Biscione

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The coat of arms of the House of Visconti showing the biscione Arms of the House of Visconti (1277).svg
The coat of arms of the House of Visconti showing the biscione
The coat of arms of the Visconti Dukes of Milan showing the biscione wearing a crown Arms of the House of Visconti (1395).svg
The coat of arms of the Visconti Dukes of Milan showing the biscione wearing a crown

The biscione [lower-alpha 1] (English: "big grass snake"), less commonly known also as the vipera, [lower-alpha 2] is in heraldry a charge consisting of a divine serpent in the act of giving birth to a child. It is a historic symbol of the city of Milan, used by companies based in the city.

Contents

History

Etymologically, word biscione is a masculine augmentative of Italian feminine biscia "grass snake" (corrupted from bistia, ultimately from Latin bestia "beast").

The charge became associated with the city after the Visconti family gained control over Milan 1277; Bonvesin da la Riva records it in his De magnalibus urbis Mediolani (On the Marvels of the City of Milan) as a Visconti symbol no later than the end of the 13th century. [1] The symbol may have been derived from a bronzed serpent brought to Milan from Constantinople by Arnolf II of Arsago (Archbishop of Milan 998–1018) in the 11th century. [2]

The bronzed serpent brought to Milan from Constantinople in the 11th century, today in the Basilica of Sant'Ambrogio, is thought to have inspired the biscione. 9647 - Milano - Sant'Ambrogio - Serpente di Basilio II (1007) - Foto Giovanni Dall'Orto 25-Apr-2007.jpg
The bronzed serpent brought to Milan from Constantinople in the 11th century, today in the Basilica of Sant'Ambrogio, is thought to have inspired the biscione.

One of the oldest depictions of the Biscione is in the Great Hall of the Visconti Castle of Angera. The hall was painted at the end of the 13th century with frescoes celebrating Archbishop Ottone Visconti's victory against the rival family of the Della Torre. The viper swallowing a small human figure is depicted in the pendentives of the hall. [3]

The Biscione was depicted in the Great Hall of the Angera castle at the end of the 13th century. Angera - Rocca Borromea 5437.JPG
The Biscione was depicted in the Great Hall of the Angera castle at the end of the 13th century.

The biscione remained associated with the Duchy of Milan even after the Visconti line died out in the 15th century. [4] The House of Sforza incorporated the symbol into their armorial after taking the duchy.

A Renaissance Milanese writer described the insignia of the Duke of Milan in 1531:

Latin: Exiliens infans sinuosi è faucibus anguis, Est gentilitiis nobile stemma tuis. Talia Pellaeum gesisse nomismata regem, Vidimus, hisque suum concelebrare genus. Dum se Ammone satum, matrem anguis imagine lusam, Divini & sobolem seminis esse docet. Ore exit tradunt sic quosdam enitier angues, An quia sic Pallas de capite orta Iovis.

English: An infant bursting from the maw of a coiling serpent marks the noble lineage of your clan. We have observed that the Pellaean king had coinage with such a device and by it celebrated his own descent, proclaiming that he was begotten of Ammon, that his mother was beguiled by the form of a snake and the child was the offspring of divine seed. The infant emerges from the mouth. They say that some snakes come to birth that way. Or is it because Pallas sprang like this from the head of Jove?

Contemporary use

As a symbol of Milan, the biscione is used by multiple organizations associated with or based in the city. Football club Inter Milan is commonly represented by a biscione, and the team's 2010–11 and 2021–22 away shirts prominently featured the symbol. Milan-based auto manufacturer Alfa Romeo (also known as the Casa del Biscione, Italian for "House of the Biscione" or "Biscione['s] marque") includes a biscione in its logo impaled with a red cross on white (derived from the flag of Milan), as does espresso machine manufacturer Bezzera  [ d ]. Silvio Berlusconi, who was born and remained based in Milan, did use stylized biscione symbols in the logos for his companies Mediaset and Fininvest (with the child replaced by a flower); his residential zones Milano Due and Milano Tre and the Mediaset-owned television channel Canale 5 all also use biscione-inspired imagery.

Outside Milan, a similar design is found in the seals of the Hungarian nobleman Nicholas I Garai, palatine to the King of Hungary (1375–1385). Here the crowned snake devours a sovereign's orb, rather than a human. [6] The arms of the towns of Sanok in Poland and Pruzhany in Belarus also feature the symbol, honoring the marriage of Bona Sforza to Sigismund I of Poland while both towns were part of Poland–Lithuania.

The band Lacuna Coil used a biscione for the Black Anima album cover artwork [7] and limited edition tarot cards.

Similar symbols

Comparable to the biscione are some depictions of the Hindu deity Matsya. While his form is referred to as anthropomorphically having a humanoid upper half, and his lower half as that of a fish, some depictions show him with his upper body emerging from the mouth of a fish. In early Christian art of the catacombs, the Old Testament prophet Jonah is depicted as a man being swallowed by a serpent-like Leviathan, a sea creature of Hebrew myth.

Coats of arms, flags and symbols bearing the biscione

See also

Notes

  1. Italian: [biʃˈʃoːne] ; pl.: biscioni; Milanese: bissa ( [ˈbisa] ) or bisson ( [biˈsũː] ).
  2. Italian: [ˈviːpera] , meaning viper; pl.: vipere.

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References

  1. Reina (2018) , p. 68
  2. Reina (2018) , p. 69
  3. Dunlop (2009) , p. 168
  4. Fox-Davies, Arthur Charles (1909). A Complete Guide to Heraldry: Illustrated by Nine Plates and Nearly 800 Other Designs. London: T.C. & E.C. Jack. ISBN   0-517-26643-1. LCCN   09023803. Page 257
  5. "Alciato at Glasgow: Emblem: INSIGNIA DUCATUS MEDIOLANENSEM". University of Glasgow. Retrieved 29 March 2024. Facsimile of the original at: Alciati, Andrea (1531). "INSIGNIA DUCATUS MEDIOLAN." [INSIGNIA OF THE MEDILANIAN LEADERSHIP]. Emblematum Liber [The Book of Emblems] (in Latin). Augustae Vindelicorum: H. Steyner. pp. 3–4. OCLC   894833733 via Google Books.
  6. Csaba, Veress D. (2007). István, Hermann (ed.). Ugod. Száz magyar falu könyvesháza (One Hundred Hungarian Villages) (in Hungarian). Budapest.: magyar állam millenniumára. Elektronikus megjelenítés: NKÖEOK Szerkesztőség.
  7. Tilkin, Laureline (2019). "Interview with Lacuna Coil – "It's important to know who you are and where you come from" – Tuonela Magazine". Tuonela Magazine – Finnish Metal Magazine Based in Helsinki. Retrieved 24 May 2020.

Sources

Further reading