Zonnestraal | |
---|---|
General information | |
Architectural style | Modern (Nieuwe Bouwen) |
Location | Hilversum, Netherlands |
Address | Loosdrechtse Bos 5-21 |
Construction started | 1925 |
Completed | 1931 |
Design and construction | |
Architect(s) | Jan Duiker, Bernard Bijvoet |
The estate Zonnestraal is a former sanatorium in Hilversum, the Netherlands. The building was designed by architects Jan Duiker Bernard Bijvoet and Jan Gerko Wiebenga, and is an example of the Nieuwe Bouwen. [1] In 1995, the estate was submitted to UNESCO's list of World Heritage Sites, [2] [3] but it was ultimately not listed. [4]
Hubert-Jan Henket (Bierman Henket Architecten) and Wessel de Jonge Architecten were awarded the 2010 World Monuments Fund/ Knoll Modernism Prize for their restoration of the Zonnestraal Sanatorium. [5]
Deitrich Neumann, from the Department of History of Art and Architecture, Brown University, Providence, one of the members of the jury, stated "this careful restoration does full justice to the subtleties of the original building, its particular handling of light, and the seeming weightlessness of its composition. In this project, practical conservation and thorough scholarship reinforced each other in finding the best approach to the preservation of one of modern architecture's most important buildings." [5]
Zonnestraal was built as a tuberculosis sanatorium in the 1920s and 1930s. The building features the classic design of the sanatorium, which focuses on as much open space and fresh air as possible. However, it still embodies the definition of the modern architecture by the immense amount of repetition, bold geometric shapes and the avoidance of superfluous decoration. The building is mostly made of transparent materials to allow as much light as possible to enter the patients' rooms. With this transparency, the building runs a large risk of overheating. However, the architects understood these risks and incorporated a cooling system in the building; something that was not common at this point in time. The surfaces that are not transparent are very sterile and smooth in appearance making very hygienic surroundings. The buildings are arranged in a loose "pin-wheel" design that created separation between patients' rooms, giving each of them the adequate amount of sunlight needed for therapy. The distribution of space in this manner created the ability for every patient to have a sunbathing balcony that was unobstructed by any other patient's room or building. The design of this architecture can be referred to as Heliotherapeutic Architecture (Light therapy) and was actually a short lived style in its purpose for therapy because of the discovery of the cure for tuberculosis. However, this style focuses on the engineering required to satisfy the patient's needs. In fact, the architects preferred to refer to themselves as building engineers. [6] After abandonment in the 1980s the building was submitted to UNESCO's list of World Heritage Sites. However, with this submittal, the building's structural deterioration could not be solved by demolition and rebuilding. Instead new techniques of concrete repair had to be used. [7]
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The presence of tuberculosis and the sanatorium played a large role in modern architecture. Though it was not the first building to feature a nearly all glass architecture, after the sanatorium period, the style of all glass buildings stayed a constant in modern architecture. It has been said that the famous Paimio Sanatorium in Finland by Alvar Aalto was greatly influenced by Zonnestraal; it is known that Aalto had visited Zonnestraal in 1928 just prior to the design of Paimio, and its organization of space is based on the same heliotropic arrangement of white concrete volumes, with a central building and off-shooting wings, but Zonnestraal is completely symmetrical in layout, whilst Paimio is organic, sat in a rolling terrain amidst a dense forest. [8] With the construction of sanatoriums worldwide, the public began to see the importance of increases hygiene in their homes. The principle established in Zonnestraal, however, was repeated throughout the world. Also, it did not take long for architects to start designing homes following the spacious sanatoriums. These buildings include Sir Arthur Bliss' house built in Surrey or the famous Lovell House designed by Richard Neutra. [9]
Hugo Alvar Henrik Aalto was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.
World Monuments Fund (WMF) is a private, international, non-profit organization dedicated to the preservation of historic architecture and cultural heritage sites around the world through fieldwork, advocacy, grantmaking, education, and training.
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. An international functionalist architecture movement emerged in the wake of World War I, as part of the wave of Modernism. Its ideas were largely inspired by a desire to build a new and better world for the people, as broadly and strongly expressed by the social and political movements of Europe after the extremely devastating world war. In this respect, functionalist architecture is often linked with the ideas of socialism and modern humanism.
A sanatorium, also sanitarium or sanitorium, is a historic name for a specialised hospital for the treatment of specific diseases, related ailments, and convalescence. Sanatoriums are often in a healthy climate, usually in the countryside. The idea of healing was an important reason for the historical wave of establishments of sanatoria, especially at the end of the 19th and early 20th centuries. One sought, for instance, the healing of consumptives especially tuberculosis or alcoholism, but also of more obscure addictions and longings of hysteria, masturbation, fatigue and emotional exhaustion. Facility operators were often charitable associations, such as the Order of St. John and the newly founded social welfare insurance companies.
Turku University Hospital is a hospital in Turku, Finland.
Aino Maria Marsio-Aalto was a Finnish architect and a pioneer of Scandinavian design. She is known as the design partner of architect Alvar Aalto, with whom she worked for 25 years, and as a co-founder with him, Maire Gullichsen, and Nils-Gustav Hahl of the design company Artek, collaborating on many its most well-known designs. As Artek's first artistic director, her creative output spanned textiles, lamps, glassware, and buildings. Her work is in the permanent collection of the Museum of Modern Art (MoMA) in New York, and MoMA has included her work in nine exhibitions, the first of which was Aalto: Architecture and Furniture in 1938. Other major exhibitions were at the Barbican Art Gallery in London and Chelsea Space in London. Aino Aalto has been exhibited with Pablo Picasso.
Artek is a Finnish furniture company. It was founded in December 1935 by architect Alvar Aalto and his wife Aino Aalto, visual arts promoter Maire Gullichsen and art historian Nils-Gustav Hahl. The founders chose a non-Finnish name: the neologism Artek was meant to manifest the desire to combine art and technology. This echoed a main idea of the International Style movement, especially the Bauhaus, to emphasize the technical expertise in production and quality of materials, instead of historical-based, eclectic or frivolous ornamentation.
Paimio Sanatorium is a former tuberculosis sanatorium in Paimio, Southwest Finland, designed by Finnish architect Alvar Aalto. Aalto received the design commission having won the architectural competition for the project held in 1929. The building was completed in 1933, and soon after received critical acclaim both in Finland and abroad. The building served exclusively as a tuberculosis sanatorium until the early 1960s, when it was converted into a general hospital. Today the building is owned by Turku University Hospital but is not functioning as a hospital; rather, the building has functioned as private rehabilitation center for children since 2014. The sanatorium has been nominated to become a UNESCO World Heritage Site.
Vyborg Library is a library in Vyborg, Russia, built during the time of Finnish sovereignty, before the Finnish city of Viipuri was annexed by the former USSR and its Finnish name was changed to Vyborg by the Soviet authorities.
Docomomo International is a non-profit organization whose full title is: International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement.
Knoll is an American company that manufactures office systems, seating, storage systems, tables, desks, textiles, and accessories for the home, office, and higher education. The company is the licensed manufacturer of furniture designed by architects and designers such as Harry Bertoia, Ludwig Mies van der Rohe and Lilly Reich, Florence Knoll, Frank Gehry, Charles Gwathmey, Maya Lin, Marcel Breuer, Eero Saarinen, and Lella and Massimo Vignelli, under the company's KnollStudio division. Over 40 Knoll designs can be found in the permanent design collection of the Museum of Modern Art in New York City.
The architecture of Finland has a history spanning over 800 years, and while up until the modern era the architecture was highly influenced by Sweden, there were also influences from Germany and Russia. From the early 19th century onwards influences came directly from further afield: first when itinerant foreign architects took up positions in the country and then when the Finnish architect profession became established.
Philip Morton Shand, known as P. Morton Shand, was a British journalist, architecture critic, wine and food writer, entrepreneur and pomologist. He was the paternal grandfather of Queen Camilla.
Jan Duiker was a Dutch architect. Partnership with Bernard Bijvoet from 1917 until 1935. For the commission of the Zonnestraal project the architects were recommended by Hendrik Berlage. Bijvoet's first wife Jacoba Ezerman was closely related to the'grand man' of Zonnestraal, Jan van Zutphen. Bijvoet left the Netherlands in 1925, where after some time, he started to work in Paris with Pierre Chareau for projects such as Maison de Verre et al. Meanwhile he continued to collaborate with Duiker and returned in 1945. Jan Duiker is one of the most important representatives of the Modern movement,'Het Nieuwe Bouwen'. He is buried at Zorgvlied cemetery.
Hubert-Jan Henket is a Dutch architect. He is a specialist in the relations between old and new buildings, the redesign of buildings, renovation and restoration. He is the founder of DOCOMOMO international.
Huonekalutehdas Korhonen Oy, formerly called O.Y. Huonekalu- ja Rakennustyötehdas A.B is a former furniture producer located in Littoinen, Kaarina, Finland. The company was once known for manufacturing Alvar Aalto designed furniture.
Originally known as Stephenson and Meldrum (1921–1937), Stephenson and Turner (1938–1995) was a prominent Australian architectural firm, best known for the pioneering modernism of their numerous hospital designs of the 1930s and 1940s.
The Alvar Aalto Museum is a Finnish museum operating in two cities, Jyväskylä and Helsinki, in two locations each, dedicated to architect and designer Alvar Aalto. All four locations are open to the public. They are:
Sully Hospital was a psychiatric hospital in Sully, Vale of Glamorgan, Wales. It has since been converted into luxury apartments and remains a Grade II* listed building.
Wessel de Jonge is a Dutch architect, architectural historian and Professor Heritage & Design at the Department of Architectural Engineering and Technology of the TU Delft. He is specialized in the restoration and re-use of 20th century buildings.
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