Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Francesco Bracciolini was an Italian Late Renaissance poet.
The Accademia di San Luca is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first principe or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters.
The Bolognese School of painting, also known as the School of Bologna, flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.
Giulio Mancini was a seicento physician, art collector, art dealer and writer on a range of subjects. His writings on contemporary artists like Caravaggio and Annibale Carracci remain one of our earliest sources of biographical information; his Considerazioni being an important source on art in early 17th-century Rome.
The Diocese of Frascati is a Latin suburbicarian see of the Diocese of Rome and a diocese of the Catholic Church in Italy, based at Frascati, near Rome. The bishop of Frascati is a Cardinal Bishop; from the Latin name of the area, the bishop has also been called Bishop of Tusculum. Tusculum was destroyed in 1191. The bishopric moved from Tusculum to Frascati, a nearby town which is first mentioned in the pontificate of Pope Leo IV. Until 1962, the Cardinal-Bishop was concurrently the diocesan bishop of the see. Pope John XXIII removed the Cardinal Bishops from any actual responsibility in their suburbicarian dioceses and made the title purely honorific.
Pietro Antonio Nelli was an Italian painter of the Rococo period. He created religious works, portraits, and landscapes.
The House of Mancini was the name of one of the oldest families of Roman nobility. Their titles and fiefs were numerous: Duke of Nevers and Donzy, Prince of Vergagne and of the Holy Roman Empire with the treatment of Serene Highness, French Peer, Spanish Grandee, Marquis of Fusignano, Count of Montefortino, Viscount of Clamecy, Baron of Tardello, Tumminii and Ogliastro, Lord of Claye-Souilly, Roman noble and Venetian patrician. They were knights of the Order of the Golden Fleece, of the Order of the Holy Spirit, of the Order of Saint Michael, of the Sovereign Order of Saint John of Jerusalem and many more. The humanist Marco Antonio Altieri (1457–1537) includes them in Li Nuptiali, an important collection of news about Rome in the 16th century. The family was granted the Honneurs de la Cour of France.
In music history, the Neapolitan School is a group, associated with opera, of 17th and 18th-century composers who studied or worked in Naples, Italy, the best known of whom is Alessandro Scarlatti, with whom "modern opera begins". Francesco Provenzale is generally considered the school's founder. Others significant composers of this school are Giambattista Pergolesi, Domenico Cimarosa and Giovanni Paisiello.
It is with the Neapolitan school...that the History of Modern Music commences—insofar as that music speaks the language of the feelings, emotions, and passions.
Pietro Gagliardi was an Italian painter and architect, who decorated many churches and palaces in Rome and throughout Italy.
Margherita Sarrocchi was an Italian poet and a supporter of the theories of Galileo. She was also a mathematics student with a vast variety of interests in other sciences. Sarrocchi had numerous other scientific interests like geometry, astronomy, and natural philosophy. However, her writings in these fields have been lost or destroyed. Sarrochi's works have been forgotten and left behind like many other female scientists. Margherita Sarrocchi was first friend and potential lover, then rival and enemy of Giambattista Marino, and wrote an epic poem in twenty-three cantos, the Scanderbeide, celebrating the heroic exploits of Scanderbeg against the Ottoman Turks.
Girolamo Preti was an Italian Baroque poet. He is considered one of the most accomplished of early 17th-century poets.
The Accademia dei Gelati was a learned society of intellectuals, mainly noblemen, that significantly influenced the cultural and political life of Baroque Bologna. It is considered one of the most important 17th-century Italian academies.
The Accademia degli Oziosi was the most famous Neapolitan literary academies of the Renaissance.
NicolaVillani was an Italian literary critic and Baroque poet.
Antonio Querenghi or Quarenghi was an Italian lawyer, theologian and poet. A native of Padua, he belonged to the same intellectual circle as Galileo. Most of his career was spent in Rome, where he served several cardinals and popes. He composed poetry in both Neo-Latin and the Italian vernacular.
