In North America, a sideshow is an extra, secondary production associated with a circus, carnival, fair, or other such attraction.
Freaks is a 1932 American pre-Code drama horror film produced and directed by Tod Browning, starring Wallace Ford, Leila Hyams, Olga Baclanova, Roscoe Ates and Harry Earles.
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term circus also describes the field of performance, training and community which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Newcastle-under-Lyme born Philip Astley is credited as the father of the modern circus.
William Henry Johnson, known as Zip the Pinhead, was an American freak show performer known for his tapered head.
A flea circus is a circus sideshow attraction in which fleas are attached to miniature carts and other items, and encouraged to perform circus acts within a small housing.
The Jim Rose Circus is a modern-day version of a circus sideshow. It was founded in Seattle in 1991 by Jim Rose and his wife BeBe Aschard Rose. The sideshow, then called the "Jim Rose Circus Sideshow", came to prominence to an American audience as a second stage show at the 1992 Lollapalooza festival. although they had toured the Northwest and Canada and had several US TV appearances before this time. Rolling Stone magazine called the show an "absolute must-see act" and USA Today termed Rose's troupe "Lollapalooza's word-of-mouth hit attraction".
Jaymz Bee is a Canadian musician, writer, emcee and radio personality based in Toronto, Ontario.
Erik Sprague, known professionally as the Lizardman, is an American freak show and sideshow performer. He is best known for his body modification, including his sharpened teeth, full-body tattoo of green scales, bifurcated tongue, subdermal implants and green-inked lips.
Prince Randian, also nicknamed Pillow Man, The Snake Man, The Human Torso, The Human Caterpillar and a variety of other names, was a Guyanese-born American performer with tetra-amelia syndrome and a famous limbless sideshow performer of the early 1900s, best known for his ability to roll cigarettes with his lips.
Cridland is a family surname from Somerset in England. The name may refer to:
The Enigma is an American sideshow performer, actor, and musician who has undergone extensive body modification, including horn implants, ear reshaping, multiple body piercings, and a full-body jigsaw-puzzle tattoo. His tattooing process began on December 20, 1992, under the needle of "Katzen the Tiger Lady", whom he later married, and has since divorced. To date, the Enigma has had more than two hundred tattoo artists work on him, with as many as twenty-three tattoos underway at one time.
Circus of the Scars, a pun on the title of the television show Circus of the Stars, may refer to:
"Humbug" is the twentieth episode of the second season of American science fiction television series The X-Files. It was written by Darin Morgan and directed by Kim Manners. Morgan had previously appeared in a guest role as the Flukeman in an earlier episode of that season called "The Host". "Humbug" aired in the United States on March 31, 1995, on the Fox network. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Humbug" earned a Nielsen household rating of 10.3, being watched by 9.8 million households in its initial broadcast. The episode received generally positive reviews and critics appreciated Morgan's unique writing style.
Schlitzie, possibly born Simon Metz and legally Schlitze Surtees, was an American sideshow performer. He also appeared in a few films, and is best known for his role in the 1932 movie Freaks. His lifelong career on the outdoor entertainment circuit as a major sideshow attraction with Barnum & Bailey, among others, made him a popular cultural icon.
Geek shows were an act in traveling carnivals and circuses of early America and were often part of a larger sideshow.
A freak show is an exhibition of biological rarities, referred to in popular culture as "freaks of nature". Typical features would be physically unusual humans, such as those uncommonly large or small, those with intersex variations, those with extraordinary diseases and conditions, and others with performances expected to be shocking to viewers. Heavily tattooed or pierced people have sometimes been seen in freak shows, as have attention-getting physical performers such as fire-eating and sword-swallowing acts.
Eli Bowen was an American sideshow performer known as "The Legless Wonder", or "The Legless Acrobat". He was also billed as "The Handsomest Man in Showbiz" and the "Wonder of the Wide, Wide World". His peak weight was 140 pounds (64 kg), his height - 24 inches (61 cm).
Stanislaus Berent was an American performer who performed at many freak shows, including the World Circus Sideshow in 1941 under the stage name of Sealo the Seal Boy. He was known for his seal-like arms, which were caused by a congenital medical condition known as phocomelia. In 2001, Mat Fraser's play inspired by Sealo called Sealboy: Freak debuted.
Clarence Chesterfield Howerton, also known as Major Mite, was an American circus performer who starred in the sideshow for over 25 years, 20 of which were with the Ringling Bros. and Barnum & Bailey Circus. He was 2 ft 4 in (0.71 m) tall and performed with several groups from the early 1920s through the late 1940s, billed as the smallest man in the world. His small physique was often contrasted alongside larger circus sideshow acts, such as the juvenile obese and the excessively tall.
Tattooed ladies were working class women who acquired tattoos and performed in circuses, sideshows, and dime show museums as means for earning a substantial living. At the height of their popularity during the turn of the 20th century, tattooed ladies transgressed Victorian gender norms by showcasing their bodies in scantily clad clothing and earned a salary considerably larger than their male counterparts. Tattooed ladies often used captivity narratives as a means for excusing their appearance, and to tantalize the audience. The popularity of tattooed ladies waned with the onset of television.
