Zenith | ||||
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Live album by Sam Rivers Quintet | ||||
Released | 2019 | |||
Recorded | November 6, 1977 | |||
Venue | Jazztage Berliner 1977, Philharmonie, Berlin, Germany | |||
Genre | Free jazz | |||
Length | 53:19 | |||
Label | NoBusiness NBCD 124 | |||
Producer | Danas Mikailionis, Ed Hazell, Valerij Anosov | |||
Sam Rivers chronology | ||||
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Zenith is a live album by the Sam Rivers Quintet, led by multi-instrumentalist and composer Rivers, and featuring tubist and euphonium player Joe Daley, double bassist Dave Holland, and drummers Barry Altschul and Charlie Persip. Consisting of a single 53-minute track, it was recorded on November 6, 1977, at Jazztage Berliner 1977, held at the Philharmonie in Berlin, Germany, and was released in 2019 by NoBusiness Records as volume 2 of the Sam Rivers Archive Series. [1] [2] [3] [4]
The album is based on material selected from Rivers' massive recorded archives, which are curated by writer and producer Ed Hazell, who spent a year reviewing tapes with the goal of choosing the best recordings for release by NoBusiness Records. [5]
Review scores | |
---|---|
Source | Rating |
All About Jazz | [6] |
All About Jazz | [7] |
The Free Jazz Collective | [8] |
Tom Hull – on the Web | A− [9] |
In a review for All About Jazz , John Sharpe wrote: "Even if this line up seems to have been a one off, it convinces as a totally integrated unit. The album is more than a match for those issued during this period, and comes highly recommended to anyone curious about Rivers' legacy." [6]
Olie Brice of London Jazz News stated that Rivers's "free music as a bandleader was always unusual in incorporating swing, odd time grooves and abstraction in a completely organic flow," and commented: "This album is a prime example of that – five great improvisers developing an ever-changing piece of music without any limitations of genre." [10]
Dusted Magazine's Derek Taylor noted that the music "follows Rivers' usual framework of episodic segments sequenced around his four primary instruments... Sections for the other players are threaded in as well... the recording is both clear and crisp with solid spatial depth and balance between the players... The audience is largely silent rapt throughout, a complimentary reflection of the band's concerted ability to keep eyes and ears absorbed en mass[sic]." [11]
Writing for Point of Departure, Kevin Whitehead wrote: "The virtue of Sam's episodic sets is that they'd venture all over, from the ferocious to the pastoral, the dense to the airy, playing to their strengths in no fixed order or combination. With four musicians on his wavelength: now that is something to hear." [12]
In an article for JazzWord, Ken Waxman stated: "Intense from beginning to end, the one track... gives Rivers ample space to display his seesawing style on tenor and soprano saxophones, flute and piano... With the bassist's sympathetic strums framing him Rivers' tenor saxophone moves through split tone and glossolalia... Yet as Daley's plunger whinnies stunningly contrast with Rivers' staccato snarls and doits, the sliding narrative picks up additional power from Holland's walking pumps and hand-clapping drum beats that owe as much to bebop as free jazz." [13]
Gary Chapin of The Free Jazz Collective called the opening section of the piece "a tenor tour de force for Rivers... a frenetic pulseless rant, with the two drums providing a power source," and noted that "Rivers is such a strong blues-based player that he will always come back to melody." Regarding the closing section, he commented: "How can I forget what an extraordinary piano player Rivers is? But I do. I forget. And then I'm reminded." [8]
Writer Raul Da Gama stated that the album features "music that is both mysterious and moving in its valedictory pathos," and remarked: "The music of Zenith is... a sort of pinnacle of the improvisations of Sam Rivers. The superbly elegant interplay between Mr Rivers' horns and the gilded growling Joseph Daley's brass instruments suggest that Mr Rivers' music had, somehow [here] reached a high-point of his musical conceptualisation." [14]
All tracks are written by Sam Rivers
No. | Title | Length |
---|---|---|
1. | "Universal Message" | 53:19 |
Total length: | 53:19 |
Samuel Carthorne Rivers was an American jazz musician and composer. Though most famously a tenor saxophonist, he also performed on soprano saxophone, bass clarinet, flute, harmonica, piano and viola.
David Holland is an English double bassist, bass guitarist, cellist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States since the early 1970s.
Barry Altschul is a free jazz and hard bop drummer who first came to notice in the late 1960s for performing with pianists Paul Bley and Chick Corea.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Charles Lawrence Persip, known as Charli Persip and formerly as Charlie Persip, was an American jazz drummer.
Conference of the Birds is an album by the Dave Holland Quartet, recorded on 30 November 1972 and released on ECM the following year—Holland's debut as bandleader and fourth project for the label. The quartet features alto saxophonist Anthony Braxton, tenor saxophonist Sam Rivers, and percussionist Barry Altschul.
Crystals is an album by Sam Rivers released by Impulse! Records in 1974 in a stereo/quadraphonic format.
Social Studies is an album by American composer, bandleader and keyboardist Carla Bley, recorded in 1980 and released on the Watt/ECM label in 1981.
Hues is a live album by American jazz saxophonist Sam Rivers featuring performances recorded between 1971 and 1973 and released on the Impulse! label.
Slide Hampton and His Horn of Plenty is the debut album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Strand label in 1961.
First Prize is an album by pianist and composer George Gruntz's Concert Jazz Band, which was recorded in Switzerland in 1989 and released on Enja Records.
Joseph Peter Daley is an American educator, jazz musician, composer and arranger known for his work with the tuba, trombone and euphonium.
Reunion: Live in New York is a live album by the Sam Rivers trio, featuring Rivers on saxophone, flute, and piano, Dave Holland on bass, and Barry Altschul on drums. It was recorded on May 25, 2007, at Columbia University's Miller Theatre in New York City, and was released in 2012 as a double-CD set by Pi Recordings.
Culmination is an album by multi-instrumentalist and composer Sam Rivers. It was recorded during September 1998 at Systems Two Recording Studio in Brooklyn, New York, at the same sessions that yielded the album Inspiration, and was released in 1999 by BMG France. On the album, Rivers is joined by members of the Rivbea All-star Orchestra: saxophonists Greg Osby, Steve Coleman, Chico Freeman, Gary Thomas, and Hamiet Bluiett, trumpeters Baikida Carroll, James Zollar, Ralph Alessi, and Ravi Best, trombonists Art Baron, Joseph Bowie, and Ray Anderson, baritone horn player Joseph Daley, tubist Bob Stewart, bassist Doug Mathews, and drummer Anthony Cole.
The Quest is a live album by Sam Rivers on which he is accompanied by double bassist Dave Holland and drummer Barry Altschul. It was recorded on March 12 and 13, 1976, during the Rassegna Internazionale Jazz at the Palazzo dello Sport in Milan, Italy, and was initially released later that year by Red Records. It was reissued the following year by Pausa Records, and was also reissued by Fabbri Editori in a variety of forms over the next four years.
Paragon is an album by Sam Rivers on which he is accompanied by double bassist Dave Holland and drummer Barry Altschul. It was recorded on April 18, 1977, at Davout Studio in Paris, and was released later that year by Fluid Records. In 2015, it was reissued as a digital download by Rivers's RivBea Music.
Ricochet is a live album by the Sam Rivers Trio, led by multi-instrumentalist and composer Rivers, and featuring double bassist Dave Holland and drummer Barry Altschul. Consisting of a single 52-minute track, it was recorded on January 12, 1978, at the Keystone Korner in San Francisco, California, and was released in 2020 by NoBusiness Records as volume 3 of the Sam Rivers Archive Series.
Braids is a live album by the Sam Rivers Quartet, led by multi-instrumentalist and composer Rivers, and featuring tubist and euphonium player Joe Daley, double bassist Dave Holland and drummer Thurman Barker. Consisting of a single 57-minute performance, it was recorded on May 15, 1979, in Hamburg, Germany, and was released in 2020 by NoBusiness Records as volume 4 of the Sam Rivers Archive Series.
You Can't Name Your Own Tune is an album by drummer Barry Altschul. His first release as a leader, it was recorded on February 8 and 9, 1977, at Rosebud Studio in New York City, and was issued later that year by Muse Records. On the album, Altschul is joined by saxophonist and flutist Sam Rivers, trombonist George Lewis, pianist Muhal Richard Abrams, and double bassist and cellist Dave Holland.
Long Tall Sunshine is a live album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's fourth release, it was recorded during a 2019 European tour, and was issued on CD in 2021 by Not Two Records.