Boxcar Bertha

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Boxcar Bertha
Boxcar Bertha (1972).jpg
Theatrical release poster
Directed by Martin Scorsese
Screenplay by Joyce H. Corrington
John William Corrington
Based on Sister of the Road
by Ben L. Reitman
Produced by Roger Corman
Starring Barbara Hershey
David Carradine
Barry Primus
Bernie Casey
John Carradine
Cinematography John Stephens
Edited by Buzz Feitshans
Music by Gib Guilbeau
Thad Maxwell
Production
company
Distributed byAmerican International Pictures
Release date
  • June 14, 1972 (1972-06-14)
Running time
87 minutes
CountryUnited States
LanguageEnglish
Budget$600,000
Box office$1.1 million [1]

Boxcar Bertha is a 1972 American romantic crime drama film directed by Martin Scorsese and produced by Roger Corman, from a screenplay by Joyce H. Corrington and John William Corrington. [2] Made on a low budget, the film is a loose adaptation of Sister of the Road , a pseudo-autobiographical account of the fictional character Bertha Thompson. [3] It was Scorsese's second feature film.

Contents

Plot

Boxcar Bertha Thompson, a poor southern girl, is orphaned when her father's crop-dusting airplane crashes. The Great Depression hits, and she soon takes to freighthopping. A few years later, she meets Big Bill Shelly, a union organizer, and they become lovers. Together with Rake Brown, a gambler, and Von Morton, who worked for Bertha's father, they accidentally start train and bank robberies. Eventually, they face off against the railway boss H. Buckram Sartoris in the American South. The group becomes notorious fugitives of the law and is hunted down by the railway company.

During the pursuit, Rake is gunned down, and Bill and Von are sent to a chain gang. Bertha escapes but is lured into prostitution. She unexpectedly meets Von in a tavern for blacks and learns that Bill broke out of jail and is now in hiding. Von leads Bertha to the hiding place where she experiences a sweet reunion with Bill before Sartoris's henchmen break in and crucify Bill.

Before they can leave, Von appears, eliminates the henchmen, and releases Bertha from bondage.

Cast

Production

After the success of Bloody Mama , Roger Corman wanted to make another female gangster film. Julie Corman researched female gangsters and came across the story of Boxcar Bertha. Martin Scorsese was hired to direct on the strength of his first feature. He was given the lead actors, including Barbara Hershey, David Carradine, and Barry Primus, and a shooting schedule of 24 days in Arkansas. [4] The Reader Railroad was used for the train scenes.

The locomotive in those scenes was 1920 Baldwin 2-6-2 No. 108, which later saw service on the Conway Scenic Railroad in the late 1970s. [5] The engine is currently at the Blacklands Railroad yard in Sulphur Springs, Texas, awaiting restoration. Locomotive No. 1702, a USATC S160 2-8-0 built by Baldwin in 1942, was also seen in the film as well. The locomotive is now operational at the Great Smoky Mountains Railroad. [5]

Scorsese makes a cameo in the film as one of Bertha's clients during the brothel montage. [6]

Barbara Hershey later called the film "a lot of fun even though it's terribly crippled by Roger Corman and the violence and sex. But between the actors and Marty Scorsese the director, we had a lot of fun. We really had characters down but one tends to not see all that, because you end up seeing all the blood and sex." [7]

Hershey controversially publicly announced they had filmed the movie's sex scenes "without having to fake anything." [8]

Distribution

A pictorial recreating sexually explicit scenes from the movie appeared in Playboy magazine in August 1972. [9] [10] [11]

Reception

Boxcar Bertha received mixed reviews from critics. It holds an approval rating of 54% on review aggregator website Rotten Tomatoes based on 24 reviews, with an average rating of 5.1/10. The website's critical consensus says, "Too derivative of other Roger Corman crime pictures to stand out, Boxcar Bertha feels more like a training exercise for a fledgling Martin Scorsese than a fully formed picture in its own right." [12]

Martin Scorsese screened a rough cut of the film for John Cassavetes. Cassavetes took Scorsese into his office and told him, "Marty, you've just spent a whole year of your life making a piece of shit. It's a good picture, but you're better than the people who make this kind of movie. Don't get hooked into the exploitation market, just try and do something different." This advice inspired Scorsese in working on his next film, Mean Streets . [13]

Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and called it "a weirdly interesting movie ... Director Martin Scorsese has gone for mood and atmosphere more than for action, and his violence is always blunt and unpleasant — never liberating and exhilarating, as the New Violence is supposed to be. We get the feeling we're inhabiting the dark night of a soul." [14] The New York Times ' Howard Thompson found the film to be an "interesting surprise," praising Carradine's "excellent" performance and the "beautiful" direction by Scorsese, "who really comes into his own here." [15] Kevin Thomas of the Los Angeles Times wrote, "What is most impressive about Boxcar Bertha ... is how 28-year old director Martin Scorsese, in his first Hollywood venture, has managed to shape such familiar material into a viable film." [16]

Arthur D. Murphy of Variety gave the film a negative review, writing, "Whatever its intentions, Boxcar Bertha is not much more than an excuse to slaughter a lot of people ... The final cut has stripped away whatever mood and motivation may have been in the script, leaving little more than fights, shotgun blasts, beatings and aimless movement." [17] Gene Siskel of the Chicago Tribune gave the film one star out of four and called it a "trashy movie" with violence that "does not shock. It merely depresses." [18] Tom Milne of The Monthly Film Bulletin declared: "Abrasively scripted, stunningly shot, and beautifully acted by David Carradine, Barbara Hershey and Barry Primus in particular, Boxcar Bertha is much more than the exploitation picture it has been written off as (by Variety, for instance) and makes a worthy companion piece to both Bloody Mama and Bonnie and Clyde." [19]

See also

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References

  1. Donahue, Suzanne Mary (1987). American film distribution : the changing marketplace. UMI Research Press. p. 301. ISBN   9780835717762. Please note figures are for rentals in US and Canada
  2. "Boxcar Bertha". Turner Classic Movies . United States: Turner Broadcasting System . Retrieved December 18, 2023.
  3. Thompson, Howard (August 18, 1972). "The Screen: 'Boxcar Bertha' Tops Local Double Bill". The New York Times .
  4. Chris Nashawaty, Crab Monsters, Teenage Cavemen and Candy Stripe Nurses - Roger Corman: King of the B Movie, Abrams, 2013, p. 120.
  5. 1 2 Muller, Christopher. "Train Movies & Railroad Films on DVD & Blu-ray". RailServe.com. Archived from the original on April 1, 2022. Retrieved August 12, 2022.
  6. Gary A. Smith, The American International Pictures Video Guide, McFarland 2009, p. 33
  7. "THEATRE". Tharunka . Vol. 27, no. 13. New South Wales, Australia. October 12, 1981. p. 28. Retrieved April 27, 2017 via National Library of Australia.
  8. "Barbara Hershey Drops Her Hippie Past and a Name, Seagull, and Her Career Finds Wings". people.com. Retrieved 2022-01-30.
  9. Turner Classic Movies Notes: Boxcar Bertha
  10. Playboy August 1972, Vol. 19, Iss. 8, pg. 82–85, by: Ron Thal, "Boxcar Bertha"
  11. Barbara Hershey has grown up in front of a camera Los Angeles Times
  12. "Boxcar Bertha (1972)". Rotten Tomatoes. Retrieved 28 May 2022.
  13. Scorsese, Martin (1989). Scorsese on Scorsese. Faber and Faber. p. 38.
  14. Ebert, Roger (July 19, 1972). "Boxcar Bertha". RogerEbert.com . Retrieved April 29, 2019.
  15. Thompson, Howard (August 18, 1972). "The Screen: 'Boxcar Bertha' Tops Local Double Bill". The New York Times . 19.
  16. Thomas, Kevin (June 21, 1972). "'Bertha' Battles Red-Necks". Los Angeles Times . Part IV, p. 13.
  17. Murphy, Arthur D. (May 31, 1972). "Film Reviews: Boxcar Bertha". Variety . 6.
  18. Siskel, Gene (July 20, 1972). "Now You See..." Chicago Tribune . Section 2, p. 9.
  19. Milne, Tom (May 1973). "Boxcar Bertha". The Monthly Film Bulletin . 40 (472): 94.