and became a citizen of Strasbourg in 1601. His principal work is a set of plates for 'The Funeral of Charles III, Duke of Lorraine,' and the Royal entry of his son as the new duke, published at Nancy in 1611. They are from the designs of Claude de La Ruelle and Jean La Hire, and are etched in a slight, spirited manner. One plate has a single horse and rider, out of a large group in a procession, done in a very different style, which is thought to be the first venture into etching of the Nancy court painter Jacques Bellange, now known mainly for his prints. Other noticeable plates of his are a 'View of the large Hall at Stuttgart' (1619), and 'John Frederick I., Elector of Saxony ' (1609). He died in Strasbourg in 1651.
Simon de Vries or Simon Frisius, was a Dutch engraver.
Léonard Gaultier, or, as he sometimes signs himself, Galter, a French engraver, was born at Mainz about 1561, and died in Paris in 1641. His style of work resembles that of Wierix and Crispyn van de Passe. His prints are executed entirely with the graver, with great precision, but in a stiff, formal manner. He must have been very laborious, as the Abbé de Marolles possessed upwards of eight hundred prints by him, many of which were after his own designs. They consist of portraits, and various subjects, of which the following are the most worthy of notice. They are sometimes signed with his name, and sometimes with a cipher GL.
Jean Morin was a French baroque painter, printmaker, painter, etcher, engraver and publisher. He is mainly remembered as a printmaker, whose innovation in combining engraving with etching on the same plate became extremely common.
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