Jasper Johns is an American painter, sculptor, draftsman, and printmaker. Considered a central figure in the development of American postwar art, he has been variously associated with abstract expressionism, Neo-Dada, and pop art movements. Johns was born in Augusta, Georgia, and raised in South Carolina. He graduated as valedictorian from Edmunds High School in 1947 and briefly studied art at the University of South Carolina before moving to New York City and enrolling at Parsons School of Design. His education was interrupted by military service during the Korean War. After returning to New York in 1953, he worked at Marboro Books and began associations with key figures in the art world, including Robert Rauschenberg, with whom he had a romantic relationship until 1961. The two were also close collaborators, and Rauschenberg became a profound artistic influence.
Jean-Paul Riopelle, was a Canadian painter and sculptor from Quebec. He had one of the longest and most important international careers of the sixteen signatories of the Refus Global, the 1948 manifesto that announced the Quebecois artistic community's refusal of clericalism and provincialism. He is best known for his abstract painting style, in particular his "mosaic" works of the 1950s when he famously abandoned the paintbrush, using only a palette knife to apply paint to canvas, giving his works a distinctive sculptural quality. He became the first Canadian painter since James Wilson Morrice to attain widespread international recognition.
Jack Goldstein was a Canadian born, California-based performance and conceptual artist turned painter in the 1980s art boom.
Richard Dean Tuttle is an American postminimalist artist known for his small, casual, subtle, intimate works. His art makes use of scale and line. His works span a range of formats, from sculpture, painting, drawing, printmaking, and artist’s books to installation and furniture. He lives and works in New York City, Abiquiú, New Mexico, and Mount Desert, Maine.
Robert Mangold is an American minimalist artist. He is also father of film director and screenwriter James Mangold.
Dana Schutz is an American artist who lives and works in Brooklyn, New York. Schutz is known for her gestural, figurative paintings that often take on specific subjects or narrative situations as a point of departure.
Albert Oehlen is a German artist. He lives and works in Bühler, Switzerland and Segovia, Spain.
Ronnie Landfield is an American abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction, and he was represented by the David Whitney Gallery and the André Emmerich Gallery.
Ruth Root is an American artist based in New York.
Jevel Demikovski, known professionally as Jules Olitski, was an American painter, printmaker, and sculptor.
Michael Bidlo is an American conceptual artist who employs painting, sculpture, drawing, performance, and other forms of "social sculpture."
Rudolf Stingel is an artist based in New York City.
Brian Belott is an artist, performer and found object art collector based in New York City.
Arturo Herrera is a Venezuelan-born (1959), Berlin-based visual artist known for wide-ranging work that is rooted in the practice of collage. His colorful, often rhythmic art intertwines bits of pop iconography, gestural marks and nonrepresentational shapes using pictorial strategies of fragmentation, repetition, effacement and dislocation. The resulting imagery often balances between abstraction and figuration, detached from inherent narratives yet vaguely familiar. Critics suggest that this ambiguity engages memory, fantasy and a viewer's unconscious private interpretive schemes, evoking a multiplicity of references and readings. In 2020, Art in America writer Ara H. Merjian described Herrera's practice—which includes works on paper, paintings, reliefs, sculpture, public art and books—as "chameleonic as [it] is consistent," one that "breathes life into modernist collage, exploring the tensions between exactitude and spontaneity, placement and displacement."
Franco Mondini-Ruiz is an American artist who lives and works in San Antonio, Texas and New York, New York. He is of Mexican and Italian descent. According to art critic Roberta Smith, his work "questions notions of preciousness and art-market exclusivity while delivering a fizzy visual pleasure". Mondini-Ruiz takes a variety of approaches to creating art, working in installation, performance, painting, sculpture, and short stories.
Wade Guyton is an American post-conceptual artist who among other things makes digital paintings on canvas using scanners and digital inkjet technology.
George Earl Ortman was an American painter, printmaker, constructionist and sculptor. His work has been referred to as Neo-Dada, pop art, minimalism and hard-edge painting. His constructions, built with a variety of materials and objects, deal with the exploration off visual language derived from geometry—geometry as symbol and sign.
Alfred Russell was an artist who was a member of the early New York school of Abstract Expressionism. He exhibited in Paris and New York along with such well known painters as Willem de Kooning, Jackson Pollock, Ad Reinhardt and Mark Rothko. Later in life, Russell, disillusioned with abstraction, turned to figurative painting, with inspiration from the classical world.
Henry Taylor is an American artist and painter who lives and works in Los Angeles, California. He is best known for his acrylic paintings, mixed media sculptures, and installations.
JoAnne Carson is an American artist who is known for over-the-top, hybrid works in painting, sculpture and assemblage that freely mix fantasy, illusion and narrative, high and low cultural allusions, and seriocomic intent. She first gained widespread attention in the 1980s for what ARTnews critic Dan Cameron described as "extraordinary painted constructions—kaleidoscopic assemblages chock full of trompe-l’oeil painting, art-history quips, found objects and nostalgic echoes of early modernism." New York Times critic Roberta Smith wrote that Carson's subsequent work progressed methodically into three dimensions, culminating in freestanding botanical sculpture that exuded "giddy beauty" and "unapologetic decorativeness"; her later imaginary landscapes have been described as whimsical spectacles of "Disneyesque horror." Carson has been recognized with a Guggenheim Fellowship, awards from the American Academy of Arts and Letters, American Academy in Rome and National Endowment for the Arts, and Yaddo artist residencies. Her work has been exhibited at institutions including the Whitney Museum of American Art, Museum of Contemporary Art Chicago (MCA), Albright-Knox Gallery, New Orleans Museum of Art, and Institute of Contemporary Art, Philadelphia; it belongs to the public art collections of the Brooklyn Museum of Art, MCA Chicago, Frederick R. Weisman Art Foundation, and Modern Art Museum of Fort Worth, among others.