Chamber jazz

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Chamber jazz is a genre of jazz involving small, acoustic-based ensembles where group interplay is important. [1] It is influenced aesthetically by the small ensembles of chamber music in musical neoclassicism and is often influenced by classical forms of Western [2] music as well as non-Western music or culture. [3] That stated, in many cases the influence is traditional Celtic music, Central European folk music, or Latin American music instead.

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American bassist John Kirby (1908-1952) is arguably the first chamber jazz musician with a sextet he led in the 1930s and '40s. [4] However, many other early exponents originated in Europe so significant neoclassical composers of Europe, like Igor Stravinsky, are important. The German ECM Records also played a role in it beginning in the late 1960s. [5] It is also noted for using instruments not normally associated with jazz. For example, chamber jazz will make use of the oboe, mandolin, cymbalum, or the tabla.

The non-Western influences or instrumentation make chamber jazz at times listed as a kind of world music. At other times the fusion of neoclassical with jazz is deemed to be New Age and several albums of chamber jazz were released by Windham Hill Records. [6] Windham Hill itself was co-founded by a musician linked to chamber jazz and was initially known for folk or world music.

The term is also used, on occasion, to simply mean the fusion of chamber music with jazz. In this case, it means something similar to third stream but without the orchestral aspect third stream leans toward. Jazz is not traditionally considered chamber music. According to the definition of "chamber music", which is defined by Chamber Music America (CMA), chamber music is "works for small ensembles of 2–10 members, playing one to a part and generally performing without a conductor." Although the term "chamber jazz" might not be accepted by all, there are still musicians who play jazz in the tradition of chamber music. There are also chamber music groups that play chamber music in a style that can be considered "jazz".

Musician Ahmad Jamal performed "Chamber Music of the New Jazz", which can be a representative music piece of chamber jazz. During recent years, chamber jazz is performed more and accepted by a larger audience.

Notable musicians linked to chamber jazz music

The following have sources describing them as musicians who have performed chamber jazz. In some cases it is unclear if they agree with that description. Further many or most of these musicians are primarily known for other genres of jazz or other genres of music.

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<span class="mw-page-title-main">Musical ensemble</span> Instrumental and/or vocal music group

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<span class="mw-page-title-main">Jazz band</span> Musical ensemble that plays jazz music

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<span class="mw-page-title-main">Jazz fusion</span> Music genre combining jazz methods with rock music, funk, and rhythm and blues

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<span class="mw-page-title-main">Cool jazz</span> Sub-genre of jazz associated with the U.S. West Coast

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<span class="mw-page-title-main">Muhal Richard Abrams</span> American jazz musician and educator

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<span class="mw-page-title-main">Chico Hamilton</span> American jazz drummer and bandleader

Foreststorn "Chico" Hamilton was an American jazz drummer and bandleader. He came to prominence as sideman for Lester Young, Gerry Mulligan, Count Basie, and Lena Horne. Hamilton became a bandleader, first with a quintet featuring the cello as a lead instrument, an unusual choice for a jazz band in the 1950s, and subsequently leading bands that performed cool jazz, post bop, and jazz fusion.

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<span class="mw-page-title-main">John Kirby (musician)</span> American jazz musician (1908–1952)

John Kirby, was an American jazz double-bassist and bandleader. In addition to sideman work, Kirby is remembered for leading a successful chamber jazz sextet in the late 1930s and early 1940s, which scored several hit songs including "Loch Lomond" and the debut recording of "Undecided", a jazz standard. He is perhaps the first musician in the chamber jazz genre. Earlier in his career he also played trombone and tuba.

<span class="mw-page-title-main">Organ trio</span> Form of jazz ensemble

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Third stream is a music genre that is a fusion of jazz and classical music. The term was coined in 1957 by composer Gunther Schuller in a lecture at Brandeis University. There are many ways to define third-stream music. It could refer to a group of jazz musicians playing solely, or a jazz soloist performing with a symphony orchestra, as long as the musicians are able to interpret and play jazz music. Improvisation is generally seen as a vital component of third stream.In third-stream music, composers incorporated elements of classical music, such as the use of jazz instruments and classical music forms, into their jazz compositions. The fusion of jazz and classical music is also viewed as "born out of a reciprocal interest: the interest of the classical community in the developments in jazz music and the interest of the jazz community in the advances of classical music." The innovative idea of fusing jazz and classical music pushed the boundaries of traditional classical music and introduced a new genre that blends the two styles into a unique hybrid form.

21st-century classical music is Western art music in the contemporary classical tradition that has been produced since the year 2000. A loose and ongoing period, 21st-century classical music is defined entirely by the calendar and does not refer to a musical style in the sense of Baroque or Romantic music.

<span class="mw-page-title-main">Windham Hill Records</span> New-age music record label

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<span class="mw-page-title-main">Fred Katz (cellist)</span> American musician, composer, and anthropology professor

Frederick Katz was an American cellist and composer. He was among the earliest jazz musicians to establish the cello as a viable improvising solo instrument. Katz has been described in CODA magazine as "the first real jazz cellist."

References

  1. Catalano, Nick (11 December 2010). "Chamber Jazz". All About Jazz. Retrieved 22 September 2014.
  2. Marc Myers (2013). Why Jazz Happened. University of California Press. p. 51. ISBN   978-0-520-26878-4.
  3. JazzTimes, Inc. (September 1999). "JazzTimes". Jazz Times. JazzTimes, Inc.: 51–. ISSN   0272-572X.
  4. 1 2 William P. Gottlieb (1995). The Golden Age of Jazz. Pomegranate Artbooks, ISBN 9780876543559
  5. Richard Lawn (2013). Experiencing Jazz. Routledge. p. 344. ISBN   978-0-415-69960-0.
  6. California Business. California Business News, inc. 1984. p. 103.
  7. William C. Banfield (16 October 2011). Representing Black Music Culture: Then, Now, and When Again? . Scarecrow Press. p.  81. ISBN   978-0-8108-7786-3.
  8. "Jazz Times". Archived from the original on 2014-10-07. Retrieved 2014-09-24.
  9. Eddie Daniel website
  10. 1 2 3 NPR's "5 Great Works Of Modern Chamber Jazz" by Matt Ulery
  11. "Jazz Times". Archived from the original on 2015-02-20. Retrieved 2014-09-24.
  12. Will Friedwald (2 November 2010). A Biographical Guide to the Great Jazz and Pop Singers. Knopf Doubleday Publishing Group. p. 359. ISBN   978-0-307-37989-4.
  13. "Chico Hamilton, jazz drummer who performed with Charles Mingus, Chet Baker and others, dead at 92". NY Daily News. 26 November 2013. Retrieved 22 September 2014.
  14. Yanow, Scott. "Chico Hamilton: Biography". Allmusic. Retrieved 22 September 2014.
  15. Orlando Sentinel
  16. Ted Gioia (27 September 2012). The Jazz Standards: A Guide to the Repertoire. Oxford University Press. pp. 27–. ISBN   978-0-19-993739-4.
  17. Hartford Courant
  18. UT San Diego
  19. Los Angeles Times