Interior fale, Apia,D'Urville, 1842Interior fale tele with central pillars and curved rafters
The architecture of Samoa is characterised by openness, with the design mirroring the culture and life of the Samoan people who inhabit the Samoa Islands.[1] Architectural concepts are incorporated into Samoan proverbs, oratory and metaphors, as well as linking to other art forms in Samoa, such as boat building and tattooing. The spaces outside and inside of traditional Samoan architecture are part of cultural form, ceremony and ritual.
Fale is the Samoan word for all types of houses, from small to large.
In general, traditional Samoan architecture is characterized by an oval or circular shape, with wooden posts holding up a domed roof. There are no walls. The base of the architecture is a skeleton frame.
Before European arrival and the availability of Western materials, a Samoan fale did not use any metal in its construction.
Lashing ʻafa
Similar Fijian lashing (magimagi)ʻAfa woven pattern
The fale is lashed and tied together with a plaited sennit rope called ʻafa, handmade from dried coconut fibre. The ʻafa is woven tight in complex patterns around the wooden frame, and binds the entire construction together. ʻAfa is made from the husk of certain varieties of coconuts with long fibres, particularly the niuʻafa (afa palm). The husks are soaked in fresh water to soften the interfibrous portion. The husks from mature nuts must be soaked from four to five weeks, or perhaps even longer, and very mature fibre is best soaked in salt water, but the green husk from a special variety of coconut is ready in four or five days. Soaking is considered to improve the quality of the fibre. Old men or women then beat the husk with a mallet on a wooden anvil to separate the fibres, which, after a further washing to remove interfibrous material, are tied together in bundles and dried in the sun. When this stage is completed, the fibres are manufactured into sennit by plaiting, a task usually done by elderly men or matai, and performed at their leisure. This usually involves them seated on the ground rolling the dried fibre strands against their bare thigh by hand, until heavier strands are formed. These long, thin strands are then woven together into a three-ply plait, often in long lengths, which is the finished sennit. The sennit is then coiled in bundles or wound tightly in very neat cylindrical rolls.[2]
Making enough lengths of ʻafa for an entire house can take months of work. The construction of an ordinary traditional fale is estimated to use 30,000 to 50,000 feet (9,100 to 15,200m) of ʻafa. The lashing construction of the Samoan fale is one of the great architectural achievements of Polynesia.[3] A similar lashing technique was also used in traditional boat building, where planks of wood were 'sewn' together in parts. ʻAfa has many other uses in Samoan material culture, including ceremonial items, such as the fue fly whisk, a symbol of orator status. This lashing technique was also used in other parts of Polynesia, such as the magimagi of Fiji.
Cultural space
Situated by the beach and raised a meter off the ground, this fale tele in Lelepa village on Savai'i Island has an iron roof replacing traditional thatching for the roof, although pola (suspended in photo), traditional 'wall blinds' around the poles of the fale are still used.
The form of a fale, especially the large meeting houses, creates both physical and invisible spatial areas, which are clearly understood in Samoan custom, and dictate areas of social interaction. The use and function of the fale is closely linked to the Samoan system of social organisation, especially the Fa'amatai chiefly system.
Those gathered at a formal gathering or fono are always seated cross-legged on mats on the floor, around the fale, facing each other with an open space in the middle. The interior directions of a fale, east, west, north and south, as well as the positions of the posts, affect the seating positions of chiefs according to rank, the place where orators (host or visiting party) must stand to speak or the side of the house where guests and visitors enter and are seated. The space also defines the position where the ʻava makers (aumaga) in the ʻava ceremony are seated and the open area for the presentation and exchanging of cultural items such as the ʻie toga fine mats.
The front of a Samoan house is that part that faces the main thoroughfare or road through the village. The floor is quartered, and each section is named: tala luma is the front side section, tala tua the back section, and tala, the two end or side sections.[4] The middle posts, termed matua tala are reserved for the leading chiefs and the side posts on the front section, termed pou o le pepe are occupied by the orators. The posts at the back of the house, talatua, indicate the positions maintained by the ʻava makers and others serving the gathering.[4]
The immediate area exterior of the fale is usually kept clear, and is either a grassy lawn or sandy area if the village is by the sea. The open area in front of the large meeting houses, facing the main thoroughfare or road in a village, is called the malae, and is an important outdoor area for larger gatherings and ceremonial interaction.
The word fale is also constructed with other words to denote social groupings or rank, such as the faleiva (house of nine) orator group in certain districts. The term is also used to describe certain buildings and their functions. The word for hospital is falemaʻi, 'house of the ill'.
The simplest types of fale are called faleoʻo, which have become popular as eco-friendly and low-budget beach accommodations in local tourism. Every family complex in Samoa has a fale tele, the meeting house or 'big house'.
The site on which the house is built is called tulaga fale (place to stand).[4]
Diagrams of fale Samoa
Diagrams of fale showing architectural parts of a traditional house in the Samoan language; from An Account of Samoan History up to 1918 by Samoan historian Teo Tuvale.[5]
Tufuga fau fale
The builders in Samoan architecture were also the architects, and they belonged to an exclusive ancient guild of master builders, Tufuga fau fale. The Samoan word tufuga denotes the status of master craftsmen who have achieved the highest rank in skill and knowledge in a particular traditional art form. The words fau-fale mean house builder. There were Tufuga of navigation (Tufuga fau vaʻa) and Samoan tattooing (Tufuga ta tatau). Contracting the services of a Tufuga fau fale required negotiations and cultural custom.[6]
Types of fale
Fale tele in a village
The fale tele (big house), the most important house, is usually round in shape, and serves as a meeting house for chief council meetings, family gatherings, funerals or chief title investitures. The fale tele is always situated at the front of all other houses in an extended family complex. The houses behind it serve as living quarters, with an outdoor cooking area at the rear of the compound.[4] At the front is an open area, called a malae. The malae, (similar to the concept of marae in Māori and other Polynesian cultures), is usually a well-kept, grassy lawn or sandy area. The malae is an important cultural space where interactions between visitors and hosts or outdoor formal gatherings take place.
The open characteristics of Samoan architecture are also mirrored in the overall pattern of house sites in a village, where all fale tele are situated prominently at the fore of all other dwellings in the village, and sometimes form a semicircle, usually facing seawards.
In modern times, with the decline of traditional architecture and the availability of western building materials, the shape of the fale tele has become rectangular, though the spatial areas in custom and ceremony remain the same.
Traditionally, the afolau (long house), a longer fale shaped like a stretched oval, served as the dwelling house or guest house.
The faleoʻo (small house), traditionally long in shape, was an addition to the main house. It is not so well-constructed and is situated always at the back of the main dwelling.[4] In modern times, the term is also used for any type of small and simple fale, which is not the main house of dwelling. Popular as a "grass hut" or beach fale in village tourism, many are raised about a meter off the ground on stilts, sometimes with an iron roof. In a village, families build a faleoʻo beside the main house or by the sea for resting during the heat of the day or as an extra sleeping space at night if there are guests.
The tunoa (cook house) is a flimsy structure, small in size, and not to be considered as a house. In modern times, the cook house, called the umukuka, is at the rear of the family compound, where all the cooking is carried out in an earth oven, umu, and pots over the fire. In most villages, the umukuka is a simple open shed made with a few posts with an iron roof to protect the cooking area from the weather.
Construction
Samoan fale construction 1896
Construction of a fale, especially the large and important fale tele, often involves the whole extended family and help from their village community.
The Tufuga fai fale oversees the entire building project. Before construction, the family prepares the building site. Lava, coral, sand or stone materials are usually used for this purpose. The Tufuga, his assistants (autufuga) and men from the family cut the timber from the forest.
The main supporting posts, erected first, vary in number, size and length depending on the shape and dimensions of the house. Usually they are between 16 and 25 feet (4.9 and 7.6m) in length and 6 to 12 inches (15 to 30cm) in diameter, and are buried about 4 feet (1.2m) in the ground. The term for these posts is poutu (standing posts); they are erected in the middle of the house, forming central pillars.
Attached to the poutu are cross pieces of wood of a substantial size called soʻa. The soʻa extend from the poutu to the outside circumference of the fale and their ends are fastened to further supporting pieces called laʻau faʻalava.
Samoa tourism office in Apia incorporating traditional design of a fale
The laʻau faʻalava, placed horizontally, are attached at their ends to wide strips of wood continuing from the faulalo to the auau. These wide strips are called iviʻivi. The faulalo is a tubular piece (or pieces) of wood about 4 inches (10cm) in diameter running around the circumference of the house at the lower extremity of the roof, and is supported on the poulalo. The auau is one or more pieces of wood of substantial size resting on the top of the poutu. At a distance of about 2 feet (0.61m) between each are circular pieces of wood running around the house and extending from the faulalo to the top of the building. They are similar to the faulalo.
The poulalo are spaced about 3–4 feet (0.91–1.22m) apart and are sunk about 2 feet (0.61m) in the ground. They average 3–4 inches (7.6–10.2cm) in diameter, and extend about 5 feet (1.5m) above the floor of the fale. The height of the poulalo above the floor determines the height of the lower extremity of the roof from the ground.
On the framework are attached innumerable aso, thin strips of timber (about .5 by .25 inches (1.27 by 0.64cm) by 12 to 25 feet (3.7 to 7.6m) in length). They extend from the faulalo to the iviʻivi, and are spaced from 1 to 2 inches (2.5 to 5.1cm) apart. Attached to these strips at right angles are further strips, paeaso, the same size as aso. As a result, the roof of the fale is divided into an enormous number of small squares.[4]
Timber
Fale under construction, 1914
Most of the timber is grown in forests on family land. The timber was cut in the forest and carried to the building site in the village. The heavy work involved the builder's assistants, members of the family and help from the village community.
The main posts were from the breadfruit tree (ulu), or ifi lele or pou muli if this wood was not available. The long principal rafters had to be flexible, so coconut wood (niu) was always selected. The breadfruit tree was also used for other parts of the main framework.[7]
In general, the timbers most frequently used in the construction of Samoan houses are:
Posts (poutu and poulalo): ifi lele, pou muli, asi, ulu, talia, launiniʻu and aloalovao.
Fau: ulu, fau, niu, and uagani
Aso and paeso: niuvao, ulu, matomo and olomea
The auau and talitali use ulu and the soʻaʻ used both ulu and niu.
Thatch
Samoan fale in the Manu'a island group, showing thatched roof and woven pola blinds, circa 1890–1910
The completed, domed framework is covered with thatch (lau leaves), which is made by the women. The best quality of thatch is made with the dry leaves of the sugarcane. If sugarcane leaf was not available, the palm leaves of the coconut tree were used in the same manner.[7] The long, dry leaves are twisted over a 3-foot (0.91m) length of lafo, which are then fastened by a thin strip of the frond of the coconut being threaded through the leaves close up to the lafo stem.
These sections of thatch are fastened to the outside of the framework of the fale beginning at the bottom and working up to the apex. They are overlapped, so each section advances the thatching about 3 inches (7.6cm). This means there is a double layer of thatch covering the whole house. The sections are fastened to the aso at each end by afa.
Provided the best quality of thatch is used and it has been properly laid, it will last about seven years. On an ordinary dwelling house, about 3000 sections of thatch are laid.
Pola
Protection from sun, wind or rain, as well as from prying eyes, was achieved by suspending from the fau running round the house several of a sort of drop-down Venetian blind, called pola. The fronds of the coconut tree are plaited into a kind of mat about a foot wide and three feet long. A sufficient number of pola to reach from the ground to the top of the poulalo are fastened together with ʻafa and are tied up or let down as the occasion demands. Usually, one string of these mats covers the space between two poulalo and so on round the house. They do not last for long, but being quickly made, are soon replaced. They afford ample protection from the elements, and it is possible to let them down in sections; seldom is the whole house is closed up.
Flooring
The natural foundations of a fale site are coral, sand, and lava, with sometimes a few inches of soil in some localities. Drainage is therefore good. The top layers of the flooring are smooth pebbles and stones. When occupied, the house floors are usually covered or partially covered with native mats.
In Samoan mythology, an explanation of why Samoan houses are round is explained in a story about the god Tagaloa, also known as Tagaloalagi (Tagaloa of the Heavens).
Following is the story, as told by Samoan historian Te'o Tuvale in An Account of Samoan History up to 1918:
During the time of Tagaloalagi, the houses in Samoa varied in shape, and this led to many difficulties for those who wished to have a house built in a certain manner. Each carpenter was proficient in building a house of one particular shape only, and it was sometimes impossible to obtain the services of the carpenter desired. A meeting of all the carpenters in the country was held to try to decide on some uniform shape. The discussion waxed enthusiastic, and as there seemed no prospect of a decision being arrived at, it was decided to call in the services of Tagaloalagi. After considering the matter, he pointed to the dome of Heaven and to the horizon and he decreed that in future, all houses built would be of that shape, and this explains why all the ends of Samoan houses are as the shape of the heavens extending down to the horizon.[4]
An important tree in Samoan architecture is the coconut palm. In Samoan mythology, the first coconut tree is told in a legend called Sina and the Eel.
European architecture
Church architecture in Samoa
Church interior, Matavai village in Safune, Savai'i Island
Breadfruit is a species of flowering tree in the mulberry and jackfruit family (Moraceae) believed to be a domesticated descendant of Artocarpus camansi originating in New Guinea, the Maluku Islands, and the Philippines. It was initially spread to Oceania via the Austronesian expansion. It was further spread to other tropical regions of the world during the Colonial Era. British and French navigators introduced a few Polynesian seedless varieties to Caribbean islands during the late 18th century. Today it is grown in some 90 countries throughout South and Southeast Asia, the Pacific Ocean, the Caribbean, Central America and Africa. Its name is derived from the texture of the moderately ripe fruit when cooked, similar to freshly baked bread and having a potato-like flavor.
Coir, also called coconut fibre, is a natural fibre extracted from the outer husk of coconut, and used in products such as floor mats, doormats, brushes, and mattresses. Coir is the fibrous material found between the hard, internal shell and the outer coat of a coconut. Other uses of brown coir are in upholstery padding, sacking and horticulture. White coir, harvested from unripe coconuts, is used for making finer brushes, string, rope and fishing nets. It has the advantage of not sinking, so can be used in long lengths in deep water without the added weight dragging down boats and buoys.
Samoan is a Polynesian language spoken by Samoans of the Samoan Islands. Administratively, the islands are split between the sovereign country of Samoa and the United States territory of American Samoa. It is an official language, alongside English, in both jurisdictions. It is widely spoken across the Pacific region, heavily so in New Zealand and also in Australia and the United States. Among the Polynesian languages, Samoan is the most widely spoken by number of native speakers.
The traditional culture of Samoa is a communal way of life based on Fa'a Samoa, the unique socio-political culture. In Samoan culture, most activities are done together. The traditional living quarters, or fale (houses), contain no walls and up to 20 people may sleep on the ground in the same fale. During the day, the fale is used for chatting and relaxing. One's family is viewed as an integral part of a person's life. The aiga or extended family lives and works together. Elders in the family are greatly respected and hold the highest status, and this may be seen at a traditional Sunday umu.
Samoans or Samoan people are the indigenous Polynesian people of the Samoan Islands, an archipelago in Polynesia, who speak the Samoan language. The group's home islands are politically and geographically divided between the Independent State of Samoa and American Samoa, an unincorporated territory of the United States of America. Though divided by national border, the culture and language are the same.
Sennit is a type of cordage made by plaiting strands of dried fibre or grass. It can be used ornamentally in crafts, like a kind of macramé, or to make straw hats. Sennit is an important material in the cultures of Oceania, where it is used in traditional architecture, boat building, fishing and as an ornamentation.
Fagatogo is the downtown area of Pago Pago. Located in the low grounds at the foot of Matafao Peak, it was the location of the first American settlement on Tutuila Island. It includes the sub-village of Malaloa. Today, Fagatogo is the government, commercial, financial, and shipping center of Tutuila. It is also the administrative capital of American Samoa. It is the location of the American Samoa Fono (legislature), and is listed in the Constitution of American Samoa as the territory's official seat of government. Its population is 1,737.
Falefā is located on the north eastern coast of Upolu island in Samoa. It was the ancient capital during the ‘Malo’ (‘government’) of Tupu Tafa'ifa (King) Fonoti. After having defeated his siblings Va'afusuaga and Samalaulu for control of Samoa, King Fonoti chose to rule from his new seat in Falefa, an honour remembered in its faalupega to this day.
Satapuala is a village situated on the north west coast Upolu island in Samoa. The village is part of A'ana Alofi 4 Electoral Constituency which forms part of the larger political district A'ana. It has a population of 1963.
A beach fale is a simple thatched hut in the architecture of Samoa. Beach fales are also common in other parts of Polynesia. They have become popular in tourism as a low budget accommodation situated by the coast, built with a few posts, no walls and a thatched roof with a round or oval shape.
Magimagi is a fibrous product made from coconut husk.
Sina and the Eel is a myth of origins in Samoan mythology, which explains the origins of the first coconut tree.
The Peʻa is the popular name of the traditional male tatau (tattoo) of Samoa, also known as the malofie. It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself. It covers the body from the middle of the back to the knees, and consists of heavy black lines, arrows, and dots.
The ʻava ceremony is one of the most important customs of the Samoa Islands. It is a solemn ritual in which a ceremonial beverage is shared to mark important occasions in Samoan society. The Samoan word ʻava is a cognate of the Polynesian word kava associated with the kava cultures in Oceania. Both terms are understood in Samoa.
The field of Indigenous architecture refers to the study and practice of architecture of, for and by Indigenous people. It is a field of study and practice in the United States, Australia, Aotearoa, Canada, Arctic area of Sápmi and many other countries where Indigenous people have a built tradition or aspire translate or to have their cultures translated in the built environment. This has been extended to landscape architecture, urban design, planning, public art, placemaking and other ways of contributing to the design of built environments.
The Governor H. Rex Lee Auditorium, also called Fale Laumei in Samoan, is the largest indoor meeting space in the United States territory of American Samoa. It is located in the village of Utulei, surrounded by other government buildings. The main body of the building is a roughly ovoid structure, with a curved roof that is reminiscent of the thatch roofs of traditional Samoan structures. The auditorium was built in 1962 under orders from Governor Hyrum Rex Lee as part of a major initiative to modernize the territory's infrastructure and facilities. It was built by a construction squadron of the United States Navy, and was completed in time for the 1962 South Pacific Conference. It was later named in honor of Lee, who was the territory's longest-serving governor, and oversaw much of its modernization.
Oceanian culture encompasses the collective and diverse customs and traditions of art, architecture, music, literature, lifestyle, philosophy, politics and religion that have been practiced and maintained by the many ethnic groups of the geographical region of Oceania since prehistory. Cultures of Oceania reflect not only that of the region's indigenous peoples, but also the cultures brought by European colonisation and the United States, particularly through mass culture such as cinema and TV. Oceania is commonly divided into four geographic sub-regions, characterized by shared cultural, religious, linguistic, and ethnic traits: Australasia, Melanesia, Micronesia, and Polynesia. Most Oceanian countries are multi-party representative parliamentary democracies, and tourism is a large source of income for the Pacific Islands nations.
Vailoatai is a village in southwestern Tutuila, the main island of American Samoa. It is located on the eastern end of Leone Bay. The village is known for its beautiful malae, nested along the island's rugged southern coast and lined by the fale tali mālō of its village chiefs.
A paopao, is the name used by the Polynesian-speaking inhabitants of the Ellice Islands for their single-outrigger canoes, of which the largest could carry four to six adults. The large double-hulled sailing canoes had ceased to be constructed in the Ellice Islands some time before contact with Europeans.
Amakan, also known as sawali in the northern Philippines, is a type of traditional woven split-bamboo mats used as walls, paneling, or wall cladding in the Philippines. They are woven into various intricate traditional patterns, often resulting in repeating diagonal, zigzag, or diamond-like shapes. The term "sawali" is more properly defined as twilled weaving patterns. The term can also be applied to baskets and banig, which also use the same weaving patterns. Amakan panels are commonly confused with pawid, which are made from thatched leaves.
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