Álvaro Pires de Évora, or Alvaro di Piero (before 1411 – after 1434), was a Portuguese painter.
Álvaro Pires de Évora, or Alvaro di Piero (before 1411 – after 1434), was a Portuguese painter.
He is assumed to have been born in Évora, Portugal and is known for religious works made between 1411 - 1450. [1] He was first mentioned in Vasari's 1568 update to his Le Vite delle più eccellenti pittori, scultori, ed architettori (in English, Lives of the Most Excellent Painters, Sculptors, and Architects). As a short addendum to his biography of Taddeo Bartoli, Vasari wrote "There lived at the same time and painted in almost the same manner, although he made the colouring more brilliant and the figures lower, one Alvaro di Piero, a Portuguese, who made many panels in Volterra, and one in S. Antonio in Pisa, and others in other places". [2] [3]
Lorenzo di Pietro, known as Vecchietta, was an Italian Sienese School painter, sculptor, goldsmith, and architect of the Renaissance. He is among the artists profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori.
The Lives of the Most Excellent Painters, Sculptors, and Architects, often simply known as The Lives, is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "the first important book on art history".
Antonio Veneziano, was an Italian painter who was active mainly in Siena, Florence and Pisa, documented between 1369 and 1419.
Niccolò di Piero Lamberti, also known as Niccolò di Pietro Lamberti, Niccolo Aretino, Niccolò d'Arezzo and as il Pela, was an Italian Renaissance sculptor and architect. Little is known about his life other than that he was married in Florence in 1392. His son, Piero di Niccolò Lamberti (1393–1435), was also a sculptor, and the two are notable for exporting the Tuscan style of sculpture to Venice, where they were active in the late 1410s and 1420s.
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Simone Ghini, also known as Simone Ghini I and as Simone I di Giovanni di Simone Ghini, was an Italian Renaissance sculptor from Florence who was born in 1406 or 1407. He is best known for his funeral monument to Pope Martin V, in the Basilica of St. John Lateran, in Rome. Together with Antonio Filarete, Simone also made a set of bronze doors for St. Peter's Basilica in Rome. Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects erroneously stated that Simone was the brother of Donatello. Simone Ghini died in 1491.
Lazzaro Vasari (1399–1468), also known as Lazzaro Taldi and as Lazzaro di Niccolò de' Taldi, was an Italian painter who was born in the Province of Arezzo. His father was a potter, as was Lazzaro Vasari’s son, Giorgio Vasari I. The painter Luca Signorelli (1441–1523) was Lazzaro Vasari’s nephew, and the art historian Giorgio Vasari was his great-grandson.
Paolo Romano, also known as Paolo Tuccone and as Paolo di Mariano di Tuccio Taccone was an Italian Renaissance sculptor and goldsmith. He was active by 1451, and probably died by 1470. Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects recounts that Paolo Romano was a modest man whose sculpture was far superior to that of his boastful contemporary Mino del Reame.
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Benedetto Ghirlandaio (1458–1497) was an Italian (Florentine) painter. His brothers Davide Ghirlandaio (1452–1525) and Domenico Ghirlandaio (1449–1494) were both painters, as was his nephew Ridolfo Ghirlandaio (1483–1561). From 1486 until 1493 he was active in France, where survives his only extant signed painting, an altarpiece of the Nativity at Nôtre-Dame in Aigueperse. Benedetto died in Florence on 17 July 1497.
Pellegrino Aretusi, also known as Pellegrini de Modena and as Pellegrino Munari, was an Italian painter who was born in Modena, Italy. His early instruction was from his father Giovanni Munari. About 1509, Pellegrino went to Rome to assist Raphael at the Vatican. Pellegrino was then commissioned to paint frescos in the Church of St. Eustachio and the Church of St. Giacomo degli Spagnuoli, both in Rome. He was murdered on 20 November 1523 by relatives of a youth whom his son had killed.
Niccolò Soggi was an Italian painter, born in Monte San Savino in the Province of Arezzo, Italy.
Dello di Niccolò Delli, also known as Dello Delli, Dello di Niccolò and Dello, was an Italian sculptor and painter from Florence. His father was a tailor named Niccolò di Dello. Painters Nicola Delli and Sansone Delli were his less famous younger brothers.
Lo Zuccone, which translates from Italian as "large head" or "bald head", is the popular name given to a marble statue by Donatello. It was commissioned for the bell tower of the Cathedral of Florence, Italy and completed between 1423 and 1425. It is also known as the Statue of the Prophet Habakkuk, as many believe it depicts the Biblical figure Habakkuk, though Vasari says that it is a portrait of Giovanni di Barduccio Cherichini.
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Madonna and Child with Saint George is an oil on panel painting by Correggio dating to around 1530 and now in the Gemäldegalerie in Dresden.
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