Annea Lockwood

Last updated
Annea Lockwood
Annea Lockwood at Constitution Marsh Sam Green Free History Project.jpg
Annea Lockwood in 2020
Background information
Born (1939-07-29) July 29, 1939 (age 84)
Christchurch, New Zealand
Occupation(s)Composer, academic musician

Annea Lockwood (born July 29, 1939, in Christchurch, New Zealand) is a New Zealand-born American composer and academic musician. She taught electronic music at Vassar College. [1] Her range is vast and often includes microtonal, electro-acoustic soundscapes and vocal music, as well as recordings of natural found sounds. She has also recorded Fluxus-inspired pieces involving burning or drowning pianos.

Contents

Early life and education

Lockwood studied composition and completed a Bachelor of Music with honours from the University of Canterbury. [2] Her composition studies continued with Peter Racine Fricker at the Royal College of Music from 1961 to 1963; with Gottfried Michael Koenig at the Darmstädter Ferienkurse from 1963 to 1964; and at the Hochschule für Musik Köln. She also studied in the Netherlands. Lockwood settled in London in 1964. [3]

Career and style

During the late 1960s and early 1970s, Lockwood performed and composed around Europe. Her compositions featured non-conventional instruments such as glass tubing used in The Glass Concert (1967). This was published in Source: Music of the Avant Garde then recorded and released by Tangent Records. [3] Her series Piano Transplants utilized burning, drowning, or planting pianos in locations across the United Kingdom and United States. [4] In the 1970s, Lockwood began to compose music that could be classified as performance art pieces, as the essence of the compositional ideas made the audience and environment agents in one piece. She collaborated with various choreographers, sound poets, and visual artists. [4]

In 1973, Lockwood relocated to New York City after being offered a faculty role at Hunter College. She worked with environmental sounds, capturing them and building developed compositions around an environmental inspiration, as in A Sound Map of the Hudson River (1982) [5] and World Rhythms (1975). She also built on the archetypes and conversations with significant people, as in Conversations with the Ancestors (1979), composed on conversations with four women in their 80s; and Delta Run (1982) based on a conversation with sculptor Walter Wincha. Three Short Stories and Apotheosis (1985) used what Lockwood named the Soundball, which was a foam-covered ball made of six small speakers and a radio receiver. The impetus for this unusual piece of equipment was to "put sound into the hands of the dancers." [6] She also works with the sounds of water. [7]

In the 1990s, her pieces were written for acoustic-electric instruments and incorporated multi-media and indigenous instruments. Thousand Year Dreaming (1991) used four didgeridoos and blends images of the Lascaux Cave as part of the performance. [8] In 2002, she began working on A Sound Map of the Danube River, which gathered sounds recorded from a variety of sites on the surface of, within, and around the river.

Lockwood's work has been presented at festivals around the world. Her piece Piano Burning has been replicated multiple times, including as the closing track of the 2019 album There Existed An Addiction To Blood by the experimental hip-hop group clipping. She has received the Henry Cowell Award (2007) [9] and was featured in the short documentary Annea Lockwood / a Film About Listening (2021) and live documentary 32 Sounds (2022), both directed by Sam Green. [10] [11] Her recordings are currently distributed by Lovely, XI, ?What Next?/OO Discs, Rattle Records (NZ), Harmonia Mundi, Earth Ear, CRI, and Finnadar/Atlantic.

Lockwood is an emeritus professor at Vassar College, where she has worked since 1982. Former students include Jonathan Elliott. [12]

Discography

Reviews and articles

Related Research Articles

<span class="mw-page-title-main">Alvin Lucier</span> American composer (1931–2021)

Alvin Augustus Lucier Jr. was an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media.

<span class="mw-page-title-main">Pauline Oliveros</span> American composer and musician

Pauline Oliveros was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music.

<span class="mw-page-title-main">Process music</span>

Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed.

Joan Linda La Barbara is an American vocalist and composer known for her explorations of non-conventional or "extended" vocal techniques. Considered to be a vocal virtuoso in the field of contemporary music, she is credited with advancing a new vocabulary of vocal sounds including trills, whispers, cries, sighs, inhaled tones, and multiphonics.

Robert Nathan Sheff, known professionally as "Blue" Gene Tyranny, was an American avant-garde composer and pianist.

Elodie Lauten was a French-born American composer described as postminimalist or a microtonalist.

Lovely Music is an American record label devoted to new American music. Based in New York City, the label was founded in 1978 by Mimi Johnson, an outgrowth of her nonprofit production company Performing Artservices Inc. It is one of the most important and longest running labels focusing exclusively on new music and has released over 100 recordings on LP, CD, and videocassette.

<span class="mw-page-title-main">Ruth Anderson (composer)</span> American composer (1928–2019)

Ruth Anderson was an American composer, orchestrator, teacher, and flutist.

<span class="mw-page-title-main">Robert Dick (flutist)</span> Musical artist

Robert Dick is a flutist, composer, teacher and author.

<span class="mw-page-title-main">Chris Mann (composer)</span>

Chris Mann was an Australian composer, poet and performer specializing in the emerging field of compositional linguistics, coined by Kenneth Gaburo and described by Mann as "the mechanism whereby you understand what I'm saying better than I do". He was, in the last 2 decades of his life, based in New York City.

<span class="mw-page-title-main">Peter Zummo</span> Musical artist

Peter Zummo is an American composer and trombonist. He has been described as "an important exponent of the American contemporary classical tradition." He has called his own work "minimalism plus a whole lot more."

Ann Southam, was a Canadian electronic and classical music composer and music teacher. She is known for her minimalist, iterative, and lyrical style, for her long-term collaborations with dance choreographers and performers, for her large body of work, and, according to the Globe and Mail, for "blazing a trail for women composers in a notoriously sexist field".

Noah Creshevsky was a composer and electronic musician born in Rochester, New York. He used the term hyperrealism to describe his work.

NewMusicBox is an e-zine launched by the American Music Center on May 1, 1999. The magazine includes interviews and articles concerning American contemporary music, composers, improvisers, and musicians.

Jennifer Hymer is an American pianist, currently living in Hamburg, Germany.

Sorrel Hays was an American pianist, composer, filmmaker and artist.

<span class="mw-page-title-main">Piano burning</span> Instrument destruction type

Piano burning is the act of setting on fire an acoustic piano, most commonly an upright, as either a ceremony or a form of performance art. Although piano burning ceremonies are now popular in the Royal Air Force, Royal Canadian Air Force and the United States Air Force, there is little or no evidence to suggest that descriptions of its origin have any historical authenticity. According to one version of its origin, pianos were set alight by RAF pilots to avoid piano lessons aimed at improving their dexterity and general level of culture. Another version is that piano burning began in World War II in remembrance of fallen RAF pilots. Several contemporary musicians, including Annea Lockwood, Yōsuke Yamashita, and Diego Stocco, have composed for and performed on pianos which have been deliberately set alight. A burning piano was also the centrepiece of Douglas Gordon's 2012 video installation, The End of Civilisation.

Jonathan Elliott is an American composer and teacher. Born in 1962, Elliott grew up in Bucks County, Pennsylvania, studying piano from the age of six. He went on to study composition at Vassar College, where his teachers included Annea Lockwood and the pianist Todd Crow; Elliott subsequently received his PhD from the University of Chicago, where he studied with Ralph Shapey and Shulamit Ran. He received two Broadcast Music, Inc. Student Composer awards in 1985 and 1987.

Kelly Moran is an American composer, producer, and multi-instrumentalist based in Brooklyn. Her music spans classical, electronic, minimalist, jazz, impressionist, and metal genres. In many of her compositions, Moran utilizes electronic musical techniques in combination with the John Cage-pioneered technique of the prepared piano. Moran signed with Warp Records in September 2018.

Alexandra Gardner is an American contemporary composer based in Baltimore, Maryland. Her music employs diverse acoustic instrumentation and electronics, drawing on minimalist and modernist influences as well as extra-musical sources and sounds. Critics note her work for its blend of contemplative and expressive qualities, clear structure and unexpected evolution, and complex rhythms. In a 2007 New Yorker essay, music critic Alex Ross placed Gardner among a "vital group of composers" creating a "new kind of interstitial music" that blurs genre boundaries.

References

  1. Office of Communications. "Annea Lockwood and Friends at Vassar College, April 6". neighbors.vassar.edu. Retrieved 30 December 2014.
  2. Michele (January 31, 2002). Lockwood, Annea [Anna] (Ferguson) . London, UK: Oxford University Press. Retrieved April 7, 2017.
  3. 1 2 "Annea Lockwood". Lovely.com. Retrieved 22 November 2014.
  4. 1 2 Rodgers, Tara. Pink Noises. Duke University Press, 2010, p. 114.
  5. Annea Lockwood (November 11, 2003). "Annea Lockwood Beside the Hudson River". NewMusicBox (Interview). Interviewed by Frank J. Oteri (published January 1, 2004).
  6. Lovely.com. "Annae Lockwood". Lovely.com. Retrieved 30 December 2014.
  7. "Annea Lockwood". Ias.umn.edu. Archived from the original on 21 February 2014. Retrieved 22 November 2014.
  8. "Thousand Year Dreaming / Floating World, Liner notes". Pogus Productions 21045. Retrieved 22 November 2014.
  9. "AMACHER, DUNN, AND LOCKWOOD RECEIVE SECOND HENRY COWELL AWARD" (PDF). Amc.net. Archived from the original (PDF) on 13 July 2010. Retrieved 22 November 2014.
  10. "Watch Annea Lockwood / A Film About Listening Online | Vimeo on Demand". 8 June 2021.
  11. Zoladz, Lindsay (27 March 2022). "'32 Sounds,' a Film Performed Live, Probes the Power of Listening". The New York Times.
  12. "Three Young Composers - Vassar, the Alumnae/i Quarterly". vq.vassar.edu. Retrieved 2018-02-27.