Zheani | |
---|---|
Born | Zheani Isobel Sparkes 26 April 1993 Queensland, Australia |
Nationality | Australian |
Zheani Isobel Sparkes (born 26 April 1993) [1] is an Australian musician. After modelling as part of a DKNY campaign and installing a Melbourne art exhibition, she turned her attention to music and released six EPs between 2018 and 2023. She makes autobiographical music in a wide range of genres including "fairy trap", a genre her fans used to describe her track "Lie and Look". One track, "Bring Wet Cunt", attracted attention after Triple J played the track uncensored. She also attracted attention after accusing Watkin Tudor Jones of abuse.
Sparkes was born in Bundaberg Base Hospital and grew up in Wallaville. [2] Her unusual moniker, with which she was christened two weeks after her birth, was a product of her father being interested in numerology and tarot. [3] Sparkes's father had the nickname "Hammerhead Sparksy", on account of his habit of developing marks on his forehead from falling forward while nodding off on his house's front steps; [4] following his death on 25 December, [5] in a house fire, Zheani moved to 1770 to live with her mother. [2] She attended Rosedale State School [6] and briefly studied film at university, but dropped out less than a year in. [7] Her childhood was marked by domestic violence and drug use; her father was a regular heroin injector, while her mother smoked bongs during her pregnancy. [3] In June 2013, she was contacted by Yolandi Visser of Die Antwoord and then repeatedly by the band's Watkin Tudor Jones; she went to Cape Town with him and subsequently joined the band as an assistant for part of their 2015 Australia tour. [8]
Sparkes modelled as part of an October 2014 Cara Delevingne collection for DKNY; [9] by the following September, she had lived in several countries and was living in London. [10] In May 2017, Sparkes and her creative partner Mik Shida created a street art exhibition by stripping naked, covering themselves with blue paint, and leaving imprints on walls all over Melbourne. The pair were inspired to do this by Yves Klein, who had used women as paintbrushes for his Anthropométries in the 1960s. [11] Around this time, she started making music as an outlet for what she wanted to say. [2] Her first EP, Eight, was released in 2018 and recounted her experiences of poverty and foster care. [12] In early 2019, she released "Lie and Look", [2] a trap song about a deteriorating relationship. She accompanied this with a music video in which she played in the woods with a miniature version of herself. [13]
Sparkes released the album The Line in March 2019, [14] which Shaad D'Souza of The Fader described as "a raw and uncompromising EP of no-holds-barred noise rap and electronic abrasion". [15] Among The Line's new tracks was "The Question", [13] which accused Jones of abuse; after Die Antwoord's lawyer sent a cease and desist letter, [8] she uploaded a music video for the track. [13] She subsequently filed a police report that stated that she had been the victim of non-consensual porn and accused Jones of sexually assaulting her. [8] The Line was subsequently removed from streaming services after complaints from the subject of one of its songs and its promotional cycle was interrupted by Sparkes's Instagram account being blocked from posting or replying. Annoyed at being censored, she recorded the four-track EP Satanic Prostitute over four days so that she had new music available to stream; released in May, the EP took its title from an insult that had been thrown at her. A visualiser was made that used graphic blood and gore and strobe lighting and appeared on her Patreon; a heavily censored version was made for YouTube, but they removed it anyway. [15]
In May 2019, she featured on Ängie's "Orgy of Enemies"; [16] by the end of the year, she had also released the single "I Won't Sell My Soul". [17] The following April, she released the single "Dirtbike", which discussed her father's drug addiction and a boyfriend of her mother who had the nickname "Donkey Dick". [17] She followed this with "Dirt on the Name of Steven", [18] a track about her father, [13] and then The Zheani Sparkes EP, the latter in May 2020. [18] The Zheani Sparkes EP discussed her upbringing, her father's death and the violence she witnessed during her childhood. [2] That July, she released a video for the EP's track "Lava". [19] Sparkes released the track "Skin Walker" in November 2020, which she named after an insult on Tumblr that happened to be the name of a witch in Navajo mythology. [20] The following month, she criticised Triple J for playing her as part of their Unearthed radio station, following which Bridget Hustwaite alleged that she had uploaded her music to the platform for that purpose. [21]
In April 2021, she featured on 4s4ski's "Fairytale". [22] ; by October, she had supported The Veronicas and signed to Dirty Hit. That month, she released "Fuck the Hollywood Cult", a track about allegations of abuse against famous entertainers; its point-of-view video was inspired by The Prodigy's "Smack My Bitch Up". [22] Sparkes then released "Napalm" in January 2022 alongside a video [23] followed by "Designer Sadness", a track about insecurities caused by marketing. The latter, [24] as well as the EP I Hate People on the Internet, were both released in March 2022; I Hate People featured all three tracks and "Skin Walker". She wrote most of the EP in the mountains of New South Wales and about abuse she had received online. [25] Later that month, she won Emerging Artist of the Year at that year's Queensland Music Awards, also winning its Heavy Award. [26]
Sparkes released "Pathetic Waste" in June 2023, a track about the effects of her own feelings of inadequacy, [27] followed by the August 2023 double A-side single "Bring Wet Cunt"/"Hammerhead". "Hammerhead" was written about her father, while "Bring Wet Cunt" was about extreme feminity [4] and was the subject of an Australian Broadcasting Corporation complaint in 2024 after Triple J played the track uncensored on Unearthed. The station defended playing the track's language as "justified in the context of a track by an Australian rapper". [28] "Pathetic Waste", "Bring Wet Cunt", and "Hammerhead" all featured on her EP The Spiritual Meat Grinder later in August 2023; [29] the album had been delayed from March due to Sparkes breaking her foot a month earlier. By the time of its release, she had been diagnosed with attention deficit hyperactivity disorder. [12]
In March 2024, she released the single "Spoils of War", a track about the tragic journeys suffered by heroic women. [30] She was scheduled to play that year's Great Escape Festival, but dropped out over its sponsorship by Barclays. [31] She then released "Sex Never Dies" in August 2024, a track about repetition. [32]
Following the release of "Lie and Look", her sound was dubbed "fairy trap"; [2] Katie Cunningham of Red Bull wrote in June 2020 that Sparkes's sound moved between that and "abrasive gothic electronica with screamo vocals". [2] Writing in March 2022, ABC described her music as "big pop hooks" thrown "in a vat of acid" and sent to "your local witches coven", [33] while Jasleen Dhindsa of The Line of Best Fit described her in December 2023 as "part nymph, part alien, a shadowbanned lovechild between Grimes and Mew-Two"[ sic ]. [3]
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