A zoomsical, which is a portmanteau of the words "Zoom" and "musical", is a form of theatrical performance that combines dialogue, music and lyrics that is then performed, either live or recorded, for an online audience via a video conferencing platform like Zoom.
Zoomsicals can be either original works or adaptations of existing stage musicals. The zoomsical arose in 2020 as a response to the social distancing guidelines put in place in many countries to stem the spread of COVID-19. These guidelines made it impossible for many theatre companies to continue their planned seasons of rehearsals and performances, and many were cancelled. [1] The zoomsical emerged from the necessity for musical theatre performances that could adhere to physical distancing guidelines, yet also maintain a venue for artistic self expression. Many theatre companies that produce stage musicals, having pivoted away from their live seasons, began experimenting with live streaming video platforms [2] as a way to continue to bring new works to audiences during lockdown.
Published on 5 May 2020 by Music Theatre International, [3] the first known zoomsical is an adaptation of the Theatre for Young Audiences production of The Big One-Oh! by Academy Award winning author Dean Pitchford. It features music by Doug Besterman, lyrics by Pitchford, and a book by Timothy Allen McDonald.
Composer, lyricist and director Haddon Kime of Atlanta is credited with creating the first original zoomsical. [4] His zoomsical, produced and premiered by Out of Hand Theater, is entitled LAG: A Zoomsical Comedy, and premiered 30 May 2020 simultaneously on Zoom and YouTube. [5] It has subsequently been published by composer Roger Bean's publishing company, Stage Rights International. [6]
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
Stephen Joshua Sondheim was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical. With his frequent collaborations with Harold Prince and James Lapine, Sondheim's Broadway musicals tackled unexpected themes that ranged beyond the genre's traditional subjects, while addressing darker elements of the human experience. His music and lyrics were tinged with complexity, sophistication, and ambivalence about various aspects of life.
The Comedy of Errors is one of William Shakespeare's early plays. It is his shortest and one of his most farcical comedies, with a major part of the humour coming from slapstick and mistaken identity, in addition to puns and word play. It has been adapted for opera, stage, screen and musical theatre numerous times worldwide. In the centuries following its premiere, the play's title has entered the popular English lexicon as an idiom for "an event or series of events made ridiculous by the number of errors that were made throughout".
Stephen Lawrence Schwartz is an American musical theatre lyricist and composer. In a career spanning over five decades, Schwartz has written such hit musicals as Godspell (1971), Pippin (1972), and Wicked (2003). He has contributed lyrics to a number of successful films, including Pocahontas (1995), The Hunchback of Notre Dame (1996), The Prince of Egypt, and Enchanted (2007).
Alan Irwin Menken is an American composer, pianist, music director, and record producer, best known for his scores and songs for films produced by Walt Disney Animation Studios. Menken's music for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) has each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1986), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), and Disenchanted (2022), among others. His accolades include winning eight Academy Awards — becoming the second most prolific Oscar winner in the music categories after Alfred Newman, a Tony Award, eleven Grammy Awards, seven Golden Globe Awards, and a Daytime Emmy Award. Menken is one of eighteen people to have won an Emmy, a Grammy, an Oscar and a Tony. He is one of two people to have won a Razzie, an Emmy, a Grammy, an Oscar, and a Tony ("REGOT").
Guy Reginald Bolton was an Anglo-American playwright and writer of musical comedies. Born in England and educated in France and the US, he trained as an architect but turned to writing. Bolton preferred working in collaboration with others, principally the English writers P. G. Wodehouse and Fred Thompson, with whom he wrote 21 and 14 shows respectively, and the American playwright George Middleton, with whom he wrote ten shows. Among his other collaborators in Britain were George Grossmith Jr., Ian Hay and Weston and Lee. In the US, he worked with George and Ira Gershwin, Kalmar and Ruby and Oscar Hammerstein II.
Broadway theatre, or Broadway, are the theatrical performances presented in 41 professional theaters, each with 500 or more seats, in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world.
Theater in the United States is part of the old European theatrical tradition and has been heavily influenced by the British theater. The central hub of the American theater scene is Manhattan, with its divisions of Broadway, Off-Broadway, and Off-Off-Broadway. Many movie and television stars have gotten their big break working in New York productions. Outside New York, many cities have professional regional or resident theater companies that produce their own seasons, with some works being produced regionally with hopes of eventually moving to New York. U.S. theater also has an active community theater culture, which relies mainly on local volunteers who may not be actively pursuing a theatrical career.
Martin Charnin was an American lyricist, writer, and theatre director. Charnin's best-known work is as conceiver, director, and lyricist of the musical Annie.
Fellowship! is a musical parody stage play based on The Fellowship of the Ring and Peter Jackson's 2001 film adaptation of it. The book was written by Kelly Holden-Bashar and Joel McCrary with music by Allen Simpson. Lyrics and additional material by Brian D. Bradley, Lisa Fredrickson, Kelly Holden-Bashar, Joel McCrary, Edi Patterson, Steve Purnick, Cory Rouse, Allen Simpson, Ryan Smith, Peter Allen Vogt and Matthew Stephen Young. The musical was first performed at the El Portal Forum Theater in North Hollywood, California.
The Princess Theatre was a joint venture between the Shubert Brothers, producer Ray Comstock, theatrical agent Elisabeth Marbury and actor-director Holbrook Blinn. Built on a narrow slice of land located at 104–106 West 39th Street, just off Sixth Avenue in New York City, and seating just 299 people, it was one of the smallest Broadway theatres when it opened in early 1913. The architect was William A. Swasey, who designed the Winter Garden Theatre two years earlier.
Dean Pitchford is an American songwriter, screenwriter, director, actor, and novelist. His work has earned him an Oscar and a Golden Globe Award, as well as nominations for three additional Oscars, two more Golden Globes, eight Grammy Awards, and two Tony Awards.
Joe DiPietro is an American playwright, lyricist and author. He is best known for the Tony Award-winning musical Memphis, for which he won the Tony Awards for Best Book of a Musical and Best Original Score as well as for writing the book and lyrics for the long-running off-Broadway show I Love You, You're Perfect, Now Change.
David Hutchinson is a British theatre producer and director. He is the founder and CEO of The Path Entertainment Group as well as the founder and CEO of Selladoor Worldwide, formerly Sell a Door Theatre Company Hutchinson attended the Liverpool Institute for Performing Arts 2006 to 2009 and graduated with a BA (Hons) in Acting.
Rick Lombardo is a prolific and award-winning American theatre director, playwright and adaptor. He is the former producing artistic director of San Jose Repertory Theatre, and the former Artistic Director of New Repertory Theatre in Watertown, Massachusetts. Lombardo is currently the artistic director of Penn State Center Stage, and the director of the School of Theatre at Penn State University and the Penn State College of Arts and Architecture.
Dave Malloy is an American composer, playwright, lyricist, and actor. He has written several theatrical works, often based on classic works of literature. They include Moby-Dick, an adaptation of Herman Melville's classic novel; Octet, a chamber choir musical about internet addiction; Preludes, a musical fantasia set in the mind of romantic composer Sergei Rachmaninoff; Ghost Quartet, a song cycle about love, death, and whiskey; and the Tony Award winning Natasha, Pierre & The Great Comet of 1812, an electropop opera based on War and Peace.
Development of musical theatre refers to the historical development of theatrical performance combined with music that culminated in the integrated form of modern musical theatre that combines songs, spoken dialogue, acting and dance. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre developed from several lines of antecedents that evolved over several centuries through the 18th century when the Ballad Opera and pantomime emerged in England and its colonies as the most popular forms of musical entertainment.
Haddon Kime is an American theatre and film composer, lyricist, sound designer, and director. Early in his career, Kime frequent collaborated in the theatre scenes of Boston and New York City writing music and sound designs for plays and musicals produced by New Repertory Theatre, Boston Playwrights Theatre, Gloucester Stage and Speakeasy Stage among others. He currently lives and works in Atlanta, and is credited with inventing the zoomsical during the COVID-19 pandemic of 2020.
The COVID-19 pandemic has had a significant impact on the performing arts, mirroring its impacts across all arts sectors. Due to physical distancing requirements and closure of the physical venues, curtailing not only public performances but also rehearsals, many performing arts institutions attempted to adapt by offering new digital services. In particular this resulted in the free online streaming of previously recorded performances of many companies – especially orchestral performances and plays – lists of which were collated by journalists as well as bespoke crowdsourcing projects.