This is a list of Billboard magazine's Top Hot 100 singles of 1985. [1]
This is a list of Billboard magazine's Top Hot 100 singles of 1985. [1]
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, online streaming, and radio play in the U.S.
"1999" is a song by American musician Prince, the title track from his 1982 album of the same name. Originally peaking at number 44 on the Billboard Hot 100, a mid-1983 re-release later reached number 12 in the US, while a January 1985 rerelease, a double A-side with "Little Red Corvette", later peaked at number 2 in the UK.
Bubbling Under Hot 100 Singles is a chart published weekly by Billboard magazine in the United States. The chart lists the top songs that have not yet charted on the main Billboard Hot 100. Chart rankings are based on radio airplay, sales, and streams. In its initial years, the chart listed 15 positions, but expanded to as many as 36 during the 1960s, particularly during years when over 700 singles made the Billboard Hot 100 chart. From 1974 to 1985, the chart consisted of 10 positions; since 1992, the Bubbling Under Hot 100 Singles chart has listed 25 positions.
"Rock Me Amadeus" is a song recorded by Austrian musician Falco, for his third studio album, Falco 3 (1985). The single was made available for physical sale in 1985 in German-speaking Europe, through A&M. "Rock Me Amadeus" was written by Falco along with Dutch music producers Bolland & Bolland. To date, the single is the only German language song to peak at number one of the Billboard Hot 100, which it did on 29 March 1986.
From October 26, 1974 until August 28, 1976, Billboard's Disco Action section published weekly single retail sales charts from various local regions along with Top Audience Response Records in their magazine. Billboard debuted its first national chart devoted exclusively to 12-inch Singles Sales in their issue dated March 16, 1985. This record type is most commonly used in disco and dance music genres where DJs use them to play in discos or dance clubs because of the exclusive extended remixes that are often only made available on this format, but Billboard's 12-inch Single Sales chart ranks releases by artists from all styles of music that release maxi-singles.
"Running Up That Hill", titled "Running Up That Hill (A Deal with God)" on some releases, is a song by the British singer and songwriter Kate Bush. It was released in the United Kingdom as the lead single from Bush's album Hounds of Love on 5 August 1985 by EMI Records. The lyrics imagine a scenario in which a man and a woman make "a deal with God" to exchange places with each other. Bush wrote and produced "Running Up That Hill" using a Fairlight CMI synthesiser and a LinnDrum drum machine.
"Don't You (Forget About Me)" is a song by Scottish rock band Simple Minds, released as a single in 1985. It was written and composed by producer Keith Forsey and guitarist Steve Schiff. Forsey and Schiff wrote the song for Simple Minds and offered it to several other acts before Simple Minds agreed to record it. The song was inspired by and used in the 1985 John Hughes film The Breakfast Club.
"I Just Called to Say I Love You" is a ballad written, produced, and performed by American R&B singer and songwriter Stevie Wonder. It was a major international hit, and remains Wonder's best-selling single to date, having topped a record 19 charts.
"Heaven" is a song by the Canadian singer and songwriter Bryan Adams recorded in 1983, written by Adams and Jim Vallance. It first appeared on the A Night in Heaven soundtrack album the same year and was later included on Adams' album Reckless in 1984. It was released as the third single from Reckless and reached number one on the U.S. Billboard Hot 100 in June 1985, over a year and a half after the song first appeared on record. The single was certified Gold in Canada in 1985.
Billboard Year-End charts are cumulative rankings of entries in Billboard magazine charts in the United States in any given chart year. Several hundred Year-End charts are now published by Billboard, the most important of which are the single or album charts based on Hot 100 and Billboard 200 respectively.
"Say You, Say Me" is a song written and recorded by American singer and songwriter Lionel Richie for the film White Nights. The single hit number one on the Billboard Hot 100 and on the Hot Black Singles chart in December 1985. It also became Richie's ninth number-one on the Billboard Adult Contemporary chart. The track is not available on the film's soundtrack album, as Motown did not want Richie's first single following the massive success of his 1983 album Can't Slow Down to appear on another label. It was included by Motown on Richie's 1986 release Dancing on the Ceiling.
"Part-Time Lover" is a song by American R&B singer and songwriter Stevie Wonder, released as the first single from his twentieth studio album, In Square Circle (1985). The song reached number one on the Billboard Hot 100, R&B, dance, and adult contemporary charts, becoming Wonder's final number one hit to date. The song's simultaneous chart successes made Wonder the first artist to score a number-one hit on four different Billboard charts. The song was also released as a special 12" version. Lyrically, it tells the story of a man who is cheating on his wife with a mistress, only to find out in the end that his wife is cheating on him as well.
"The Power of Love" is a 1985 single by Huey Lewis and the News, written for the soundtrack of the 1985 blockbuster film Back to the Future. The song became the band's first number-one hit on the U.S. Billboard Hot 100 and their second number-one hit on the U.S. Mainstream Rock chart. In the United Kingdom, it was released as a double-A side with "Do You Believe in Love," becoming the band's only top ten hit on the UK Singles Chart. The song is included alongside "Back in Time" on the film's soundtrack, and appears as a bonus track on international editions of the band's fourth studio album, Fore!. The song also played at the end of "I Wanna Hold Your Hand," an episode of The Really Loud House.
"The Power of Love" is a song co-written and originally recorded by American singer-songwriter Jennifer Rush in 1984. It was released as the fifth single from her debut album, Jennifer Rush (1984), and has since been covered by Air Supply, Laura Branigan, and Celine Dion.
"Hello" is a song by American singer and songwriter Lionel Richie. Taken as the third single from his second solo album, Can't Slow Down (1983), the song was released in 1984 and reached number one on three Billboard music charts: the pop chart, the R&B chart, and the Adult Contemporary chart. The song also went to number one on the UK Singles Chart for six weeks.
"Rhythm of the Night" is a song by American musical recording group DeBarge, written by Diane Warren and released on February 23, 1985, on the Motown label as the first single from their fourth studio album of the same name (1985). The song jump-started the career of the prolific songwriter Warren, and was the biggest hit recorded by the Motown family singing group, peaking at number three on the Billboard Hot 100.
"In My House" is a song produced, written and arranged by American musician Rick James and recorded by his protégées, the Mary Jane Girls, for their second studio album, Only Four You (1985). It was released as the album's lead single in October 1984 by Gordy Records. In the United States, the single topped Billboard's Dance Club Songs chart in April 1985 and remained atop the chart for two weeks. It also reached the top 10 on both the Billboard Hot 100 and Billboard Hot R&B/Hip-Hop Songs chart, peaking at number seven on the Hot 100 in June 1985 and remained in the top 40 for 12 weeks. It is the group's highest-peaking single and their only top-40 entry on the Billboard Hot 100, although they have had other singles succeed on both the R&B and dance charts.
This is a list of Billboard magazine's Top Hot 100 songs of 1984.
Billboard magazine only charted Christmas singles and albums along with the other popular non-holiday records until the 1958 holiday season when they published their first section that surveys only Christmas music.