Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, gules is the tincture with the colour red. It is one of the class of five dark tinctures called "colours", the others being azure (blue), sable (black), vert (green) and purpure (purple).
In heraldry, tenné is a "stain", or non-standard tincture, of orange, light brown or orange-tawny colour.
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
The lines in heraldry used to divide and vary fields and charges are by default straight, but may have many different shapes. Care must be taken to distinguish these types of lines from the use of lines as charges, and to distinguish these shapes from actual charges, such as "a mount [or triple mount] in base," or, particularly in German heraldry, different kinds of embattled from castle walls.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
Ordinaries in heraldry are sometimes embellished with stripes of colour alongside them, have lumps added to them, shown with their edges arciform instead of straight, have their peaks and tops chopped off, pushed up and down out of the usual positions, or even broken apart.
In heraldry, a flaunch are among the ordinaries or subordinaries, consisting of two arcs of circles protruding into the field from the sides of the shield. The flaunch is never borne singly.
In heraldry, a fess or fesse is a charge on a coat of arms that takes the form of a band running horizontally across the centre of the shield. Writers disagree in how much of the shield's surface is to be covered by a fess or other ordinary, ranging from one-fifth to one-third. The Oxford Guide to Heraldry states that earlier writers including Leigh, Holme, and Guillim favour one-third, while later writers such as Edmondson favour one-fifth "on the grounds that a bend, pale, or chevron occupying one-third of the field makes the coat look clumsy and disagreeable." A fess is likely to be shown narrower if it is uncharged, that is, if it does not have other charges placed on it, and/or if it is to be shown with charges above and below it; and shown wider if charged. The fess or bar, termed fasce in French heraldry, should not be confused with fasces.
In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
In British heraldry, sable is the tincture equivalent to black. It is one of the five dark tinctures called colours.
The rule of tincture is a design philosophy found in some heraldic traditions that states "metal should not be put on metal, nor colour on colour". Heraldic furs such as ermine and vair, and charges described as "proper", are generally exempt from the rule of tincture.
Ermine in heraldry is a "fur", a type of tincture, consisting of a white background with a pattern of black shapes representing the winter coat of the stoat. The linings of medieval coronation cloaks and some other garments, usually reserved for use by high-ranking peers and royalty, were made by sewing many ermine furs together to produce a luxurious white fur with patterns of hanging black-tipped tails. Due largely to the association of the ermine fur with the linings of coronation cloaks, crowns and peerage caps, the heraldic tincture of ermine was usually reserved to similar applications in heraldry. In heraldry it has become especially associated with the Duchy of Brittany and Breton heraldry.
In heraldry, an ordinary componée, anglicised to compony and gobony, is composed of a row of squares, rectangles or other quadrilaterals, of alternating tinctures, often found as a bordure, most notably in the arms of the English House of Beaufort.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
In heraldry, a pile is a charge usually counted as one of the ordinaries. It consists of a wedge emerging from the upper edge of the shield and converging to a point near the base. If it touches the base, it is blazoned throughout.
In heraldry, an orle is a subordinary consisting of a narrow band occupying the inward half of where a bordure would be, following the exact outline of the shield but within it, showing the field between the outer edge of the orle and the edge of the shield.
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
