Compression driver

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A compression driver (cylindrical box at rear) on a midrange horn speaker used in a home audio system
Horn loudspeaker animation.gif
A compression driver (A) in a horn loudspeaker consists of a metal diaphragm (blue) vibrated by the audio signal current in a coil of wire (red) between the poles of a cylindrical magnet (green). The sound waves pass out through an acoustic horn (B).

A compression driver is a small specialized diaphragm loudspeaker which generates the sound in a horn loudspeaker. It is attached to an acoustic horn, a widening duct which serves to radiate the sound efficiently into the air. It works in a "compression" mode; the area of the loudspeaker diaphragm is significantly larger than the throat aperture of the horn so that it provides high sound pressures. Horn-loaded compression drivers can achieve very high efficiencies, around 10 times the efficiency of direct-radiating cone loudspeakers. They are used as midrange and tweeter drivers in high power sound reinforcement loudspeakers, and in reflex or folded-horn loudspeakers in megaphones and public address systems.

Contents

History

In 1924 C. R. Hanna and J. Slepian [1] were the first to discuss the benefits of using a large radiating diaphragm with a horn of smaller throat area as a means of increasing the efficiency of horn loudspeaker drivers. They correctly surmised that this arrangement results in a significant increase in the radiation resistance (and therefore increased efficiency), because the loading mismatch between the vibrating transducer surface and air is largely corrected, thus allowing for much better energy transfer. In the Hanna and Slepian proposal the compression cavity is directly connected to the throat of the horn.

The next innovation came from E. C. Wente and A. L. Thuras in "A High-Efficiency Receiver for a Horn-Type Loudspeaker of Large Power capacity" in the Bell System Technical Journal, 1928. [2] They devised a plug placed in front of a radiating diaphragm to control the transition from compression cavity to horn throat. They found that the bandwidth of the transducer could be extended to higher frequencies using their phase plug. They also outlined criteria for the design of the channels in the plug and suggested a path-length based design approach to maximize the bandwidth. Significantly, their plug moves the coupling point between the cavity and horn away from the axis of rotation. This change significantly improves the transducer response as the effect of the acoustical resonances in compression cavity is reduced. The paper described the first generation compression driver with a field coil magnet and phase plug, It used an aluminum diaphragm with an edge wound aluminum ribbon voice coil. [3]

The first commercial compression driver was introduced 1933 when Bell Labs added a Western Electric No. 555 compression driver as a mid-range driver to their two-way "divided range" loudspeaker which was developed in 1931. [4]

In 1953 Bob Smith made the most significant contribution to modern phase-plug, and hence compression driver design, with his paper published in the Journal of the Acoustical Society of America [5] in which Smith analyzed the acoustical resonances occurring in the compression cavity and devised a design methodology to suppress the resonances by careful positioning and sizing of channels in the phase-plug. This work was largely ignored by his contemporaries and was only later popularized by Fancher Murray. [6] Today the majority of compression drivers, either by inheritance or design, are based on the guidelines outlined by Smith.

The suppression technique of Smith has been recently extended [7] using a more accurate analytical acoustical model of the compression driver geometry. From this work improved phase plug design guidelines have been deduced to eliminate all traces of acoustical resonance in the compression cavity. In this work Smith's derivation is confirmed using finite element analysis, a luxury that was unavailable to Smith.

Compression driver protection

In some sound reinforcement and studio monitors the high frequency drivers are protected by current sensing self-resetting circuit breakers. When too much power is dissipated by the driver, the circuit breaker interrupts the flow of electric current. The circuit breaker resets itself after a brief interval. An older circuit protection technique used by Electro-Voice, Community, UREI, Cerwin Vega and others is a light bulb placed in series with the driver to act as a variable resistor. The resistance of the bulb filament is proportional to its temperature which increases as current flow through the filament increases. The net effect is that as the power increases the filament consumes an increasing share of the total power thus limiting the power available to the compression driver. [8] [9]

Related Research Articles

<span class="mw-page-title-main">Loudspeaker</span> Converts an electrical audio signal into a corresponding sound

A loudspeaker is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A speaker system, also often simply referred to as a speaker or loudspeaker, comprises one or more such speaker drivers, an enclosure, and electrical connections possibly including a crossover network. The speaker driver can be viewed as a linear motor attached to a diaphragm which couples that motor's movement to motion of air, that is, sound. An audio signal, typically from a microphone, recording, or radio broadcast, is amplified electronically to a power level capable of driving that motor in order to reproduce the sound corresponding to the original unamplified electronic signal. This is thus the opposite function to the microphone; indeed the dynamic speaker driver, by far the most common type, is a linear motor in the same basic configuration as the dynamic microphone which uses such a motor in reverse, as a generator.

<span class="mw-page-title-main">Audio crossover</span> Electronic filter circuitry used in loudspeakers

Audio crossovers are a type of electronic filter circuitry that splits an audio signal into two or more frequency ranges, so that the signals can be sent to loudspeaker drivers that are designed to operate within different frequency ranges. The crossover filters can be either active or passive. They are often described as two-way or three-way, which indicate, respectively, that the crossover splits a given signal into two frequency ranges or three frequency ranges. Crossovers are used in loudspeaker cabinets, power amplifiers in consumer electronics and pro audio and musical instrument amplifier products. For the latter two markets, crossovers are used in bass amplifiers, keyboard amplifiers, bass and keyboard speaker enclosures and sound reinforcement system equipment.

<span class="mw-page-title-main">Tweeter</span> Type of loudspeaker

A tweeter or treble speaker is a special type of loudspeaker that is designed to produce high audio frequencies, typically deliver high frequencies up to 100 kHz. The name is derived from the high pitched sounds made by some birds (tweets), especially in contrast to the low woofs made by many dogs, after which low-frequency drivers are named (woofers).

<span class="mw-page-title-main">Mid-range speaker</span> Loudspeaker driver

A mid-range speaker is a loudspeaker driver that reproduces sound in the frequency range from 250 to 2000 Hz.

A woofer or bass speaker is a technical term for a loudspeaker driver designed to produce low frequency sounds, typically from 20 Hz up to a few hundred Hz. A subwoofer can take the lower part of this range, normally up to 80 Hz. The name is from the onomatopoeic English word for a dog's deep bark, "woof". The most common design for a woofer is the electrodynamic driver, which typically uses a stiff paper cone, driven by a voice coil surrounded by a magnetic field.

<span class="mw-page-title-main">Headphones</span> Device placed near the ears that plays sound

Headphones are a pair of small loudspeaker drivers worn on or around the head over a user's ears. They are electroacoustic transducers, which convert an electrical signal to a corresponding sound. Headphones let a single user listen to an audio source privately, in contrast to a loudspeaker, which emits sound into the open air for anyone nearby to hear. Headphones are also known as earphones or, colloquially, cans. Circumaural and supra-aural headphones use a band over the top of the head to hold the speakers in place. Another type, known as earbuds or earpieces, consists of individual units that plug into the user's ear canal. A third type are bone conduction headphones, which typically wrap around the back of the head and rest in front of the ear canal, leaving the ear canal open. In the context of telecommunication, a headset is a combination of a headphone and microphone.

<span class="mw-page-title-main">Electrostatic loudspeaker</span> Sound playback device

An electrostatic loudspeaker (ESL) is a loudspeaker design in which sound is generated by the force exerted on a membrane suspended in an electrostatic field.

<span class="mw-page-title-main">Horn loudspeaker</span> Loudspeaker using an acoustic horn

A horn loudspeaker is a loudspeaker or loudspeaker element which uses an acoustic horn to increase the overall efficiency of the driving element(s). A common form (right) consists of a compression driver which produces sound waves with a small metal diaphragm vibrated by an electromagnet, attached to a horn, a flaring duct to conduct the sound waves to the open air. Another type is a woofer driver mounted in a loudspeaker enclosure which is divided by internal partitions to form a zigzag flaring duct which functions as a horn; this type is called a folded horn speaker. The horn serves to improve the coupling efficiency between the speaker driver and the air. The horn can be thought of as an "acoustic transformer" that provides impedance matching between the relatively dense diaphragm material and the less-dense air. The result is greater acoustic output power from a given driver.

Thiele/Small parameters are a set of electromechanical parameters that define the specified low frequency performance of a loudspeaker driver. These parameters are published in specification sheets by driver manufacturers so that designers have a guide in selecting off-the-shelf drivers for loudspeaker designs. Using these parameters, a loudspeaker designer may simulate the position, velocity and acceleration of the diaphragm, the input impedance and the sound output of a system comprising a loudspeaker and enclosure. Many of the parameters are strictly defined only at the resonant frequency, but the approach is generally applicable in the frequency range where the diaphragm motion is largely pistonic, i.e., when the entire cone moves in and out as a unit without cone breakup.

<span class="mw-page-title-main">Bass reflex</span> Type of loudspeaker enclosure with improved bass performance

A bass reflex system is a type of loudspeaker enclosure that uses a port (hole) or vent cut into the cabinet and a section of tubing or pipe affixed to the port. This port enables the sound from the rear side of the diaphragm to increase the efficiency of the system at low frequencies as compared to a typical sealed- or closed-box loudspeaker or an infinite baffle mounting.

<span class="mw-page-title-main">Loudspeaker enclosure</span> Acoustical component

A loudspeaker enclosure or loudspeaker cabinet is an enclosure in which speaker drivers and associated electronic hardware, such as crossover circuits and, in some cases, power amplifiers, are mounted. Enclosures may range in design from simple, homemade DIY rectangular particleboard boxes to very complex, expensive computer-designed hi-fi cabinets that incorporate composite materials, internal baffles, horns, bass reflex ports and acoustic insulation. Loudspeaker enclosures range in size from small "bookshelf" speaker cabinets with 4-inch (10 cm) woofers and small tweeters designed for listening to music with a hi-fi system in a private home to huge, heavy subwoofer enclosures with multiple 18-inch (46 cm) or even 21-inch (53 cm) speakers in huge enclosures which are designed for use in stadium concert sound reinforcement systems for rock music concerts.

<span class="mw-page-title-main">Acoustic transmission line</span> Acoustic waveguide used to transmit sound

An acoustic transmission line is the use of a long duct, which acts as an acoustic waveguide and is used to produce or transmit sound in an undistorted manner. Technically it is the acoustic analog of the electrical transmission line, typically conceived as a rigid-walled duct or tube, that is long and thin relative to the wavelength of sound present in it.

<span class="mw-page-title-main">Electrodynamic speaker driver</span> Individual transducer that converts an electrical audio signal to sound waves

An electrodynamic speaker driver, often called simply a speaker driver when the type is implicit, is an individual transducer that converts an electrical audio signal to sound waves. While the term is sometimes used interchangeably with the term speaker (loudspeaker), it is usually applied to specialized transducers which reproduce only a portion of the audible frequency range. For high fidelity reproduction of sound, multiple loudspeakers are often mounted in the same enclosure, each reproducing a different part of the audible frequency range. In this case the individual speakers are referred to as drivers and the entire unit is called a loudspeaker. Drivers made for reproducing high audio frequencies are called tweeters, those for middle frequencies are called mid-range drivers, and those for low frequencies are called woofers, while those for very low bass range are subwoofers. Less common types of drivers are supertweeters and rotary woofers.

A coaxial loudspeaker is a loudspeaker system in which the individual driver units radiate sound from the same point or axis. Two general types exist: one is a compact design using two or three speaker drivers, usually in car audio, and the other is a two-way high-power design for professional audio, also known as single-source or dual-concentric loudspeakers. The design is favored for its compactness and behavior as an audio point source.

<span class="mw-page-title-main">Altec Lansing Duplex</span> Line of loudspeakers

DUPLEX was the trade name given by Altec Lansing to its line of coaxial loudspeakers, beginning with the first model 601 in 1943. However, the name was most commonly associated with the subsequent model 604 which was a seminal loudspeaker that became a milestone in loudspeaker development. Well over a dozen different models carried the Duplex name over a near 50-year period. The vast majority consisted of a high frequency (HF) compression driver mounted to the back of a large diameter paper cone low frequency (LF) driver. However, there were also a few models with small diameter LF cones and direct radiator tweeters.

<span class="mw-page-title-main">David Gunness</span> American audio engineer

David W. Gunness is an American audio engineer, electrical engineer and inventor. He is known for his work on loudspeaker design, especially high-output professional horn loudspeakers for public address, studio, theater, nightclub, concert and touring uses.

<span class="mw-page-title-main">Clifford A. Henricksen</span> American inventor, American musician

Cliff Henricksen is a musician, inventor and audio technologist. He is self-taught as a musician with a graduate degree in mechanical engineering at Massachusetts Institute of Technology (MIT). Throughout his career Cliff has found innovative ways to apply engineering basics to electro acoustics and to audio technology as it applies to music and in particular to live music performance. He has invented and engineered a wide variety of technologies and products well known in the world of professional audio. Today he balances work in audio and work as a performing musician.

<span class="mw-page-title-main">Phase plug</span>

In a loudspeaker, a phase plug, phasing plug or acoustical transformer is a mechanical interface between a speaker driver and the audience. The phase plug extends high frequency response because it guides waves outward toward the listener rather than allowing them to interact destructively near the driver.

A transmission line loudspeaker is a loudspeaker enclosure design which uses the topology of an acoustic transmission line within the cabinet, compared to the simpler enclosures used by sealed (closed) or ported designs. Instead of reverberating in a fairly simple damped enclosure, sound from the back of the bass speaker is directed into a long damped pathway within the speaker enclosure, which allows far greater control and use of speaker energy and the resulting sound.

In a loudspeaker, power compression or thermal compression is a loss of efficiency observed as the voice coil heats up under operation, increasing the DC resistance of the voice coil and decreasing the effective available power of the audio amplifier. A loudspeaker that becomes hot from use may not produce as much sound pressure level as when it is cold. The problem is much greater for hard-driven professional concert systems than it is for loudspeakers in the home, where it is rarely seen. Two main pathways exist to mitigate the problem: to design a way for the voice coil to dissipate more heat during operation, and to design a more efficient transducer that generates less heat for a given sound output level.

References

  1. Hanna, C. R.; Slepian, J. (September 1977) [1924]. "The Function and Design of Horns for Loudspeakers (Reprint)". Journal of the Audio Engineering Society. 25: 573–585.
  2. Wente, E.; Thuras, A. (March 1978) [1928]. "A High-Efficiency Receiver for a Horn-Type Loudspeaker of Large Power Capacity (reprint)". Journal of the Audio Engineering Society. 26: 139–144.
  3. Dunker, Thomas. "More references on horn loudspeakers". Archived from the original on Dec 11, 2018.
  4. Plummer, Gregg (May 2, 2007). "The Short History of Audio/Video Technology". Ampliozone. Archived from the original on Mar 14, 2022.
  5. Smith, B. (March 1953). "An Investigation Of The Air Chamber Of Horn Type Loudspeakers". The Journal of the Acoustical Society of America. 25 (2): 305–312. doi:10.1121/1.1907038.
  6. Murray, Fancher (October 1978). "An Application Of Bob Smith's Phasing Plug". Presented at the 61st Convention of the Audio Engineering Society. preprint 1384.
  7. Dodd, M.; Oclee-Brown, J. (October 2007). "A New Methodology for the Acoustic Design of Compression Driver Phase-Plugs with Concentric Annular Channels". Presented at the 123rd Convention of the Audio Engineering Society. preprint 7258.
  8. "Sea & Land's Speaker Protection Devices" (PDF). Archived from the original (PDF) on 2009-04-07. Retrieved 2009-01-17.[ dead link ]
  9. "Adjustable high-speed audio transducer protection circuit - US Patent 6201680 Description". PatentStorm. Archived from the original on 2009-02-16. Retrieved 2009-01-17.