Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
Andrea Sacchi was an Italian painter of High Baroque Classicism, active in Rome. A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori.
Ciro Ferri was an Italian Baroque sculptor and painter, the chief pupil and successor of Pietro da Cortona.
Carlo Fontana (1634/1638–1714) was an Italian architect originating from today's Canton Ticino, who was in part responsible for the classicizing direction taken by Late Baroque Roman architecture.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Francesco Barberini was an Italian Catholic Cardinal. The nephew of Pope Urban VIII, he benefited immensely from the nepotism practiced by his uncle. He was given various roles within the Vatican administration but his personal cultural interests, particularly in literature and the arts, meant that he became a highly significant patron. His secretary was the antiquarian Cassiano dal Pozzo who was also a discerning patron of the arts. Francesco was the elder brother of Cardinal Antonio Barberini and Taddeo Barberini who became Prince of Palestrina.
Giovanni Pietro Bellori, also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian art theorist, painter and antiquarian, who is best known for his work Lives of the Artists, considered the seventeenth-century equivalent to Vasari's Vite. His Vite de' Pittori, Scultori et Architetti Moderni, published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. As an art historical biographer, he favoured classicising artists rather than Baroque artists to the extent of omitting some of the key artistic figures of 17th-century art altogether.
The Basilica of San Giovanni dei Fiorentini is a minor basilica and a titular church in the Ponte rione of Rome, Italy.
Santi Luca e Martina is a church in Rome, Italy, situated between the Roman Forum and the Forum of Caesar and close to the Arch of Septimus Severus.
Alessandro Turchi was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Orbetto. His style has been described as soft and Caravaggesque at the same time.
Giuseppe Ghezzi was an Italian painter of the Baroque period, active mainly in Rome.
Giuseppe Natali (1652–1722) was an Italian painter of the Baroque period, active mainly in Cremona and Lombardy.
Lazzaro Baldi was an Italian painter and engraver of the Baroque period active mainly in Rome.
Ulderico Carpegna was an Italian jurist and Cardinal.
Francesco Peparelli was an Italian architect during the 17th century. According to a contemporary historian, Giovanni Baglione, between palaces, castles, churches and convents, Peparelli participated in about seventy construction projects but only about thirty can be attributed to him with certainty.
Pelagio Palagi was an Italian painter, sculptor and interior decorator.
Francesco Mancini was an Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani.
The Accademia degli Umoristi founded in 1603 was a learned society of intellectuals, mainly noblemen, that significantly influenced the cultural life of 17th century Rome. It was briefly revived in the first half of the eighteenth century by Pope Clement XI.
Pietro Gagliardi was an Italian painter and architect, who decorated many churches and palaces in Rome and throughout Italy.
