Zulma Yugar

Last updated
Zulma Yugar
Zulma Yugar (cropped).jpg
BornJanuary 6, 1952
Oruro, Bolivia
Occupation(s)Politician, folk singer
Known forMinister of Culture of Bolivia, UNESCO Artist for Peace

Zulma Yugar (born January 6, 1952, in Oruro, Bolivia) is a Bolivian politician and folk singer with international recognition and influence. She has served as Minister of Culture of Bolivian President Evo Morales' second term. [1]

Contents

Yugar served on the jury for the UNESCO program Masterpieces of the Oral and Intangible Heritage of Humanity and is credited by her friend Mr. R. Albro with lobbying successfully for the Oruro Carnival to be proclaimed a masterpiece in 2001. [2] [3]

Yugar has been Director for the Promotion of Culture within the Ministry of Culture, President of the Bolivian Association of Artists and Musicians, and President of the Bolivian National Council of Popular and Traditional Culture. She has received numerous awards and is a UNESCO Artist for Peace. [4]

Discography

Notes

  1. see taz.de (German)
  2. UNESCO jury members 2003. Archived 2004-06-27 at the Wayback Machine
  3. Albro, R. The Challenges of Asserting, Promoting, and Performing Cultural Heritage. Smithsonian Center for Folklife and Cultural Heritage accessed at April 4, 2007
  4. Bio details, UNESCO. Archived 2004-07-31 at the Wayback Machine


Related Research Articles

<span class="mw-page-title-main">Oruro Department</span> Department in Oruro, Bolivia

Oruro is a department of Bolivia, with an area of 53,588 km2 (20,690 sq mi). Its capital is the city of Oruro. According to the 2012 census, the Oruro department had a population of 494,178.

<span class="mw-page-title-main">Luzmila Carpio</span> Bolivian singer

Luzmila Carpio is a Bolivian singer and songwriter who has performed in Spanish and Quechua. She also has served as the Bolivian ambassador to France from 2006 to 2010.

<span class="mw-page-title-main">Folk art</span> Art produced from an indigenous culture or by peasants or other laboring tradespeople

Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.

The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural expressions. Several manifestations of intangible heritage around the world were awarded the title of Masterpieces to recognize the value of the non-material component of culture, as well as entail the commitment of states to promote and safeguard the Masterpieces. Further proclamations occurred biennially. In 2008, the 90 previously proclaimed Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries.

Public folklore is the term for the work done by folklorists in public settings in the United States and Canada outside of universities and colleges, such as arts councils, museums, folklife festivals, radio stations, etc., as opposed to academic folklore, which is done within universities and colleges. The term is short for "public sector folklore" and was first used by members of the American Folklore Society in the early 1970s.

Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Smithsonian Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways Records, donated the entire Folkways Records label to the Smithsonian. The donation was made on the condition that the Institution continue Asch's policy that each of the more than 2,000 albums of Folkways Records remain in print forever, regardless of sales. Since then, the label has expanded on Asch's vision of documenting the sounds of the world, adding six other record labels to the collection, as well as releasing over 300 new recordings. Some well-known artists have contributed to the Smithsonian Folkways collection, including Pete Seeger, Ella Jenkins, Woody Guthrie, and Lead Belly. Famous songs include "This Land Is Your Land", "Goodnight, Irene", and "Midnight Special". Due to the unique nature of its recordings, which include an extensive collection of traditional American music, children's music, and international music, Smithsonian Folkways has become an important collection to the musical community, especially to ethnomusicologists, who utilize the recordings of "people's music" from all over the world.

<span class="mw-page-title-main">Carnaval de Oruro</span> Religious festival in Oruro, Bolivia

The Carnival of Oruro is a religious and cultural festival in Oruro, Bolivia. It has been celebrated since the 18th century in the Peruvian virreynato. Originally an indigenous festival, the celebration later was transformed to incorporate a Christian ritual around the Virgin of Socavón. The carnival is one of UNESCO's Masterpieces of the Oral and Intangible Heritage of Humanity.

Betty Jane Belanus is an American writer and folklorist. Belanus completed her graduate work in folklore at Indiana University and has been with the Smithsonian Institution since 1987, ultimately working with the Smithsonian Center for Folklife and Cultural Heritage as an education specialist. Part of her work with the Smithsonian has been the curating of programs for the Smithsonian's annual Folklife Festival, including the 2009 Wales program. She has worked on "Smithsonian Inside Out", on the occupational life of the Smithsonian.

The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.

The Morenada is an Andean folk dance whose origins are still under debate. This dance is practiced mainly in Bolivia as well as in Peru and in recent years with Bolivian immigration in Chile, Argentina and other countries.

<span class="mw-page-title-main">Richard Kurin</span> American cultural anthropologist, museum official and author

Richard Kurin, an American cultural anthropologist, museum official and author, is the Acting Provost and Under Secretary for Museums and Research at the Smithsonian Institution. He is a key member of the senior team managing the world's largest museum and research complex with 6,500 employees and a $1.4 billion annual budget, caring for more than 139 million specimens, artifacts and artworks, working in 145 countries around the globe, hosting some 30 million visitors a year, and reaching hundreds of millions online and through the Smithsonian's educational programs and media outreach. Kurin is particularly responsible for all of the national museums, scholarly and scientific research centers, and programs spanning science, history, art and culture.

<span class="mw-page-title-main">Smithsonian Folklife Festival</span> Festival hosted by the Smithsonian on the National Mall in Washington, D.C.

The Smithsonian Folklife Festival, launched in 1967, is an international exhibition of living cultural heritage presented annually in the summer in Washington, D.C. in the United States. It is held on the National Mall for two weeks around the Fourth of July holiday. The Smithsonian Center for Folklife and Cultural Heritage produces the Festival.

<span class="mw-page-title-main">Diablada</span>

The Diablada, also known as the Danza de los Diablos, is an Andean folk dance performed in Bolivia the Altiplano region of South America, characterized by performers wearing masks and costumes representing the devil and other characters from pre-Columbian theology and mythology. combined with Spanish and Christian elements added during the colonial era. Many scholars have concluded that the dance is descended from the Llama llama dance in honor of the Uru god Tiw, and the Aymaran ritual to the demon Anchanchu, both originating in pre-Columbian Bolivia

<span class="mw-page-title-main">Elizabeth Salguero</span> Bolivian Minister of Cultures (2011–2012)

Elizabeth Cristina Salguero Carrillo is a Bolivian diplomat, journalist, politician, and women's rights activist who served as minister of cultures from 2011 to 2012. A member of the Movement for Socialism, she previously served as a party-list member of the Chamber of Deputies from La Paz from 2006 to 2009. In 2009, she was elected as a substitute party-list member of the Chamber of Deputies from La Paz but resigned before taking office in order to launch an ultimately unsuccessful La Paz mayoral campaign. From 2012 to 2015, she served as ambassador of Bolivia to Germany, and since then has worked as an international expert in strategic planning at UN Women.

Barbara Kirshenblatt-Gimblett is a scholar of Performance and Jewish Studies and a museum professional. Professor Emerita of Performance Studies at New York University, she is best known for her interdisciplinary contributions to Jewish studies and to the theory and history of museums, tourism, and heritage. She is currently the Ronald S. Lauder Chief Curator of the Core Exhibition and Advisor to the Director at POLIN Museum of the History of Polish Jews in Warsaw.

Roland L. Freeman was an American photographer and documenter of Southern folk culture and African-American quilters. He was the president of The Group for Cultural Documentation, founded in 1991 and based in Washington, D.C.

Michael Atwood Mason is an American folklorist and museum professional. He was CEO and Executive Director of President Lincoln's Cottage. Up to February 2021 he was the Director of the Smithsonian Center for Folklife and Cultural Heritage.

Waka Waka or Waka ThuqhuriTinti Waka from Aidan Perry is an urban popular dance from Bolivia and Perú. Its autochthonous origin is found in the Municipality of Umala, Province of Aroma, Department of La Paz and the Municipality of Acora, Province of Puno, Department of Puno. There are other variants, such as the native of Waka Tinti originally from the community of Cairiri, the municipality of Umala, the Province of Aroma de La Paz, Tinti Caballo and the native of Waka Tinki originally from the Paxsiamaya region, Prov. Los Andes of the Department of La Paz.

Intangible cultural heritage are elements of the cultural heritage of Georgia which are abstract and must be learned, encompassing traditional knowledge including festivals, music, performances, celebrations, handicrafts, and oral traditions.

C. Kurt Dewhurst is an American curator and folklorist. Dewhurst is Director for Arts and Cultural Partnerships at Michigan State University (MSU) and also a Senior Fellow in University Outreach and Engagement. At MSU, he is also Director Emeritus of the Michigan State University Museum and a Professor of English and Museum Studies.