Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. David H. Rosenthal contends in his book Hard Bop that the genre is, to a large degree, the natural creation of a generation of African-American musicians who grew up at a time when bop and rhythm and blues were the dominant forms of black American music. [2] : 24 Prominent hard bop musicians included Horace Silver, Charles Mingus, Art Blakey, Cannonball Adderley, Miles Davis and Tadd Dameron. Hard bop is sometimes referred to as "funky hard bop." [1] [3] The "funky" label refers to the rollicking, rhythmic feeling associated with the style. [3] The descriptor is also used to describe soul jazz, which is commonly associated with hard bop. [1] [3]
Lewis Burr Anderson was an American actor and musician. He is widely known by TV fans as the third and final actor to portray Clarabell the Clown on Howdy Doody between 1954 and 1960. He famously spoke Clarabell's only line on the show's final episode in 1960, with a tear visible in his right eye, "Goodbye, kids." Anderson is also widely known by jazz music fans as a prolific jazz arranger, big band leader, and alto saxophonist. Anderson also played the clarinet.
Caribbean Jazz Project was a Latin jazz band founded in 1993. The original group featured Dave Samuels, Paquito D'Rivera, and Andy Narell. After their second album, D'Rivera and Narell left the group, although both returned as guest stars. Under Samuels' leadership, the group explored different genres of latin jazz with a changing membership and numerous guest artists. The band released nine albums under the Caribbean Jazz Project name and one as the featured backing band for jazz singer Diane Schuur. The final album with Samuels, Afro Bop Alliance, featured the Maryland-based Afro Bop Alliance Big Band led by drummer Joe McCarthy and won the 2008 Latin Grammy Award for Best Latin Jazz Album. McCarthy's latin jazz big band continues to record under its own name, and Samuels retains the group's name.
A jazz trio is a group of three jazz musicians, often a piano trio comprising a pianist, a double bass player and a drummer. Jazz Trios are commonly named after their leader, such as the Bill Evans Trio.
Miles & Quincy: Live at Montreux is a collaborative live album by American jazz trumpeter Miles Davis and conductor Quincy Jones. It was recorded at the 1991 Montreux Jazz Festival and released by Warner Bros. Records in 1993.
Live at the Village Vanguard is a 1967 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the Solid State Records label. The album was nominated for a 1967 Grammy award in the "Best Instrumental Jazz Performance - Large Group..." category. All tracks are also included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra and seven tracks were also re-issued in the 1990s on CD as Volume 3 of LRC Ltd.'s series Village Vanguard Live Sessions.
Suite for Pops is a 1975 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the A&M Horizon label.
Opening Night is a big band jazz recording of the Thad Jones/Mel Lewis Jazz Orchestra playing at the Village Vanguard club in New York City in February 1966. This was the first performance of the group at this club although the recording was not released until 2000. A 50-year tradition for Monday nights at the Village Vanguard began from this first evening for the Thad Jones/Mel Lewis Jazz Orchestra which later became the Mel Lewis Jazz Orchestra and eventually the Vanguard Jazz Orchestra. Resonance Records released what they term an "official release", approved by the Jones and Lewis estates, in 2016.
What the Dickens! is a 1963 recording by Johnny Dankworth, accompanied by his orchestra and guests, some of the leading UK jazz musicians of the day. It is a suite based on characters and scenarios associated with Charles Dickens. It was recorded in London on July 29 and 31, August 7, October 4, 1963 and released as a vinyl album.
Guitar Forms is a 1965 album by Kenny Burrell, featuring arrangements by Gil Evans. Evans' orchestra appears on only five of the album's nine tracks, including the nearly 9-minute "Lotus Land." Three tracks are blues numbers in a small group format, and there is one solo performance: "Prelude #2."
Super Hits is a greatest hits album from Miles Davis. Released in 2001, it reached #22 on Billboard's Jazz Albums chart.
The Essential Miles Davis is a 2-CD compilation album by Miles Davis released by Columbia Legacy on May 15, 2001. It belongs to Sony Music Entertainment's "The Essential" series, not to the series "Essentials," established by WEA International, and was released as part of Sony's Miles 75 Anniversary program. In 2008, The Essential Miles Davis 3.0 was released as a limited edition album featuring a bonus third disc that added five more songs to the original track list.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Profiles is a live album by American jazz vibraphonist Gary McFarland featuring performances recorded at the Lincoln Centre Philharmonic Hall in 1966 for the Impulse! label.
Heads is the fifth album by jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed at the time by Columbia Records. All of his Tappan Zee albums are now distributed by E1 Music. The album reached number one on the Billboard Jazz Albums chart.
Giant Box is a double album by American arranger/conductor and composer Don Sebesky recorded in 1973 and released on the CTI label.
Encyclopedia of Jazz is an album released on the Verve label compiled by jazz journalist Leonard Feather featuring tracks which were recorded to accompany Feather's Encyclopedia of Jazz in the Sixties. The album features three tracks by the Encyclopedia of Jazz All Stars arranged and conducted by Oliver Nelson along with one track each by Jimmy Smith with Wes Montgomery, Count Basie and Johnny Hodges with Earl Hines.
All My Yesterdays is a big band jazz recording of the Thad Jones/Mel Lewis Jazz Orchestra playing at the Village Vanguard club in New York City in February and March 1966. The February 7 tracks are the first recordings of the group at this club although the recording was not released until 2016. A 50-year tradition for Monday nights at the Village Vanguard began from this first evening for the Thad Jones/Mel Lewis Jazz Orchestra which later became the Mel Lewis Jazz Orchestra and eventually the Vanguard Jazz Orchestra.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.
