The Salon des Refusés, French for "exhibition of rejects", is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863.
Anne-François-Louis Janmot was a French painter and poet.
Maurice Boitel was a French painter.
Alfred-Pierre Joseph Agache, also known simply as Alfred Agache, was a French academic painter.
Marie Bracquemond was a French Impressionist artist. She was one of four notable women in the Impressionist movement, along with Mary Cassatt (1844–1926), Berthe Morisot (1841–1895), and Eva Gonzalès (1847–1883). Bracquemond studied drawing as a child and began showing her work at the Paris Salon when she was still an adolescent. She never underwent formal art training, but she received limited instruction from Jean-Auguste-Dominique Ingres (1780–1867) and advice from Paul Gauguin (1848–1903) which contributed to her stylistic approach.
Aimé Nicolas Morot was a French academic painter and sculptor.
Henri Alphonse Barnoin was a French painter born in Paris in 1882.
Henri Lebasque was a French Post-Impressionist painter. He was born at Champigné (Maine-et-Loire). His work is represented in French museums, notably Angers, Geneva, Lille, Nantes, and Paris.
The Lyon School is a term for a group of French artists which gathered around Paul Chenavard. It was founded by Pierre Revoil, one of the representatives of the Troubadour style. It included Victor Orsel, Louis Janmot and Hippolyte Flandrin, and was nicknamed "the prison of painting" by Charles Baudelaire. It was principally inspired by philosophical-moral and religious themes, and as a current was closely related to the British Pre-Raphaelite painters and poets.
Sara Wells Page (1855–1943) was a British artist, portrait and figurative painter, of the Victorian and Edwardian period. During her lifetime she was widely exhibited at Parisian salons and British galleries, including the Royal Academy of Arts. Three of her paintings are in Wolverhampton Art Gallery.
Yolande Ardissone is a French painter. Born in Bueil (Normandy), she studied at the Beaux-Arts and at the Académie de la Grande Chaumière in Paris.
Charles-Théodore Frère was a French Orientalist painter. His younger brother, Pierre-Édouard, and his nephew and namesake, Charles Edouard Frère, were also painters.
Henry Moret was a French Impressionist painter. He was one of the artists who associated with Paul Gauguin at Pont-Aven in Brittany. He is best known for his involvement in the Pont-Aven artist colony and his richly colored landscapes of coastal Brittany.
Jeanne-Henriette Tirman was a French woman painter and printmaker.
Sini Manninen was a Finnish painter and artist, trained at the Académie des Beaux Arts de Helsinki in Finland. She produced the majority of her works in France, to which she moved in 1973, more precisely, to the Montmartre district of Paris. Mastering many painting techniques under various disciplines, naïve art remained her fondest style.
René François Xavier Prinet was a French painter and illustrator.
Jean Degottex was a French abstract painter, known in particular for his initial proximity to the lyrical abstraction movement of the 1950s and 1960s. He is considered an important artist of the abstraction movement in the second half of the twentieth century and a significant inspiration for contemporary art. Degottex was particularly inspired by East Asian calligraphy and Zen Philosophy to achieve the erasure of the creative subject.
Maurice Paul Jean Asselin was a French painter, watercolourist, printmaker, lithographer, engraver and illustrator, associated with the School of Paris. He is best known for still lifes and nudes. Other recurring themes in his work are motherhood, and the landscapes and seascapes of Brittany. He also worked as a book illustrator, particularly in the 1920s. His personal style was characterised by subdued colours, sensitive brushwork and a strong sense of composition and design.
François Dilasser was a French painter.
Pauline Laurens was a French painter and printmaker. In 1873, aged 22, Laurens exhibited for the first time in the highly esteemed Salon de Paris. Her work was selected for exhibition in ten subsequent Salons. Laurens was married to Gustave Besnard, an officer who served the French Navy for 50 years and was Navy Minister between 1895 and 1898. Her paintings were described by art critic Eugène-Henri Le Brun-Dalbanne in 1875 as close to paintings by Antoine Watteau and Jean-Baptiste Greuze.
